Here are 100 books that Houses of Power fans have personally recommended if you like
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I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.
An interdisciplinary study that shows how works of art influenced English poets in the late sixteenth and early seventeenth centuries. Included in the appendix is a survey of the ownership and distribution of books of art and architecture in English Renaissance libraries. Very light foxing on front panel. iv , 100 pages. stiff paper wrappers. small 8vo..
I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
Alas, now out of print, this book is part biography, part architectural history, and part social history. The mason-architect Robert Smythson comes to life, as do the houses he designed and the eccentric patrons who employed him. The book's (mainly black-and-white) illustrations inevitably look a bit dated now. But the text is, to my mind, hard to beat: utterly engrossing, particularly when dealing with Hardwick Hall, a house Girouard knows intimately, having lived there as a small child. I remember stumbling across this book many years ago, as a student, while looking for something else at the library. I ended up spending the better part of the day reading Robert Smythson from cover to cover: it was a revelation that a work of scholarship could be so beautifully written.
Describes the career of the seventeenth-century British architect, looks at his designs for rural mansions and castles, and discusses his contributions to their interior decoration
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
Shapiro’s work is often a model of the kind of writing that I would like to attempt. This book, which focuses on a single year in Shakespeare’s life–1599–and its historical, political, and theatrical events (including performances of Henry V and Julius Caesar), brings its material to life.
It is a deeply researched book, with a wealth of resources listed in its bibliographical essay, but its handling and style are still so captivating and accessible that I couldn’t put it down when I first read it!
When we write about early modern literature and history, we construct narratives that draw on invention and imagination. Shapiro’s book reflects that vital mix of rigorous historical research, insightful interpretations of literary texts, and its own acts of storytelling.
What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe)
1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who…
I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
Strong is the undisputed doyen of Elizabethan painting. As Assistant Keeper (1959-67) and Director (1967-73) of the National Portrait Gallery and then Director of the Victoria and Albert Museum (1973-87), he devoted the better part of thirty years to groundbreaking exhibitions and publications on the Tudor court. His writings, more than anyone else’s, are what led me to Tudor art. This book distills the essence of Strong’s many seminal works from a long and distinguished career, but adds glorious new colour photography and generous nods to the art historians who have come after him. Strong wears his learning lightly, making this an ideal gateway text for anyone seeking a way into the world of Elizabethan painting and portraiture.
Fifty years after his seminal Tate gallery London exhibition, 'The Elizabethan Image', leading authority Roy Strong returns with fresh eyes to the subject closest to his heart, The Virgin Queen, her court and our first Elizabethan age
From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class', Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art. Enriching previous perceptions and ways of seeing the Elizabethans in their world, he reveals an age parallel in many ways to our own-a country aspiring professionally and…
I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
This is a guide to being a Tudor, everything from getting up in the morning to going to bed at night. Ruth Goodman gives us all the details of everyday life.
History very often concentrates on the lives of the rich and famous, the kings and queens, but it's the life of the ordinary person that always interests me. And this book fully illuminates that.
Known to many as a TV presenter, Ruth writes in an easily readable style.
On the heels of her triumphant How to Be a Victorian, Ruth Goodman travels even further back in English history to the era closest to her heart, the dramatic period from the crowning of Henry VII to the death of Elizabeth I. A celebrated master of British social and domestic history, Ruth Goodman draws on her own adventures living in re-created Tudor conditions to serve as our intrepid guide to sixteenth-century living. Proceeding from daybreak to bedtime, this "immersive, engrossing" (Slate) work pays tribute to the lives of those who labored through the era. From using soot from candle wax…
I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
This is an indispensable summary of sixteenth-century English history, but it’s not as short as you might expect (the second edition actually includes greater content). The facts are well-researched, and the details are concise.
If you know nothing of the Tudors this is a good place to start, but being ‘very short’ it will leave you wanting to know more.
The monarchs of the Tudor period are among some of the most well-known figures in British history. John Guy presents a compelling and fascinating exploration of the Tudors in the new edition of this Very Short Introduction.
Looking at all aspects of the period, from beginning to end, he considers Tudor politics, religion, and economics, as well as issues relating to gender and minority rule, and the art, architecture, and social and material culture of the time. Introducing all of the key Tudor monarchs, Guy considers the impact the Tudor period had not only at the time, but also the…
I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
This is a well-written book with a strong sense of history’s human stories. It is painstakingly researched—but beautifully narrated—and based on archival evidence to explore the lives of Africans in Britain during the Tudor period.
It tells so many diverse stories about Black divers, servants, circumnavigators, and so much more. Teachers have since used this book to update their school lessons about the Tudor period.
A Book of the Year for the Evening Standard and the Observer
A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England...
They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
In this thought-provoking book, Onyeka Nubia encourages us to re-examine Tudor concepts of race and ethnicity in Tudor (and Stuart) England without assumptions based on post-colonial narratives. What emerges is a nuanced picture of complex interactions, attitudes, and prejudices. As well as studying the writings of Tudor scholars, theologians, and authors, Nubia looks at the lives of individual Africans in England, showing that they weren’t “strangers” but lived as part of English communities - whether in cosmopolitan London parishes such as St Botolph without Aldgate, or in rural villages.
The Tudor period remains a source of timeless fascination, with endless novels, TV programmes and films depicting the period in myriad ways. And yet our image of the Tudor era remains overwhelmingly white. This ground-breaking and provocative new book seeks to redress the balance: revealing not only how black presence in Tudor England was far greater than has previously been recognised, but that Tudor conceptions of race were far more complex than we have been led to believe.
Onyeka Nubia's original research shows that Tudors from many walks of life regularly interacted with people of African descent, both at home…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.
Possibly the first industrial complex to be operated in England, the kitchens at Hampton Court Palace were highly organised and built to feed the whole of King Henry VIII''s household. Brears traces their history & functions in this illustrated volume.'
I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
What did Tudor England look, sound, or smell like?
This is an innovative work from Amy Licence, historian of women's lives. Using the five senses, she skilfully plunges readers into sixteenth-century England, letting us see, hear, smell, taste, and (almost) touch the Tudor world like we've never experienced it before.
Traditionally history is cerebral: what did they believe, what did they think, what did they know?
Woodsmoke and Sage is not a traditional book.
Using the five senses, historian Amy Licence presents a new perspective on the material culture of the past, exploring the Tudors' relationship with the fabric of their existence, from the clothes on their backs, the roofs over their heads and the food on their tables, to the wider questions of how they interpreted and presented themselves, and what they believed about life, death and beyond. Take a journey back 500 years and experience the sixteenth century…
