Here are 100 books that The Architect's Apprentice fans have personally recommended if you like
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My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.
We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.
I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."
Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule.
In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the…
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
I didn’t want to read this book (it was a gift). I thought I’d read just a few pages to be polite… And then I couldn’t put it down! The quote on the cover says, “a thing of shimmering wonder,” which sums it up perfectly.
Hamnet takes place during 1580, another plague year (see my first recommendation!). This book's dance of love and loss, grief and forgiveness is breathtaking. And woven through it is the simple magic of herbs and medicines made by a healer’s hands.
These everyday acts become the stitches that bind this soaring novel to earth and make it a thing us mere mortals can understand.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
Like many readers, I am fascinated by strong creative women in the past and how their lives can inspire women today. As an academic, before my Creative Writing Diploma and transformation to a creative writer, I taught historical novels of many kinds. I now enjoy devising fascinating women whose lives have significant importance for today’s issues. To talk about my favourite historical figure Virginia Woolf, I have had invitations from galleries and universities around the world, including several in the US and Europe, as well as Brazil, Egypt, Israel, Mexico, and Norway. France Culture and Arte TV, and Turkey TRT Television also featured my writing.
1928 Avant-garde Paris is buzzing with the latest ideas in art, music, literature, and dance. Lucia, the talented and ambitious daughter of James Joyce, is making her name as a dancer, training with some of the world's most gifted performers. When a young Samuel Beckett comes to work for her father, she's captivated by his quiet intensity and falls passionately in love. Her unrequited obsession leads to treatment by Carl Jung and finally an asylum. My books aim to bring alive women artists hidden from history, and The Joyce Girl creates a powerful portrait of an artist unable to fulfill her talent.
“Abbs has found a gripping and little-known story at the heart of one of the 20th century’s most astonishing creative moments, researched it deeply, and brought the extraordinary Joyce family and their circle in 1920s Paris to richly-imagined life.”—Emma Darwin, bestselling author of A Secret Alchemy and The Mathematics of Love
For readers who adored novels like The Paris Wife, Z, and Loving Frank, comes Annabel Abbs highly praised debut novel, where she spins the story of James Joyce’s fascinating, and tragic, daughter, Lucia.
“When she reaches her full capacity for rhythmic dancing, James Joyce may yet be known as…
Like many readers, I am fascinated by strong creative women in the past and how their lives can inspire women today. As an academic, before my Creative Writing Diploma and transformation to a creative writer, I taught historical novels of many kinds. I now enjoy devising fascinating women whose lives have significant importance for today’s issues. To talk about my favourite historical figure Virginia Woolf, I have had invitations from galleries and universities around the world, including several in the US and Europe, as well as Brazil, Egypt, Israel, Mexico, and Norway. France Culture and Arte TV, and Turkey TRT Television also featured my writing.
Winner of the Historical Writers’ Association Debut Crown Award, Blood & Sugar is a page-turner of a crime thriller set in London and Greenwich 1781. Captain Harry Corsham must discover why his old friend the abolitionist Tad Archer was murdered. Corsham’s quest may do irreparable damage to the slave trade. I live in Greenwich, much of which is unchanged architecturally since the eighteenth century. Walking the streets portrayed in the novel brings alive that world. Slave trade monuments are currently being taken down in the UK and US and Blood & Sugar depicts the beginnings of that emotional and necessary journey.
'A page-turner of a crime thriller . . . This is a world conveyed with convincing, terrible clarity' C. J. Sansom
Blood & Sugar is the thrilling debut historical crime novel from Laura Shepherd-Robinson.
June, 1781. An unidentified body hangs upon a hook at Deptford Dock - horribly tortured and branded with a slaver's mark.
Some days later, Captain Harry Corsham - a war hero embarking upon a promising parliamentary career - is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable…
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Miss Austen is Cassandra, sister of the more famous Jane, who takes centre stage in this story, though Jane is there, too, as the beloved missed sister, not the novelist. The year is 1840, Jane has been dead for twenty years, Cassandra is in her sixties and though frail is on a quest to find some missing letters which may reveal secrets about Jane and Cassandra which must not be known. It’s a mystery and we want to know if Cassandra will find those letters, but it is also a touching portrait of sisterly devotion. Cassandra makes an admirable heroine, determined and resourceful despite her frailty. It also tells much about the way in which spinsters, usually ignored by society, have a rich and complex inner life.
The Sunday Times bestselling novel, set to be a major TV drama ________________________ 'You can't help feeling that Jane would have approved.' OBSERVER
'So good, so intelligent, so clever, so entertaining - I adored it.' CLAIRE TOMALIN ________________________ Throughout her lifetime, Jane Austen wrote countless letters to her sister. But why did Cassandra burn them all?
