10 books like Time and Again

This is the first of the 21 Aubrey/Maturin novels about the British side in the Napoleonic Wars. Read one and you’re hooked for the duration! O’Brian recreates an accurate and nuanced immersion into the age of sail and the British Navy. His characters are rich and complex with foibles and flaws, yet rise to the circumstances of their lives. His research is impeccable and exhaustive. One feels they are on the oak deck next to the crew.
The movie of the same title is far more truncated than the novel, but still a wonder in its beautifully rendered scenes.

The casual brutality, foreign intrigues, and vivid battle scenes leave the reader with racing heart and the hint of salt air in their nose. This series is a true treasure.

This was the first chapter book I remember reading when I was a little girl, and I still love the story. Set during the early 20th century, Francie, her younger brother, and their mom struggle to survive. The children hoard trash to sell to the junk man for the pennies he pays them on Saturday. Their mother works as a janitress in exchange for rent and a few dollars. Their father works as a singing waiter, but drinks away his earnings. 

I followed Francie from age eleven to age seventeen. I felt like I knew her and was cheering for her to find a better place in her world. This novel highlighted what it was like to grow up impoverished in a city where everyone seems to notice and judge. 

Unlike the other titles listed on my list, The House of Mirth was not written with history receding in the rearview mirror. It was published in 1905, and meant to reflect the moral character and social context of a beautiful young woman at the century’s turn in New York. It’s the kind of book I would have wrongly dismissed as a trifle when I was a teenager. But Wharton writes with such pitiless precision and ferocious insight that she makes her story seem as modern as a Netflix show about Anna Delvey, the grifter. Of course, Wharton portrays her protagonist, Lily Bart, with far more compassion. But the author is so tough and knowing about the world Lily is operating in that I was reminded at times of Martin Scorsese’s Goodfellas. Then as now, the city can be a jungle.  

This one is set in the early 20th century. Coralie, works at her father’s Coney Island freak show as a mermaid and has extraordinary swimming abilities but is as sheltered as a goldfish in a bowl. She meets and falls in love with a photographer who is on hand to document the famous Triangle Shirtwaist Factory fire. This is for readers who like their historical fiction touched with that kitchen-sink magical realism that Alice Hoffman is celebrated for. Turn-of-the-century New York sparkles throughout. This one is closer to my own Melting Pot roots and its eccentric characters seem so New York!

The Spectral City series by Leanna Hieber is for those who like their Gaslight era New York history mixed with ghosts! Narrated by a young woman with the gift of ghost communicator, she sees spirits beyond the veil of our corporal existence. And what a world is there! Her mystery-cracking team helps her confront the dark world. Don’t worry—attention to historical details is spot on, and so is police commissioner Teddy Roosevelt’s confidence in his sleuth. I love a ghost story where the ghosts have afterlives of their own, don’t you? Enjoy these detective stories with unique sidekicks of their resourceful heroine.

Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.

Larson limns Captains Turner of the Lusitania, and Schweiger of the U-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story. 

The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read. 

I first read 1919 by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.

We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.

The USA trilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.

Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim. 

The sheer volume of historical research evident in Quicksilver eclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome. This is rapture for a bibliophile. Mr. Stephenson is a genius.

Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.

The Ritual of Illusion is a brilliant short novel by Richard Christian Matheson (Richard Matheson’s son). Written entirely in dialogue from the points of view of numerous different witnesses, it tells the story of Hollywood star Sephanie Vamore’s strange rise and bizarre fall. This is Sunset Boulevard Matheson-style…another generation of Matheson, that is.