Here are 68 books that Plunkitt of Tammany Hall fans have personally recommended if you like
Plunkitt of Tammany Hall.
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I am Lecturer in US Foreign Policy at Queen Mary University of London, and I work on issues of national security and identity, political rhetoric and the role of the everyday in shaping politics, especially media and popular culture. I have written extensively on American politics and US foreign policy over these past years with two published monographs and more than a dozen articles in peer-reviewed academic journals, plus a couple of op-eds and multiple TV and radio appearances. My most recent research project explores the role of populism under the Trump presidency and its political impact in the United States.
This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.
It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time.
In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
Every biographer must do battle with Robert Caro’s Pulitzer Prize-winning book, a monumental account of urban planner Robert Moses, whose God-like power redesigning postwar New York City effectively remade the capital of the twentieth century. Over the course of 1,336 pages, Caro details Moses’s world-making vision while also acknowledging problematic issues, such as Moses’s reported use of racial slurs and his remapping of roads and overpasses to exclude poorer communities.
Today, half a century since its first publication, The Power Broker remains one of the greatest English-language biographies. It's also a landmark in showing how world-historical change can begin with aesthetic power. Like all foundational texts, its comprehensive documenting of both the ambitions and the prejudices of that era also lays a path for future insight. In gesturing toward Moses’s faults, this magisterial work also leaves room for subsequent generations to re-examine the problems of the past.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
A journalist and author for more than 40 years, I now write a twice-weekly opinion column for The Washington Post. Which is odd because I don’t have many opinions. What I do have is a lot of curiosity. One very durable question for me, which informed a couple of my books, is this: How does political power actually work in America? How does change happen?
Here’s Lyndon B. Johnson again. As a bright young lawyer, McPherson left Texas to work for a year with Johnson, thinking the experience might open his eyes—and a few doors—at the beginning of his legal career. McPherson stepped onto the rocket sled of politics and never stepped off. This grand old man of Washington paused mid-career to give us the ultimate learning-the-ropes memoir of life inside politics.
This insider's view of Washington in the 1950s and 1960s, of the tumultuous presidency of Lyndon Johnson, and of the conflicts and factions of the president's staff has become a political classic since its original publication in 1972. In this reissue, Harry McPherson adds a new preface in which he reflects on changes in Washington since the Johnson era and on the lessons Bill Clinton could learn from the presidency of Lyndon Johnson.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
For my money, this book is the best work of journalism—certainly of political journalism—of its time, meaning the last half-century.
Six politicians, including two presidents—the first George Bush, and Joe Biden—emerge not as mere ambitious strivers but as tragic heroes, each as much the victim as the master of America's predatory political culture. I felt I knew each of them and what they'd been through as intimately as if I'd been their brother.
"Quite possibly the finest book on presidential politics ever written, combining meticulous reporting and compelling, at times soaringly lyrical, prose." -- Cleveland Plain Dealer
An American Iliad in the guise of contemporary political reportage, What It Takes penetrates the mystery at the heart of all presidential campaigns: How do presumably ordinary people acquire that mixture of ambition, stamina, and pure shamelessness that makes a true candidate? As he recounts the frenzied course of the 1988 presidential race -- and scours the psyches of contenders from George Bush and Robert Dole to Michael Dukakis and Gary Hart -- Pulitzer Prize-winning journalist…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.
This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."
Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.
'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
Brammer’s novel has resonated throughout my career, warning of almost inevitable disillusionment with a political powerhouse. Brammer had served as a top aide to Lyndon Johnson, on whom he based Arthur Fenstemaker, a star as bright as Penn Warren’s Willie Stark. The Gay Place spoke to me even more directly, focusing on minor politicos and their ambitions, frailties, and humanity. And the book drove home, through a pervading sadness, the anomie that rises from disillusionment. Brammer’s “Flea Circus” metaphor continues to amuse and bum me.
Set in Texas, The Gay Place consists of three interlocking novels, each with a different protagonist-a member of the state legislature, the state's junior senator, and the governor's press secretary. The governor himself, Arthur Fenstemaker, a master politician, infinitely canny and seductive, remains the dominant figure throughout.
Billy Lee Brammer-who served on Lyndon Johnson's staff-gives us here "the excitement of a political carnival: the sideshows, the freaks, and the ghoulish comedy atmosphere" (Saturday Review).
Originally published in 1961, The Gay Place is at once a cult classic and a major American novel.
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
O’Connor’s expose on old-time politics was an inspiration for my first novel.
Set in the mid-1950s, O’Connor describes the transition from machine politics to the modern political system that dominates American politics today. For a true glimpse and understanding of the political world, I recommend starting with The Last Hurrah.
"We're living in a sensitive age, Cuke, and I'm not altogether sure you're fully attuned to it." So says Irish-American politician Frank Skeffington-a cynical, corrupt 1950s mayor, and also an old-school gentleman who looks after the constituents of his New England city and enjoys their unwavering loyalty in return. But in our age of dynasties, mercurial social sensitivities, and politicians making love to the camera, Skeffington might as well be talking to us.
Not quite a roman a clef of notorious Boston mayor James Michael Curley, The Last Hurrah tells the story of Skeffington's final campaign as witnessed through the…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing. Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.
He was one of the most extraordinary figures in American political history, a great natural politician who looked, and often seemed to behave, like a caricature of the red-neck Southern politico - and yet he had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.
In this "masterpiece of American biography" (New York Times), Huey Long stands wholly revealed, analyzed, and understood.
Alexis Coe is a presidential historian and the New York Times bestselling author of You Never Forget Your First: A Biography of George Washington, which was also Audible’s best history book of 2020 and Barnes and Nobel's nonfiction Book of the Month. She was a producer and appeared in Doris Kearns Goodwin's Washington series on the History Channel.
“I am always yours” was not George Washington’s usual signoff. It was reserved for Elizabeth Willing Powel, a dear friend who often gets short shrift in Washington biographies. Cassandra Good’s book isn’t devoted to the General, but what's there can't be found anywhere else.
"When Harry Met Sally" is only the most iconic of popular American movies, books, and articles that pose the question of whether friendships between men and women are possible. In Founding Friendships, Cassandra A. Good shows that this question was embedded in and debated as far back as the birth of the American nation. Indeed, many of the nation's founding fathers had female friends but popular rhetoric held that these relationships were fraught with social danger, if not impossible.
Elite men and women formed loving, politically significant friendships in the early national period that were crucial to the individuals' lives…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I am the Agatha-winning author of the Rare Books Cozy Mystery series. My first in the series, below, won the Agatha Award for Best First Mystery Novel. I’ve worked for more than twenty years in museums and symphonies and have the great fortune of being married to a librarian. When not writing, I’m drawing and painting. I live in Maryland with her family. Although I’m not much of a baker, I won’t ever turn down a sweet lokshen kugel.
As someone who worked in museums for decades, finding Sheila Connolly’s series was a fantastic look behind the curtain of my career.
I got such a kick out of going behind the scenes with fundraiser Nell Pratt as she navigates historic artifacts in the collections, seeking donations, and solving crimes in her historical society.
At The Society for the Preservation of Pennsylvania Antiques, fundraiser Eleanor "Nell" Pratt solicits donations-and sometimes solves crimes. When a collection of George Washington's letters is lost on the same day that an archivist is found dead, it seems strange that the Society president isn't pushing for an investigation. Nell goes digging herself, and soon uncovers a long, rich history of crime.
