Here are 77 books that The Last Hurrah fans have personally recommended if you like
The Last Hurrah.
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I am Lecturer in US Foreign Policy at Queen Mary University of London, and I work on issues of national security and identity, political rhetoric and the role of the everyday in shaping politics, especially media and popular culture. I have written extensively on American politics and US foreign policy over these past years with two published monographs and more than a dozen articles in peer-reviewed academic journals, plus a couple of op-eds and multiple TV and radio appearances. My most recent research project explores the role of populism under the Trump presidency and its political impact in the United States.
This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.
It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time.
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
Plunkittinfected me with “the political bug.” George Washington Plunkitt’s “very plain talks on very practical politics” showed me the joys of playing the political game, of devising and executing strategies and tactics, of outwitting opponents. I first read Riordon’s classic for grade school and loved its gritty romp through turn-of-the-century New York. I reread the book for a college history course and came to appreciate politics as the art of the possible – and to see the innate conflict between ambition and conscience. After seven years in journalism, I “crossed to the dark side” and became a political operative, partly because Plunkitt had shown me that playing politics can be far more rewarding – and fun – than watching it.
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
Primary Colors is one of the finest illustrations of the coming of age of modern politics.
Ripped from the headlines of the day, Primary Colors provides a true-to-life experience of what it was like leading up to Clinton’s upset over Bush. It’s a fine expose and morality play in which we see how ethics can be compromised in the pursuit of power.
A novel provocatively based on an insider's devastating account of Bill Clinton's 1992 presidential campaign. The anonymous author is reported to be someone close to the Clintons.
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
Brammer’s novel has resonated throughout my career, warning of almost inevitable disillusionment with a political powerhouse. Brammer had served as a top aide to Lyndon Johnson, on whom he based Arthur Fenstemaker, a star as bright as Penn Warren’s Willie Stark. The Gay Place spoke to me even more directly, focusing on minor politicos and their ambitions, frailties, and humanity. And the book drove home, through a pervading sadness, the anomie that rises from disillusionment. Brammer’s “Flea Circus” metaphor continues to amuse and bum me.
Set in Texas, The Gay Place consists of three interlocking novels, each with a different protagonist-a member of the state legislature, the state's junior senator, and the governor's press secretary. The governor himself, Arthur Fenstemaker, a master politician, infinitely canny and seductive, remains the dominant figure throughout.
Billy Lee Brammer-who served on Lyndon Johnson's staff-gives us here "the excitement of a political carnival: the sideshows, the freaks, and the ghoulish comedy atmosphere" (Saturday Review).
Originally published in 1961, The Gay Place is at once a cult classic and a major American novel.
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing. Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.
He was one of the most extraordinary figures in American political history, a great natural politician who looked, and often seemed to behave, like a caricature of the red-neck Southern politico - and yet he had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.
In this "masterpiece of American biography" (New York Times), Huey Long stands wholly revealed, analyzed, and understood.
I am the ultimate dilettante. I consume huge amounts of history, literature, and current events. I am not interested in dumbing down what I write. I am endlessly curious and assume my readers are also. I started writing during the pandemic and have not quit. I have completed three novels and have been an avid reader my entire life. Join me!
I enjoyed learning about religion from Dan Brown. I am not a religious person, so presenting so much research in a tightly bound thriller was an excellent way to keep me engaged and reading.
I came away from this book with a deeper psychological understanding of God and the devil.
Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes.
As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.
Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the…
Every day, we hear about crises worldwide and wonder what our government is doing to keep us safe and prosperous. Reality is often very different from what we see on the news. I was lucky to serve as a senior State Department diplomat and witnessed how the American government machine reacts to wars, coups, and political upheavals. Insights from the inside gave me both comfort (about the high quality of US officials), fear (about how many serious threats we face), and exasperation (at how messy things often get). When I left government, I wanted to share some of those frustrations and found fiction was the best vehicle.
Winslow is one of my all-time favorite authors. His epic three-book series about an American DEA agent and his Mexican narco-boss nemesis starts here. I was riveted through the next two books, too, but I’ve added this one to my list because of the subtle ways I learned that the politics of the DEA are so much like what I faced at the State Department. Bonus: the narrator, Ray Porter, makes a great story even better.
'Breathtaking' JEREMY CLARKSON 'Winslow's masterpiece (so far) ... should have a place on every crime freak's bookshelf. Superb' INDEPENDENT ON SUNDAY _______________________ A brilliant page-turning thriller of power and revenge on the front lines of the drug war.
Drug lord Miguel Angel Barrera is head of the Mexican drug federacion, responsible for millions of dollars worth of cocaine traffic into the US and the torture and murder of those who stand in its way. His nephew, Adan Barrera, is his worthy successor.
Art Keller is a US government operative, so determined to obtain revenge for a murdered colleague that his…
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
Having read the series out of order, The Cartel was my first Winslow book. His story was so captivating that I needed to go back and read how it all started.
The fact that I could start with The Cartel without having read the origin story is an example of Winslow’s talent. The Cartel is a great stand-alone story, made even better when its two companion books are added together. Winslow has developed compelling characters, and it's enjoyable to watch how they evolve and face new challenges.
The New York Times bestselling second novel in the explosive Power of the Dog series—an action-filled look at the drug trade that takes you deep inside a world riddled with corruption, betrayal, and bloody revenge.
Book Two of the Power of the Dog Series
It’s 2004. Adán Barrera, kingpin of El Federación, is languishing in a California federal prison. Ex-DEA agent Art Keller passes his days in a monastery, having lost everything to his thirty-year blood feud with the drug lord. Then Barrera escapes. Now, there’s a two-million-dollar bounty on Keller’s head and no one else capable of taking Barrera…
I’m a 23-year city cop who spends a fair amount of time around hard cases, from veteran co-workers to repeat felons. I’ve always been fascinated by formidable fictional heroes who succeed despite overwhelming odds. It’s an art to create a protagonist who is memorably and realistically resilient. I strove for this in my debut novel. The authors above delivered and then some.
This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.
Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging.
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to…
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
I fell in love with this book almost instantly when I first read it over ten years ago. It contains many of my favorite things about murder mysteries. I really enjoy books that have a strong sense of place or time, which this one does.
I also love people who almost reluctantly start investigating a murder but can’t help but try to get to the bottom of it. This story has the added bonus of a love interest, which I also really enjoy. I’ve read and reread this book so many times I’ve lost count now.
“What a thoroughly charming book! A beautiful combination of entertaining characters, minute historical research, and a powerful evocation of time and place.” —NYT bestselling author Barbara Hambly
Boston, 1868: The dawn of the Gilded Age, an era of burgeoning commerce and invention, of unimaginable new fortunes and lavish excess—for some. Born into poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.
