Here are 100 books that World of Our Fathers fans have personally recommended if you like
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As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.
Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
In The Price of Whiteness, historian Eric L. Goldstein documents the uneasy shift in Jewish-American identity throughout American history.
Are Jews a religion or a race or something else entirely? How did Ashkenazi Jews come to be seen as white? Goldstein addresses these questions and others in his rigorously researched book, which touches on topics like Black-Jewish relations, and features a surprisingly profound analysis of Adam Sandler’s “The Chanukah Song.”
What has it meant to be Jewish in a nation preoccupied with the categories of black and white? "The Price of Whiteness" documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. This book traces Jews' often tumultuous encounter with race from the 1870's through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
Eileen Charbonneau’s love affair with New York City was cemented the day she was downtown on jury duty and witnessed the 9/11 terrorist attacks. New York is the Melting Pot birthplace of her parents, home of her first job (Brooklyn) first Shakespeare (Central Park) and Folk music (Greenwich Village) performances, first apartments (West Village and Washington Heights), and first cocktail (Kir Royale at the Algonquin). Many family stories and deep roots remain.
This one is set in the early 20th century. Coralie, works at her father’s Coney Island freak show as a mermaid and has extraordinary swimming abilities but is as sheltered as a goldfish in a bowl. She meets and falls in love with a photographer who is on hand to document the famous Triangle Shirtwaist Factory fire. This is for readers who like their historical fiction touched with that kitchen-sink magical realism that Alice Hoffman is celebrated for. Turn-of-the-century New York sparkles throughout. This one is closer to my own Melting Pot roots and its eccentric characters seem so New York!
Coney Island, 1911: Coralie Sardie is the daughter of a self-proclaimed scientist and professor who acts as the impresario of The Museum of Extraordinary Things, a boardwalk freak show offering amazement and entertainment to the masses. An extraordinary swimmer, Coralie appears as the Mermaid alongside performers like the Wolfman, the Butterfly Girl,and a 100 year old turtle, in her father's ""museum"". She swims regularly in New York's Hudson River, and one night stumbles upon a striking young man alone in the woods photographing moon-lit trees. From that moment, Coralie knows her life will never be the same.
I want to live in a future where all life can thrive. Toward that end, I spend my days teaching and writing about how we can solve the problems we face in our communities and world and build such a future. No surprise then that I read extensively about solutions to problems, looking for those that are visionary while being practical and which truly strive to do the most good and least harm for everyone. As a systems thinker, I’m always looking for books that recognize how interconnected our political, economic, production, food, legal, energy, and other systems are and that offer ideas that will have the fewest unintended negative consequences.
This book is more than twenty years old, but wow, is it relevant today! At a time when immigration has become such a polarizing issue, this book is a journey into the stories of immigrants in Queens, NY.
I laughed, I cried, I celebrated, I mourned, and I learned so very much. This book invited me into the lives of people whose stories transformed me, making me a better, more open, more aware person.
A kaleidoscopic view of new immigrants and refugees living in Queens, New Yorkthe most ethnically diverse locality in the United States. For three years, Warren Lehrer and Judith Sloan traveled the world by trekking the streets of their home borough. This book (and its companion audio CD) documents the people they encountered along the way. First person narratives are illuminated by strikingly direct photographic portraits of the subjects alongside the objects of their worlds. Lehrer's postmodern, Talmudic design juxtaposes the multiple perspectives of these new Americans, now thrown together as neighbors, classmates, coworkers, enemies, and friends. They reflect on the…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
I’ve been fascinated by cities ever since I was a teenager without a driver’s license on Long Island and my parents let me take the train into Manhattan (“Just be back by midnight!”). In college, I studied architecture and urbanism and learned how cities churned and changed. Today, having written about places like New Orleans, San Francisco, Mumbai and Berlin for publications including Harper’s and The New York Times Magazine, as well as in my books, I know I’ll be walking, riding, and eating my way through cities forever. And reading through them, too!
This book takes something so in-your-face yet so often ignored about New York and other 21st-century global metropolises—their polyglot nature—and makes it the focus. I know when I arrive in a major city, the cacophony of myriad languages stands out on that first subway, bus, and tram ride. But soon enough, it all becomes background noise.
By foregrounding this phenomenon, arguing that it’s peaking today as global migration swells, and telling the stories of several tenacious language communities in New York’s outer boroughs, Perlin reads NYC through the alphabets that cover its bodega awnings.
Half of all 7,000-plus human languages may disappear over the next century and - because many have never been recorded - when they're gone, it will be forever. Ross Perlin, a linguist and co-director of the Endangered Language Alliance, is racing against time to map little-known languages across the most linguistically diverse city in history: contemporary New York.
In Language City, Perlin recounts the unique history of immigration that shaped the city, and follows six remarkable yet ordinary speakers of endangered languages deep into their communities to learn how they are maintaining and reviving their languages against overwhelming odds. Perlin…
