100 books like The Museum of Extraordinary Things

Published in 1943, this was certainly my favorite coming-of-age novel which I read in high school. I grew up in a neighborhood in Queens with trees and parks while to me, Brooklyn was a world of concrete.

Francie intrigued me with how she survived her drunk father, her single-minded mother, and the harshness of poverty. My working-class world was a lot less dangerous and drastic than Francie’s so she intrigued me as she never wavered or lost her belief that everything would work out. The novel is the epitome of the coming-of-age book since it is truly about growing up and looking back on childhood memories no matter how unforgiving they are.

You are only young once and the novel tells us to relish those memories since there is always something good in them even if they are buried. The movie directed by Kazan is a good watch showing the… show more.

This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).

Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible. 

Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.

Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally. 

Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwell at the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.

In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.

The Spectral City series by Leanna Hieber is for those who like their Gaslight era New York history mixed with ghosts! Narrated by a young woman with the gift of ghost communicator, she sees spirits beyond the veil of our corporal existence. And what a world is there! Her mystery-cracking team helps her confront the dark world. Don’t worry—attention to historical details is spot on, and so is police commissioner Teddy Roosevelt’s confidence in his sleuth. I love a ghost story where the ghosts have afterlives of their own, don’t you? Enjoy these detective stories with unique sidekicks of their resourceful heroine.

Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.

Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.

In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.

No graphic novel has ever blown me away like Unterzakhn (which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.

The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.

I fell in love with this series and its intrepid heroine Molly Murphy on page one. A young, penniless woman who has to rely on her own wits to make her way to America at the end of the 19th century, and a sea voyage that ends well enough until she becomes a murder suspect as soon as she arrives in Ellis Island - this impeccably researched historical mystery has all the ingredients I could want. It’s a satisfying mystery and a scathing social commentary, the tone of voice is clever and funny, and I didn’t just want to follow Molly on every step of her journey, I wanted to be her. 

In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.