100 books like Houses of Power

A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.

Alas, now out of print, this book is part biography, part architectural history, and part social history. The mason-architect Robert Smythson comes to life, as do the houses he designed and the eccentric patrons who employed him. The book's (mainly black-and-white) illustrations inevitably look a bit dated now. But the text is, to my mind, hard to beat: utterly engrossing, particularly when dealing with Hardwick Hall, a house Girouard knows intimately, having lived there as a small child. I remember stumbling across this book many years ago, as a student, while looking for something else at the library. I ended up spending the better part of the day reading Robert Smythson from cover to cover: it was a revelation that a work of scholarship could be so beautifully written.

A brilliant combination of biography and history during the amazing moment of creation of some of the Bard’s greatest plays (Henry V, Julius Caesar, As You Like It, and even Hamlet). These varied dramas played out against the sensitive moment in London of an aging, heirless Queen Elizabeth I after the Armada and Irish wars but also at the formation of the East India Company.  Shapiro’s (and Shakespeare’s) sequel, The Year of Lear. Shakespeare in 1606, deserves attention, as does the vivid historical fiction, Hamnet by Maggie O’Farrell, told from the viewpoint of Stratford village and Bard’s family during the era of the lingering Black Death.

Strong is the undisputed doyen of Elizabethan painting. As Assistant Keeper (1959-67) and Director (1967-73) of the National Portrait Gallery and then Director of the Victoria and Albert Museum (1973-87), he devoted the better part of thirty years to groundbreaking exhibitions and publications on the Tudor court. His writings, more than anyone else’s, are what led me to Tudor art. This book distills the essence of Strong’s many seminal works from a long and distinguished career, but adds glorious new colour photography and generous nods to the art historians who have come after him. Strong wears his learning lightly, making this an ideal gateway text for anyone seeking a way into the world of Elizabethan painting and portraiture.

This is an indispensable summary of sixteenth-century English history, but it’s not as short as you might expect (the second edition actually includes greater content). The facts are well-researched, and the details are concise.

If you know nothing of the Tudors this is a good place to start, but being ‘very short’ it will leave you wanting to know more.

This is a guide to being a Tudor, everything from getting up in the morning to going to bed at night. Ruth Goodman gives us all the details of everyday life.

History very often concentrates on the lives of the rich and famous, the kings and queens, but it's the life of the ordinary person that always interests me. And this book fully illuminates that.

Known to many as a TV presenter, Ruth writes in an easily readable style.

If there is any one book that has changed the way I view early modern British history, Kaufman has written that book.

Kaufman has written a series of mini-biographies here of Black residents of Britain during the sixteenth and early seventeenth centuries that predate Britain’s involvement in the slave trade and demonstrate just how wide-ranging the Black British experience was during this period. The book challenges many preconceptions, especially the association of Blacks with slavery that really only emerged in England after the Tudor period.

The stories of the individuals featured in this book have much to teach us, not only about this early period, but about the Black contribution to British history in general and the need for historians to write them back into that history.

In this thought-provoking book, Onyeka Nubia encourages us to re-examine Tudor concepts of race and ethnicity in Tudor (and Stuart) England without assumptions based on post-colonial narratives. What emerges is a nuanced picture of complex interactions, attitudes, and prejudices. As well as studying the writings of Tudor scholars, theologians, and authors, Nubia looks at the lives of individual Africans in England, showing that they weren’t “strangers” but lived as part of English communities - whether in cosmopolitan London parishes such as St Botolph without Aldgate, or in rural villages.

Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.

What did Tudor England look, sound, or smell like?

This is an innovative work from Amy Licence, historian of women's lives. Using the five senses, she skilfully plunges readers into sixteenth-century England, letting us see, hear, smell, taste, and (almost) touch the Tudor world like we've never experienced it before.