1840: twenty three years after the death of her famous sister Jane, Cassandra Austen returns to the village of Kintbury, and the home of her family's friends, the Fowles.
She knows that, in some dusty corner of the sprawling vicarage, there is a cache…
I’m the girl who loved school excursions to historical parks and the middle-aged author who cannot keep away from a house museum. Like most Australians, I love to travel (you’ll meet us everywhere), gravitating towards historical sites and weighing down my luggage with museum-shop trophies from Beijing to Bath and Cusco to Athens. All novels are mysteries the reader wants to solve, but stories with multiple timelines add an extra layer of puzzle to the mystery. As a writer I get to craft those puzzle pieces. And as a reader, I love solving them!
Of course, the title leapt out at me from the bookshop shelf! And on reading the first page I fell in love with Shafak’s lyrical writing.
As I read further, I was drawn into the stories of love in many guises within its pages. I was intrigued by the way the author wove a modern narrative of a deeply unhappy American housewife with a story about the historical character, thirteenth-century Sufi poet, Rumi, and his friendship with wandering dervish, Shams of Tabriz.
The story took me to a place and time far from mine and I learned about a very different culture—yet in its philosophical concerns and themes, not so different after all. And I really loved that both Shams and Rumi were storytellers so that the novel had layers of nested stories.
The international bestseller from the author of the Booker-shortlisted novel, 10 Minutes 38 Seconds in this Strange World, The Forty Rules of Love is part of our Penguin Essentials series which spotlights the very best of our modern classics
*One of the BBC's '100 Novels That Shaped the World'*
"Every true love and friendship is a story of unexpected transformation. If we are the same person before and after we loved, that means we haven't loved enough..."
Ella Rubinstein has a husband, three teenage children, and a pleasant home. Everything that should make her confident and fulfilled. Yet there is…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
This book is a richly historical novel set in Renaissance Italy. The main character, Lucrezia, must use her wits in a world where her only value is her dynastic marriage and the heir she is duty-bound to produce.
I loved the imagery of her as a canary in a golden cage, which is really a prison. The book is richly descriptive and historically evocative, and the ending provides an unexpected conclusion that left me cheering.
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
With a tight cast of characters, I was intimately drawn into the distressing and mysterious predicament of young heroine, Bess Bright.
Set in Georgian London, Bess has been forced to give up her baby, but when she returns to the home to reclaim her, she discovers she has already been taken. Bleak and tense, this book however resolves into an uplifting tale where characters are treated with compassion and justice is achieved. A mother’s love has the power to transform the bitterest of beginnings. Historical fiction at its best.
The captivating Sunday Times bestseller from the author of The Familiars
Two women, bound by a child, and a secret that will change everything . . .
London, 1754. Six years after leaving her illegitimate daughter Clara at London's Foundling Hospital, Bess Bright returns to reclaim the child she has never known. Dreading the worst, that Clara has died in care, Bess is astonished to be told she has already claimed her. Her life is turned upside down as she tries to find out who has taken her little girl - and why.
I was a very bright little girl growing up in Boston, Massachusetts in the mid-1960s. I passed the entrance exam for Girls’ Latin School in Boston without difficulty and set out for a lifelong journey through many great institutions of higher learning. By the time I was a university student, I knew I wanted to help solve social problems. So, I chose to become an economist. I’m a bit techy but I also have a passion for great writing and history. In recent years, my profession has allowed me to get to know Asia and its amazing cultures through my visits to Hong Kong, Taiwan, Japan, China, India, and my current abode, Beirut!
Living in Istanbul over a long period since 1995 made me want to know its history better.
This book is one of best written and most influential books on the topic describing, as it does, not only the political and military history of the Ottoman Empire but also its economic and social fabric, its ability to innovate in a variety of fields and the reasons behind its rule over six centuries.
My interest in the topic eventually led to an influential publication with the economic historian Şevket Pamuk and our younger colleague Alpay Filiztekin in the European Review of Economic History in 2008 on the sources of economic growth for the region encompassing modern Türkiye between 1880-2005.
This major contribution to Ottoman history is now published in paperback in two volumes: the original single hardback volume (1994) has been widely acclaimed as a landmark in the study of one of the most enduring and influential empires of modern times. The authors provide a richly detailed account of the social and economic history of the Ottoman region, from the origins of the Empire around 1300 to the eve of its destruction during World War One. The breadth of range and the fullness of coverage make these two volumes essential for an understanding of contemporary developments in both the…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
