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The Death and Life of Great American Cities.
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I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
Marco Polo at the court of Kublai Kahn tells of the fantastical cities that he has seen on his journey.
Each city, told in a vignette of a page or two, each more amazing than the last is another reflection on the universal city – the way humans come together to build something larger than themselves. And through these views, one comes to see how we construct societies and the bonds that hold us together.
In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
To understand cities today, you also have to understand why and how they were built to begin with. After all, our environment contains the materialization of previous decisions – we should know why those were made! Through the story of over a dozen global cities, historian Ben Wilson demonstrates how cities are concentrations of hopes, dreams, power, and conflict. While many great historians like Lewis Mumford and Stephen Hall have preceded him with excellently detailed urban history books of their own, this book stands out in its readability, attention to detail, and especially its coverage of global cities. After all, the urban future of most of the world lies beyond the Global North, and this broad survey shows the vast differences in urbanism between cultures.
From the Sunday Times bestselling author, a dazzling, globe-spanning history of humankind's greatest invention: the city.
'Brilliant...enchanting' Evening Standard 'Exhilarating' New York Times
The story of the city is the story of civilisation. From Uruk and Babylon to Baghdad and Venice, and on to London, New York, Shanghai and Lagos, Ben Wilson takes us through millennia on a thrilling global tour of the key urban centres of history.
Rich with individual characters, scenes and snapshots of daily life, Metropolis is at once the story of these extraordinary places and of the vital role they have played in making us who…
Microeconomics is a turnoff to most readers. Not without reason. Many books in this field are dull rewrites of other books and opaque. In particular, it is not clear how the behavior of individual consumers and producers adds to the performance—good or bad—of an economy. The books listed here helped me to sharpen my own mind and to make my writing lucid.
This fascinating and very detailed history of early Manhattan shows how the Dutch with their policy based on individual liberty and free trade impacted not only New York City but even the shaping of America.
I sensed this when I was an inhabitant of New York, but now I understand why.
In a riveting, groundbreaking narrative, Russell Shorto tells the story of New Netherland, the Dutch colony which pre-dated the Pilgrims and established ideals of tolerance and individual rights that shaped American history.
"Astonishing . . . A book that will permanently alter the way we regard our collective past." --The New York Times
When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely…
I'm an experimental social psychologist and Scientia Professor at the University of New South Wales, Sydney. I grew up in Hungary, and after an adventurous escape I ended up in Sydney. I received my DPhil and DSc degrees from the University of Oxford, and I spent various periods working at Oxford, Stanford, Heidelberg, and Giessen. For my work I received the Order of Australia, as well as the Distinguished Scientific Contribution Award, the Alexander von Humboldt Prize, and a Rockefeller Fellowship. As somebody who experienced totalitarian communism firsthand, I am very interested in the reasons for the recent spread of totalitarian, tribal ideologies, potentially undermining Western liberalism, undoubtedly the most successful civilization in human history.
This is one of the best books I have read that helps to understand the reasons behind the fascinating and unpredictable rise of Western liberal civilization.
Humans lived in abysmal conditions for tens of thousands of years, poor, wretched, exposed to violence, war, illness, and untimely death for most of our evolutionary history. The emergence of Western liberal civilization is truly an amazing break with our miserable past. How did this happen?
The authors argue that there is a very precarious path to be followed between totalitarian and imposed order, and chaotic individualism, and Western civilization happened to find almost by chance that delicate balance as a result of a combination of historical, ideological, and other circumstances.
"Why is it so difficult to develop and sustain liberal democracy? The best recent work on this subject comes from a remarkable pair of scholars, Daron Acemoglu and James A. Robinson. In their latest book, The Narrow Corridor, they have answered this question with great insight." -Fareed Zakaria, The Washington Post
From the authors of the international bestseller Why Nations Fail, a crucial new big-picture framework that answers the question of how liberty flourishes in some states but falls to authoritarianism or anarchy in others--and explains how it can continue to thrive despite new threats.
Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
This might be my all-time favorite memoir. Every time I sit down to write, I tend to read a few pages of it to absorb the rhythm of Patti Smith’s unadorned, lyrical writing.
Like Taylor Swift, Patti Smith is a music icon, a poet, and a genius wordsmith. For me, this book totally captured the radiant nostalgia of a bygone era and a romantic love that evolves into something more permanent and transcendent.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
The seventh child of a seventh son of a seventh son. Mother spoke of my sleeping nights and alert days…felt I was curious, observant. She was convinced I’d be the writer in the family. Named me Jerome after the librarian St. Jerome and Mark after Mark Twain, her favorite author as a child. Mother read to us daily, during high school time, a chapter a night. My brother Fred mailed me a word a week to look up. My freshman year in college I earned money writing compositions. And so it began. I sat on the floor and listened to the world war from Pearl Harbor to D-Day and Hiroshima.
Steinbeck can see through his character’s eyes. I get chills when he captures private moments.
Faces on pickers being pushed off land in the dustbowl during the Depression. I tasted abject poverty when supper was passed out on pie tins—one tablespoon of beans in each. Dimes were gas money to follow a dream of picking work a brochure of orange orchards in California promised, not for bread.
The hardships mesmerized me—burying Grandpa along the highway; daughter Rosasharn rocking her swaddled stillborn to ward off the suspicion of border inspectors. In an abandoned railroad car as a night’s shelter a man was dying from malnutrition.
I was moved by the statement of character when the childless momma kneeled and offered the dying man a breast letting her dead baby’s milk save him from death. Steinbeck inspired me to become a writer—this novel and his Of Mice and Men.
'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.'
Shocking and controversial when it was first published, The Grapes of Wrath is Steinbeck's Pultizer Prize-winning epic of the Joad family, forced to travel west from Dust Bowl era Oklahoma in search of the promised land of California. Their story is one of false hopes, thwarted desires and powerlessness, yet out of their struggle Steinbeck created a drama that is both intensely human and majestic in its scale and moral vision.
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.
Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential…
The "tyranny of the private realm" is destroying our cities. Modern architecture, with its insistence on the mute object and its rejection of the conventions of street and square, has abdicated civic responsibility and eschewed the urban forms that express and promote it. In this eloquent and extensively illustrated study of the evolution of a modern conception of space, Michael Dennis explores the social, psychological, and especially the formal transformations that that led architects to trade the city of public space for a city of private icons. The French hôtel, an aristocratic town house developed largely in Paris between 1550…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
Beginning in the seventeenth century at the moment when Paris was redesigned, it became a great literary city and the center of the French literary tradition. For anyone interested in how the most important French writers have celebrated their city and depicted the ways in which Paris has changed over the centuries and the impact such changes have had on its inhabitants this is the perfect book.
No city more than Paris has had such a constant and deep association with the development of literary forms and cultural ideas. The idea of the city as a space of literary self-consciousness started to take hold in the sixteenth century. By 1620, where this volume begins, the first in a long line of extraordinary works of the human imagination, in which the city represented itself to itself, had begun to find form in print. This collection follows that process through to the present day. Beginning with the 'salon', followed by the hybrid culture of libertinage and the revolutionary hotbeds…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came…
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