74 books like Quicksilver

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.

This was my first venture into science fiction, and it is the greatest novel by one of the genre's masters. I found it to be truly inspiring in both scope and concept. 

The story deals with the collapse of the imperial empire, the rise of a new federation, and a future of possibilities I had never imagined. I simply could not put it down and went on to read all the other books in the series. Asimov makes the everyday sound extraordinary.

I was drawn to the way the main characters in this story are normal people, more or less like you and me, but in circumstances that exist only in our imaginations. I strongly recommend this book to anyone who wants to expand their appreciation of the genre.     

This book filled me with the thrill and horror of being a sailor, the addiction to the sea, and the beauty and tragedy of the world at the time of the Napoleonic wars; it filled me with this experience as if I were there, friends with the protagonists, seeing the sails fill and shine in the sun, receiving my bowl of grog, preparing for battle.

Patrick O’Brian was one of the world’s top experts on the British Navy and the Napoleonic wars, and this gorgeously written series takes you into their most intimate experiences. O’Brian bases his battles on move-by-move histories of real events, and by listening to Patrick Tull read the audiobook (could Tull be the best reader of all time?), I not only feel that world to be real to me, but I wish people spoke to each other with the articulation and meaning of his characters.

Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally. 

Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwell at the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.

In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.

Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.

Larson limns Captains Turner of the Lusitania, and Schweiger of the U-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story. 

The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read. 

I first read 1919 by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.

We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.

The USA trilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.

This omnibus collects eleven short stories about space merchant Nicholas Van Rijn. Van Rijn (no coincidence that he’s Dutch) is literate, clever, eccentric in speech, archaic in dress, and occasionally valiant in battle – but he’d much rather trade than fight, and although he describes trade as “swindling each other,” he characteristically strikes deals that benefit all parties.

Van Rijn’s trade-in spices (he is CEO of the Solar Spice and Liquors Company) is a callout to the history of the Dutch East India Company. The great early modern companies (and specifically, the British East India Company) are one of the inspirations in my book: they founded some fortunes and give to startling adventure stories, but the contradictions inherent in their nature also led to corruption and oppression.

I found this book, the first of four in the series, to be fascinating in its portrayal of a race of intelligent, upright-walking lions. Cherryh’s ability to invent believable and fully fleshed-out alien races is delightful.

In this series, humans are the aliens. I loved how Cherryh made the reader root for the lions and their strange but understandable culture. It's a great concept by a great writer.

I’m a sucker for good dialogue and this is about as good as it gets. This book nails sarcasm, wit, and humor. You can hear every quip and see every facial expression as you spend the entire book wishing you could have a seat in that spaceship—even if they are facing certain doom. I basically wanted to be best friends with every character… and the authors. (So umm *clears throat* if anyone has Amie or Jay’s number…hook a girl up.)

This book is different from the rest on the list in a few ways. It doesn’t transport the characters to new, magical realms. There are no whimsical beasts or mystical creatures. And, perhaps most significantly, I read this one as a “grown-up.” I had the honor of reading this book aloud to my children, along with its sequels, over the course of several months. My kids were delighted by these bright, young protagonists who, using their wits, imagination, and moral compass, save their loved ones from a devious villain intent on obliterating individuality. I fell in love with these characters, just as my children did. And when we read the final page of the final chapter of the final book, my daughter burst into tears. Not because the story was sad, but because spending time with these imaginary people had been a real experience. 

Good stories take us to other… show more.