Here are 100 books that Lyonesse Book 1 fans have personally recommended if you like
Lyonesse Book 1.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
Finishing Titus Groan, the first volume of the Gormenghast series, made me feel as though I was one of the few people to have scaled a towering, oddly-shaped mountain.
Set in the sprawling, half-ruined Castle Gormenghast, Titus Groan centers on the constrained, almost frozen relations between a declining noble family and their many servants, some of whom strain against the social order with all the energy of Satan in Paradise Lost.
Peake’s work is by turns inspiring and maddening: he would turn a phrase or describe a scene in such an arresting way that I couldn’t imagine how he pulled it off; at other times, I scratched my head at the loosely plotted, self-indulgent writing. But I’ve also never read anything like the Gormenghast series: Peake has such a gift for arresting imagery and wordplay that his work seems like a novel-length set of Edward Gorey drawings.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.
What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.
The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.
It's a race against time to save her country, but it could cost her life . . .
Karigan G'ladheon always seemed to be getting into a fight, and today was no exception.
But as she trudged through the forest, using her long walk home to contemplate her depressing future - and the expulsion it was bound to hold - a horse burst through the woodland and charged straight for her. The rider was slumped over his mount's neck with two arrows embedded in his back. Wherever his horse was taking him, he would be dead before they got there.…
I grew up watching 80s Saturday morning cartoons, playing RPGs such as Final Fantasy. Those cartoons and games didn’t care about genre, they cared about telling a story, about making you care about the characters. Hence you could have wizards driving space cars, or knights battling giant robots and so on. They were proof of how wonderfully crazy our imagination can go when we threw labels away and just create stories. The books in this list allow themselves to do that and go bigger, go bolder, showing us the readers what’s possible if we let loose. I hope this list takes others on such wonderful rides, like they did with me.
Cosmic horror and fantasy have shared a close relationship since the times of Robert E. Howard. But historical fantasy and cosmic horror? Now that’s different.
If you are a fan of series such as The Last Kingdom, or enjoy a bit of cosmic horror in the vein of the Cthulhu Mythos, this is for you. Written by Gary Whitta, who also wrote the script for Rogue One. Set during Alfred the Great’s rule, this is a story about a knight that saves his kingdom at great personal cost thanks to the dabbling in dark magic from a deranged monk.
The tension and trepidation grow with every page. And that’s just half the story. Don’t let the body horror distract you, this is at its core a story about family love.
"Whitta is a master of suspense. Abomination grabs you and doesn't let go." ―Hugh Howey, New York Times-Bestselling Author of Wool
He is England's greatest knight, the man who saved the life of Alfred the Great and an entire kingdom from a Viking invasion. But when he is called back into service to combat a plague of monstrous beasts known as abominations, he meets a fate worse than death and is condemned to a life of anguish, solitude, and remorse.
She is a fierce young warrior, raised among an elite order of knights. Driven by a dark secret from her…
I grew up in the sixties and loved all things science fiction when it was at its peak. Being a voracious reader, I spent many days in the local library. I wanted to learn how to be good enough to get my books there. I was encouraged by friends and began studying writing at workshops and conventions. There, I met many of my favorite authors, including Anne McCaffery, Orson Scott Card, Lois McMaster Bujold, and A. C. Crispin. I also met scientists and actors. Critique groups honed my craft and expanded my appreciation of books. I learned to read and write outside my comfort zone.
I developed a passion for epic fantasy series when I was introduced to Terry Goodkind’s book.
I passionately followed the story of Richard Cypher and Kahlan the Confessor. I followed their story, book after book. The things that the old wizards knew about people are still true today. It was their first rule and why they created Seekers and Confessors. All I need to do is look at the news, check social media, etc., to see how the rule still stands.
People are stupid; given proper motivation, almost anyone will believe almost anything. Because people are stupid, they will believe a lie because they want to believe it to be true or because they fear it might be true.
A beloved fantasy classic and the beginning of one of the most breathtaking adventure stories of all time
One man, Richard Cypher, holds the key to the fate of three nations and of humanity. But until he learns the Wizard's First Rule his chances of succeeding in his task are slim. And his biggest problem is admitting that magic exists at all ...
