Here are 100 books that The Last Berserker fans have personally recommended if you like
The Last Berserker.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Probably the first “modern” medieval adventure novel, a young Doyle published this in 1891, shortly after he had begun his more famous Sherlock Holmes stories. Also set in the Hundred Years War, it follows a band of mercenaries fighting for the Edward the Black Prince against the French.
It’s mild by today’s standards but a rousing adventure nonetheless, and I first read it at the age of 14. It has all the ingredients of old-fashioned epic adventure: precarious battles, friendship, valiant deeds, humor, and a bit of romance. Check it out and see what your grandfather would have read as a boy on a rainy afternoon.
"Now order the ranks, and fling wide the banners, for our souls are God's and our bodies the king's, and our swords for Saint George and for England!" With that rousing proclamation, twelve hundred knights ride into battle, accompanied by the stalwart archers known as the White Company. Fueled by their appetite for glory, this motley crew of freebooters stands united in their unswerving devotion to the company commander, Sir Nigel Loring. Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cornwell is one of the best—if not thebest—historical novelists writing today.
In Azincourt, we follow one English longbowman on an epic adventure that culminates in one of the most famous battles in history. Cornwell deftly weaves in authentic period detail without hitting you over the head with it.
Most importantly, he is a master of characterisation and rich prose who makes you truly care about the people on the page. Leavened with humor, grittiness, and an engaging romance set amidst war, I found it a compelling and moving read.
An extraordinary and dramatic depiction of the legendary battle of Agincourt from the number one historical novelist
Azincourt, fought on October 25th 1415, St Crispin's Day, is one of England's best-known battles, in part through the brilliant depiction of it in Shakespeare's Henry V, in part because it was a brilliant and unexpected English victory and in part because it was the first battle won by the use of the longbow - a weapon developed by the English which enabled them to dominate the European battlefields for the rest of the century.
Bernard Cornwell's Azincourt is a vivid, breathtaking and…
As a lifestyle reporter, my favorite stories were those of ordinary people doing both great and small things that are extraordinary. I've written since I could string sentences together, beginning with a desire to create what I wanted to read. That need has landed me in historical fiction. Nothing else is as satisfying as plunging down rabbit holes of research to come up hours later wondering where the day went. I strive to make my novels as historically accurate as possible because the combination of emotional involvement of fiction is a great way to learn about history. I'm not here to rewrite history but to give my readers a chance to relive it.
I was blown away by the history provided by Gilman in this book about his character Thomas Blackstone. It starts out with Blackstone as a blacksmith apprentice who is recruited to fight in the 100 Years War. He is made an archer with a strong arm, and the reader is transported into battles with Blackstone. The details of the archers, their importance to the army, and their equipment are a true learning experience.
'Like a punch from a mailed fist, MASTER OF WAR gives a true taste of the Hundred Years War. It is a gripping chronicle of pitched battle, treachery and cruelty. The stench and harshness of medieval life is ever present' ROBERT FABBRI, bestselling author of the Vespasian series.
England, 1346: For Thomas Blackstone the choice is easy - dance on the end of a rope for a murder he did not commit, or take up his war bow and join the king's invasion.
As he fights his way across northern France, Blackstone learns the brutal lessons of war - from…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.
Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle.
On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights.
And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
Alice has had a passion for myths ever since reading Greek myths as a small child. Alice's most recent book is a retelling of myths and legends worldwide. As well as editing several anthologies for children, she has published a book on mythology and another on the fantasy writer Mervyn Peake, and she has many scholarly publications on fantasy and children's literature.
This is a vigorous retelling of the last battle of the Norse gods and their enemies, how the gods tried to avert their doom, how they first met those who would kill almost all of them, and what happened after all the slaughter and destruction. The book has the size and format of a typical picture storybook but its powerful illustrations of threat and attack make it more suitable for an older audience.
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
The first volume of a series that eventually ran to three books. It opens with the main character, Ted, caught in an explosion out among the prairie oil rigs and badly shaken up when he faces a Norse fire god who announces he is about to burn the world. Ted wants his old life back, but now the creatures of Norse myology stalk among us.
If you think you might enjoy the characters from Norse mythology in a gritty modern mid-Canada setting, this one is for you. Described as a serious fantasy for grownups. I have to admit I ended up buying all three books as they became available.
In a flash, Ted Callan’s world exploded and amid the flames he saw the incomprehensible, the burning figure of the fire giant Surtur. Before long, Ted learns that the creatures of Norse folklore walk among us and his fate is forever tied to them. Ted wants nothing more than to have his old life back. No more magic. No more smart-ass gods. To get it, Ted is willing to fight his way through any creature of legend. The problem is, if he succeeds, it might just be the end of the world.
Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.
This is less about the myths themselves and more about the culture that spawned them. Ellis Davidson’s analysis of Nordic pre-Christian religion is sober but accessible, and comparisons are made with other contemporary belief systems such as the Celts’ and the ancient Britons’. The book nicely ties together the disparate tales much as the world tree, Yggdrasil, is said to have tied together the Nine Realms.
Surveys the pre-Christian beliefs of the Scandinavian and Germanic peoples. Provides an introduction to this subject, giving basic outlines to the sagas and stories, and helps identify the charachter traits of not only the well known but also the lesser gods of the age.
My interest in demography began when I saw rapid demographic change taking place before my eyes in London, and when I noted the different fertility choices of friends and relations and started to put the pieces together and to understand how demography shapes our changing reality. I have published three books on the subject—the first, a version of my PhD thesis, the second and third captured below—and have broadcast and written articles for the press extensively on these topics.
It takes real historic breadth to write a comprehensive history of the nineteenth century and only a historian of the quality of Evans could pull it off so convincingly. Like his mentor Eric Hobsbawm—but unencumbered by the Marxian straight-jacket—Evans masterfully draws the links not only between decades and between countries and continents but also between the social, the economic, and the political. His book is no demographic history, but it takes demography seriously. This really matters in a century in which the Malthusian bonds were broken for some of humanity, not all of it, making it a period of European global supremacy underpinned by demographic takeoff, the effects of which we are still feeling.
"Sweeping . . . an ambitious synthesis . . . [Evans] writes with admirable narrative power and possesses a wonderful eye for local color . . . Fascinating."-Stephen Schuker, The Wall Street Journal
From the bestselling author of The Third Reich at War, a masterly account of Europe in the age of its global hegemony; the latest volume in the Penguin History of Europe series
Richard J. Evans, bestselling historian of Nazi Germany, returns with a monumental new addition to the acclaimed Penguin History of Europe series, covering the period from the fall…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
As the first in his series of novels on the 1930sin Europe, Alan Furst's Night Soldiertends to earn the most critical praise, but Dark Starremains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.
Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues.
Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when…
