100 books like Growing Up in Medieval London

This book tells the story of the wars of the Roses through the lens of one family – the Pastons. This family left an extraordinary archive of letters, and it included many fascinating characters, especially women. The Paston women fought off sieges on their houses, wrote Valentine letters to their husbands, ran off with servants, and managed complicated household finances. As a family, the Pastons were social climbers, who tried to get on at court and to improve their position. Through them, we hear about high politics, but also about the domestic life and loves of the gentry in the fifteenth century. In this book, Helen Castor writes a kind of family biography, expansive, gripping, and detailed. It is both first-class research and a great story.

This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.

We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.

I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."

One of the great thrills of researching medieval history is getting the chance to handle original documents up close, as I have had the good fortune to do a few times. Christophe de Hamel is a palaeographer, a manuscripts expert who has travelled the world to examine some of the most precious handwritten works that still survive. As his title hints, De Hamel treats these artefacts as personalities, and his no-nonsense decipherment of priceless treasures is like listening in on a wise and witty conversation.

For me, this isn’t a book that I read cover to cover; it is a book that I very frequently refer to when I want information. This is my go-to book when I want to check how much a labourer was paid, and what that money would buy, for example. It is an economic history and, as such, helps you to understand the fundamentals of how medieval society worked and was put together. So you can find out not only about the life of an aristocrat, but about the life of a peasant, free or unfree, and about life in the countryside as well as life in towns or in great households. It covers almost 700 years of history, so it also demonstrates how much changed across this long and varied period – starting hundreds of years before the Norman Conquest, and ending in the reign of Henry VIII, when… show more.

For much of Western history, birth out of wedlock has been a serious barrier to inheritance and succession. It is often assumed that this attitude arrived alongside Christianity: yet, McDougall explains that the medieval world actually cared very little about the circumstances of one’s birth until the thirteenth century. What historians have consistently misinterpreted as concern for legitimate birth was instead dogged insistence that a legitimate marriage existed only when husband and wife were of equivalent status. This is particularly relevant when it comes to an heir’s “throneworthiness.” It was not sufficient for a king to be the son of a great man with a remarkable patriline; the matriline had to be every bit as impressive to qualify him for the throne.

McDougall’s eminently readable and thought-provoking book reveals how the misogynistic assumptions of modern-day historians have gotten in the way of understanding medieval dynasties. Historians have preferred to see… show more.

This is a masterful work covering the period from the Norman conquest to the Black Death. Sarah Rees Jones is one of my go-to scholars for medieval York, as well as an engaging writer. I particularly appreciate her looking beyond the importance of the royal government in the city’s development to include the strong influence of the Minster and other ecclesiastical institutions in the city as well as the significance of the people of York—merchants and craftspeople.

Check here first if you want a feel for how the city grew, who were the makers and shakers, how the neighborhoods developed, where the influential people lived. Every time I dip into this book I learn something new. With 18 useful maps and an extensive bibliography.

In my own writing I’ve recently ventured into the Anglo-Saxon period, so I know how hard it is to conjure the history of these early medieval centuries from the meagre source material that survives. Rory Naismith manages this brilliantly in his highly engaging history of London in the centuries between the end of Roman Britain and the Norman Conquest. Naismith’s earlier books are on coins and coinage, but he does not allow his specialism to pull the book off balance. It’s a comparatively short volume, but it provides a comprehensive overview of the emerging capital, and it wears its considerable learning lightly.

London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.

The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.

Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.

An interesting but idiosyncratic overview of the history and the resultant growth of London. The result is a book full of interesting insights, amusing anecdotes, and historical highlights. A vivid celebration of the city, but also an elegy for its decline, bubbling with statistics and anecdotes, from Boadicea to Betjeman.

It’s hard to express the depths of my excitement when I discovered this book. This title allowed me to take research for my novel’s heroine to a whole new level. Should she use parchment or vellum, what was the difference, and when should she use one over the other? (Did you know the most sumptuous parchments were died purple? I didn’t until I read this book!) What was the difference between natural and artificial pigments as understood by medieval artists? And how did they create all those brilliant reds, blues, greens, yellows, purples, and more in their paintings? How did they make paint out of gold or apply gold leaf to their art? All these details and much, much more are laid out here. Everything a medieval artist, in life or in fiction, could possibly need to know! (This book also touches on other forms of medieval painting, like painting… show more.