Here are 100 books that Jews Without Money fans have personally recommended if you like
Jews Without Money.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.
THE BOOK- As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range- its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
Microeconomics is a turnoff to most readers. Not without reason. Many books in this field are dull rewrites of other books and opaque. In particular, it is not clear how the behavior of individual consumers and producers adds to the performance—good or bad—of an economy. The books listed here helped me to sharpen my own mind and to make my writing lucid.
This fascinating and very detailed history of early Manhattan shows how the Dutch with their policy based on individual liberty and free trade impacted not only New York City but even the shaping of America.
I sensed this when I was an inhabitant of New York, but now I understand why.
In a riveting, groundbreaking narrative, Russell Shorto tells the story of New Netherland, the Dutch colony which pre-dated the Pilgrims and established ideals of tolerance and individual rights that shaped American history.
"Astonishing . . . A book that will permanently alter the way we regard our collective past." --The New York Times
When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely…
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
The book that propelled the fight against modernist city planning–think urban renewal or interstate highways–is still a thrill to read 62 years after its publication.
Generating most of her insights by walking the city streets and living in Greenwich Village, Jacobs shows how dense neighborhoods with diverse land uses generate valuable "weak ties" while avoiding the suffocating conformity of small towns.
Jacobs did not just talk the talk; she walked the walk–getting arrested for protesting Robert Moses’ plan to slice a highway through lower Manhattan. Embraced by both libertarians and progressive new urbanists, Jacobs still generates controversy, but you can feel her love for urban neighborhoods on every page.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I enjoyed Yezierska’s ability to effectively portray the struggles of a young girl growing up in a poor immigrant Jewish household. I found myself cheering Sara on as she yearned to escape her household and the expectation placed upon her to marry.
Yezierska’s use of language and vivid imagery made the act of reading an almost palpable experience. I felt as though I was living Sara’s life as she lived it herself.
First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute…
I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
This first-person narrative historical novel tells in chilling detail the real-life events of the Triangle shirtwaist fire of 1911 seen through the eyes of one of the few survivors. Over 150 workers, mostly women, died in the inferno due to the management's decision to keep the doors locked so that the workers produced more shirts. You will turn each page feeling the horror, the fear, the rage, the disbelief this tragedy evokes.
By the time she dies at age 106, Esther Gottesfeld, the last survivor of the Triangle Shirtwaist fire, has told the story of that day many times. But her own role remains mysterious: How did she survive? Are the gaps in her story just common mistakes, or has she concealed a secret over the years? As her granddaughter seeks the real story in the present day, a zealous feminist historian bears down on her with her own set of conclusions, and Esther's voice vies with theirs to reveal the full meaning of the tragedy.
I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin.
This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.
As Daniel Deronda opens, Gwendolen Harleth is poised at the roulette-table, prepared to throw away her family fortune. She is observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes. And while Gwendolen loses everything and becomes trapped in an oppressive marriage, Deronda's fortunes take a different turn. After a dramatic encounter with the young Jewish woman Mirah, he becomes involved in a search for her lost family and finds himself drawn into ever-deeper sympathies with Jewish aspirations and identity. 'I meant everything in the book to be related to everything else', wrote George…
I’m a second-generation Jewish New Yorker. I love my city passionately, and I know that it loves me back. Some two million Jews left Russia for New York at the turn of the 20th century. They landed at Ellis Island, headed for the Lower East Side, and made the city theirs. My immigrant grandparents were among them. It’s impossible to conceive of New York without Jews. Lenny Bruce once said: In New York, even if you’re Catholic, you’re Jewish.
Hettie Cohen defied the stifling conventions of her middle-class Jewish Queens upbringing to live the life with her husband, the poet LeRoi Jones in a Bowery loft. When the Black Power movement beckoned, he changed his name to Amiri Baraka and left her. Hettie Jones’ memoir brings to life the Village of the late 1950s and 60s, complete with the beats, their women, jazz spots, and the rich literary scene. A little-known gem about a very specific cultural moment in New York, told in a clear, honest voice.
Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The story of many American Jews is a story of tension: between assimilation and continuity, universalism and particularism, Jewishness and Americanness.
The stories in Nathan Englander’s debut collection, a number of which are set in the sealed-off world of Orthodox Jews, center on tensions between the spiritual and the secular, the sacred and the profane.
To wit: the title story is about a Hasidic Jew whose rabbi permits him to see a sex worker “for the relief of unbearable urges.” Englander, who grew up Orthodox himself, is a master of the short story form, and his work gives readers a glimpse into a complex, cloistered corner of American Jewish life.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
