100 books like How to Live Like a Monk

This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.

We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.

I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."

Reading this book is like listening to your incredibly knowledgeable historian friend talk about medieval society over drinks. Janega’s turns of phrase and sharp observations make me laugh, and at the same time, I feel my mind soak up knowledge like a sponge.

This book is about what medieval people thought and why, going back to the philosophies and influences of ancient Greece and Rome. It tackles medieval beauty standards, sexual practices, family life, and work life. It addresses fart jokes and eyeliner, as well as ideas about biology and class disparities. We see women farming, ruling, weaving, brewing, and writing.

Janega argues that it is through seeing the past truly that we can "imagine new futures," making the necessary changes for "a more equitable world."

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

This book is about medieval manuscripts, but those parchment pages are only the "portals that connect us to lives in the past." This book’s stories are, in fact, about the hands that wrote, illustrated, commissioned, collected, and composed those manuscripts.

Wellesley’s enthusiasm for the forensic study of the physical as well as textual past is infectious. She gently corrects popular assumptions about the Middle Ages (yes, women were involved in all aspects of book-making, from commissioning to composing to writing to illustrating), all the while dropping in delectable details that make you stop and think (the word "artist" doesn’t appear in English until after the medieval period).

A prequel to the famous best-seller The Pillars of the Earth this book follows the fortunes of three disparate characters as they navigate the perilous Viking-riven world of 10th-century England. Although some of Follett’s books are considered ‘light’ reading by many he’s a meticulous author who enjoys his period research and always presents his readers with stories as rich in historical accuracy and verisimilitude as they are in drama and intrigue. A broad cast of characters gives us a view of life from all the strata of English (and Norman) society: from noblewoman to slave; craftsman to monk. A long, long book that will leave you wanting even more.

This is a superb example of what a multi-author compilation can achieve: wide coverage, specialist knowledge of a variety of topics and approaches, and thus fascinating details from around the world of medieval warfare. And what it lacks (in coherent overview and broad comparative approach) is supplied by my own book! I think of this as a good companion to my own more global, comparative, and theory-based account of medieval war and conflict.

If I hear someone who has never studied medieval history once in their life refer to the “Dark Ages” as a time when “Science” was banned by the Church one more time, I will actually die, and this book does an amazing job of explaining how ignorant those old myths are.

Falk laces this book with delicious tidbits of the weird and wonderful of medieval scientific (or, to be nerdy, what we would call natural philosophical) ideas. Goat fat enemas? Sure. But there is also the transcription of Persian manuscripts, the invention of mechanical clocks and eyeglasses, and the creation of the University.

The book brings to life a vibrant, interconnected intellectual world and is a testament to how clever medieval people were in circumstances that were much more difficult than our own.

"The Fair" Phillip IV of France died in 1314. His three sons ruled after him in turn, and none provided a legitimate heir, so when the youngest son, Charles IV, died in 1328, the Capetian dynasty, which had ruled France for over 300 years, came to an end. 

But Phillip IV had a daughter, Isabella, who had married Edward II of England, and so their son, the future Edward III, was the nearest male relative to the deceased Charles IV.

Isabella was adamant that her son was the legitimate heir to the French throne, and it was this claim that was pursued throughout the Hundred Years War and which was only relinquished in 1802.

Isabella has not had good press. Derided as "the she-wolf of France," she was an adulteress, waged war against her husband, and was probably complicit in his murder. In fairness, she had much to contend with. Edward II… show more.

Twisting things around, The Dragon and the George throws the main character into the body of a dragon. I highly enjoyed the view of a human being thrown into an unknown type of body. The confusion and the discovery of strength and weaknesses made it fun to read. The tale has a small cast, and the story might remain a bit flat in ways, nevertheless, I found myself entertained by the setup and the unlikely band that the adventure brings together.

The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.