100 books like The Power Broker

When I first picked up Seabiscuit, I was dubious; I had already read too many stories of champion racehorses that were either dry histories or overblown hero-worship.

A hundred pages later (where did the time go?) I was completely engrossed and headed for an all-night read. In Hillenbrand’s hands, carefully researched history became the foundation for a sweeping story of a great horse, the incredible cast of people who gave him what he needed to become a legend, and the world of horses, horse racing, and American life in the 1930s.

If I ever write anything half as good, I will be well content.

Growing up, Marlene learned about the Holocaust through stories about members of her mother’s family who died in the Holocaust. As a Lutheran growing up in Minnesota, Fern learned little about the Holocaust. As whites, neither of us learned much about the Jim Crow era in the US or the northern migration of southern African Americans during that era.

Isabelle Wilkerson grew up knowing the stories of her parents’ migration north to Washington, DC. Those stories shaped her desire to chronicle the Great Migration (1915-1970), in which millions of African Americans left the Jim Crow South for better lives in northern cities. Although many achieved success that would not have been possible, they experienced the same interpersonal and institutional racism in the North that they thought they were escaping from.

Wilkerson, a journalist, gives us the sweep of history grounded by the stories of four African Americans. 

If the United States had been settled west-to-east, there’s a good chance Manhattan would have been made a national park. That’s how biologically diverse this city is at its core. This book provides the broadest view of New York City history by describing the area before European settlement and the ensuing urbanization. This book uses historical maps, GPS data, and other inputs to reveal the surprisingly rich natural history of New York City, while also providing a thoughtful analysis of how dramatically things have changed, as well as a compelling framework for a more sustainable future for New York. 

I am definitely recommending some very big books here! 

This one is easily recognizable because of the size of its spine, but it’s also incredibly interesting – an economic, social, and political history of New York City from its founding to consolidation, I think the best thing about this book is all the subjects it covers which I knew nothing about. 

New York City during the American Revolution comes to mind. So does the early history of New York’s apartment buildings. There’s a reason this book won a Pulitzer Prize. 

I like the sequel too (called Greater Gotham, only by Wallace), but prefer this book, I think, because I know the post-1898 history better while much of this book was novel to me.

Plunkitt infected me with “the political bug.” George Washington Plunkitt’s “very plain talks on very practical politics” showed me the joys of playing the political game, of devising and executing strategies and tactics, of outwitting opponents. I first read Riordon’s classic for grade school and loved its gritty romp through turn-of-the-century New York. I reread the book for a college history course and came to appreciate politics as the art of the possible – and to see the innate conflict between ambition and conscience. After seven years in journalism, I “crossed to the dark side” and became a political operative, partly because Plunkitt had shown me that playing politics can be far more rewarding – and fun – than watching it.

Here’s Lyndon B. Johnson again. As a bright young lawyer, McPherson left Texas to work for a year with Johnson, thinking the experience might open his eyes—and a few doors—at the beginning of his legal career. McPherson stepped onto the rocket sled of politics and never stepped off. This grand old man of Washington paused mid-career to give us the ultimate learning-the-ropes memoir of life inside politics.

Why would anybody in their right mind put themselves through the agonies of a presidential campaign? And what does it take to win? Cramer’s account of the crowded 1988 campaign is less about strategy and tactics than the personality and character of the candidates (including Joe Biden, Bob Dole, and George H. W. Bush). Ego and ambition, courage and cowardice are on display here, but so too is an almost across-the-board sense of honor and duty that’s in rare supply today.

What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.

This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."

Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.

It seems like a bit of a long title for a New York Times Bestseller but I promise this book is educational, entertaining, and worth every second. Sullivan spent a year observing a rat-infested alley, and came away with a better understanding of our least-favorite rodents, as well as the many people who spend their lives trying to keep rats and humans apart. At first it might seem weird to sit outside and watch the rats every night, but by the end, you can’t imagine doing anything else.

This riveting book covers the gruesome discovery of a murder in a Georgian house in the sleepy village of Road in Wiltshire. That someone has died is awful enough but realising that the murderer is a member of the household brings fresh horrors. The author meticulously follows the crime and subsequent investigation, sticking strictly to the facts while using her imagination to recreate the tense atmosphere while bringing the characters to life. Unputdownable.