A novel of incomparable scope and brimming with atmospheric detail: in a world where heart hounds stalk the boundaries for unwary human prey, blood-sucking flies hunt on behalf of their underworld masters, and where artists can draw…
I have always been an escapist reader. From fantasy to historical fiction, my favorite books have transported me from my life—providing me with the adventure and romance that I crave. I’m a lover of series, specifically, because they offer a longer, more immersive experience. As a writer, I hope to offer my readers the same respite from reality that my favorite series have offered me, and I’m publishing my completed five-book series, The Raek Riders series all at once in an effort to do just that. They will be available March 19th, 2024, ready for escapist readers to binge from start to finish.
I first read The Inheritance Cycle in middle school. It was my introduction to high fantasy, and I relished joining Eragon on his adventures into a world of dragons, elves, and dwarves.
Fast forward quite a few years, and I listened to the audiobooks with my husband. This is a series that can be enjoyed by a wide range of ages and was worth repeating. I especially recommend the audiobook for the voice of the dragon, Saphira, and the pronunciation of the dwarfish and elvish languages.
It was this series that inspired me to escape into the dragon-riding daydream that became my first series as an author.
When poor farm boy Eragon finds a polished stone in the forest, he thinks it's a lucky discovery. Perhaps, he will be able to buy his family food for the winter.
But, when a baby dragon hatches out of the stone, Eragon realises he's stumbled upon a legacy nearly as old as the Empire itself.
His simple life is shattered, and he's thrust into a perilous new world of destiny, magic and power. To navigate this dark terrain, and survive his cruel king's evil ways, he must take up the mantle of the…
I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?
I read the second book in the Prydain Chronicles first, so it remains my favorite for introducing me to this magical version of medieval Wales and an Assistant Pig-Keeper. While I, like Taran, wanted to avoid the mundanities of life and skip straight to the magic swords, it was the grounding in the reality of chores that made me believe in the world. It also made me believe that if I had the good fortune to discover a portal to Prydain, that I could at least take up a career in the scullery, the forge, or possibly as a pig-keeper, while I waited to be discovered for the princess-in-disguise that I surely must be.
The peaceful land of Prydain is under threat. The evil Lord of Annuvin is using the dark magic of the Black Cauldron to create a terrifying army of deathless warriors.
The Cauldron must be destroyed, and Taran joins Prince Gwydion and his faithful knights, Ellidyr and Adaon, in this perilous quest. Taran is desperate to wear his first sword and prove his worth amongst such noble men. But their adventure will demand great sacrifices, as each warrior fulfils his destiny in totally unexpected ways.
The Black Cauldron is the second book in Lloyd Alexander's classic fantasy epic The Chronicles of…
Morally gray heroes are my absolute favorite kind. Whether it’s Batman, Dean Winchester from Supernatural, or the heroes on this list—if he’s not dark and stormy, well, I’m not interested. There’s a depth to these characters that others often lack, and I find it so fascinating. Especiallywhen there’s romance involved. The books on this list are nearly all polar opposites, and yet... they each stretch our capacity to love to the very breaking point—and then make us catch our breath. How far into the darkness can he go, and still come back with a heart left to give to his heroine?
This book is so underrated, it’s painful. A truly engrossing read. Han Alister must rise up from the slums of the city to embrace his magic, and find revenge for his innocent sister’s death. She was his heart, and when her life is extinguished, so is that part of himself. Or so he thought, until Raisa. A princess by birth, she’ll have to overcome her so-called privilege to have a chance at real happiness with someone less than a commoner—a reformed thief and gang leader. Or is he? Will revenge prove a more powerful conviction than love? Magical twists and surprises abound, and the depth of this world will suck you right in. If you’re not cheering for Han by the end, do you even like morally gray heroes?
New York Times bestselling author Cinda Williams Chima presents the first installment in a thrilling new fantasy series, in which the lives of Han Alister and the brave Princess Raisa collide in a magical and dangerous adventure. One day Han Alister catches three young wizard setting fire to the sacred mountain of Hanalea. Han takes an amulet away from Micah Bayar, son of the High Wizard, to ensure the boy won't use it against him. The amulet once belonged to the Demon King, who nearly destroyed the world a millennium ago. With a magical piece so powerful at stake, Han…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
the Middle Ages,
war,
and
princes.
