I’m a second-generation Jewish New Yorker. I love my city passionately, and I know that it loves me back. Some two million Jews left Russia for New York at the turn of the 20th century. They landed at Ellis Island, headed for the Lower East Side, and made the city theirs. My immigrant grandparents were among them. It’s impossible to conceive of New York without Jews. Lenny Bruce once said: In New York, even if you’re Catholic, you’re Jewish.
Hettie Cohen defied the stifling conventions of her middle-class Jewish Queens upbringing to live the life with her husband, the poet LeRoi Jones in a Bowery loft. When the Black Power movement beckoned, he changed his name to Amiri Baraka and left her. Hettie Jones’ memoir brings to life the Village of the late 1950s and 60s, complete with the beats, their women, jazz spots, and the rich literary scene. A little-known gem about a very specific cultural moment in New York, told in a clear, honest voice.
Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.
I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)
For me, it’s the ultimate snapshot of what it’s really like to be a writer on the road with a band (in this instance Bob Dylan’s remarkable Rolling Thunder Revue of 1975). Sloman documents it all: the editorial pressures, the hassles of trying to gain access to Dylan, the egos, the enablers, the claustrophobic hotel rooms, wacky ole’ Alan Ginsberg — and the exhilaration of seeing a legend, on a creative high, from close range, night after night. Not a bad gig, all things considered.
Hailed as “the War and Peace of rock and roll” by Bob Dylan himself, this is the ultimate backstage pass to Dylan’s legendary 1975 tour across America—by a former Rolling Stone reporter prominently featured in Martin Scorsese’s Netflix documentary Rolling Thunder Revue: A Bob Dylan Story.
In 1975, as Bob Dylan emerged from eight years of seclusion, he dreamed of putting together a traveling music show that would trek across the country like a psychedelic carnival. The dream became reality, and On the Road with Bob Dylan is the behind-the-scenes look at what happened when Dylan and the Rolling Thunder…
The subject of psychedelics and, more generally, altered states of consciousness, has enthralled me personally and professionally since my teens. The subject grows fascinating as prohibition lifts in an era regarded as a “psychedelic renaissance.” My training as a cultural anthropologist, my interest in religion and ritual, and research focus on transformational events, movements, and figures colours this focus. Past research has included longitudinal ethnography of global psychedelic trance and festival culture. My current book project, an intellectual biography – Terence McKenna: The Strange Attractor (MIT Press, 2023) – is shaped by my interests in this area.
When I first read the 1975 edition of the 1963 City Lights classic, The Yage Letters, it was an unaccompanied and unabridged dive into two of the best minds of the Beat Generation. There was no contextual introduction, nor appendices, just a perplexing series of epistolatory “letters” exchanged as Burroughs searched for yagé (aka ayahuasca) in the Putumayo region of the Amazon in 1953, and Ginsberg followed suit seven years later (notably the McKenna brothers followed suit ten years after that). This extraordinary little book began with Burroughs writing to Ginsberg from the Hotel Colón on January 15 (“Dear Allen, I stopped off here to have my piles out”), and ended back in Panama with the epilogue “Am I Dying, Meester?” a flickering collage of memories sampled from earlier letters.
A few years later, the expanded 2006 Redux edition was published, featuring an introduction by Oliver Harris which offers an…
In January 1953, William Burroughs began a seven-month expedition into the jungles of South America, ostensibly to find yage, the fabled hallucinogen of the Amazon. But Burroughs also cast his anthropological-satiric eye over the local regimes to record trademark vignettes of political and psychic malaise. From the notebooks he kept and the letters he wrote home to Allen Ginsberg, Burroughs composed a narrative of his adventures that appeared ten years later as "In Search of Yage" within The Yage Letters.
That book, published by City Lights in 1963, was completed by the addition of Ginsberg's account of his own experiences…
As a writer of haiku/short-form poetry myself, this book was one that should have been on my radar long ago, but I only read it this year because of a recommendation by Kevin Rose on Tim Ferriss’s podcast. It’s a gem.
Natalie transports you to Japan with her writing to be a travel partner to her making the journey of a lifetime to pay respect to her favorite Haiku poet, Buson.
The book is beautifully written and full of moments that will make you smile, laugh, sad, and nod with approval. It’s so much more than a book of poetry; it’s a book that utilizes poetry to tackle some of life’s mystery, fragility, and beauty. She highlights the history of haiku, shows why masters such as Basho and Issa are so revered, and provides insight into writing and reading haiku.
The book is also a wonderful love letter to Japan…
One of the world’s foremost writing teachers invites readers on a joyful journey into the reading and origins of haiku
A haiku is three simple lines. But it is also, as Allen Ginsberg put it, three lines that “make the mind leap.” A good one, he said, lets the mind experience “a small sensation of space which is nothing less than God.” As many spiritual practices seek to do, the haiku’s spare yet acute noticing of the immediate and often ordinary grounds the reader in the pure awareness of now.
Natalie Goldberg is a delightfully companionable tour guide into this…
I've devoured books ever since learning to read. Now I am an author and a professional substantive book editor, particularly for spiritual memoirs. I am indeed fortunate to be able to combine my love of books with my love of the mystic realms, spiritual transformation, and beloved gurus. The first book I ever helped to edit was the first part ("Journey") of Be Here Now. Then I lived in India for a year, spending much of it with Neem Karoli Baba, Ram Dass's (and my) guru, absorbing his unconditional love. That state of real love, and the pathway leading to it, are the focus of the books I have recommended.
I first met Ram Dass in 1969 in Franklin, NH, three weeks after dropping acid for the first time, and by 1971 I was in India meeting his (and my) guru, Neem Karoli Baba.
In Being Ram Dass, I found out much more about this spiritual wayshower who altered my life so profoundly and taught me the meaning of "be here now" (incidentally, Be Here Now was the first book I ever worked on as an editor). From his explorations in psychedelics, psychology, and bisexuality to god, service, and devotion, it's worth reading about Ram Dass's life odyssey in detail in this captivating memoir.
Perhaps no other teacher has sparked the fires of as many spiritual seekers in the West as Ram Dass. While many know of his transformation from Harvard psychology professor Richard Alpert to psychedelic and spiritual icon, Ram Dass tells here for the first time the full arc of his remarkable life.
Being Ram Dass begins at the moment he was fired from Harvard for giving drugs to an undergraduate. We then circle back to his privileged youth, education, and the path that led him inexorably away from conventional life and ultimately to his guru, Neem Karoli Baba. Populated by a…
My twin passions in life have always been food and writing. While I chose poetry and creative writing as my primary fields of expertise, my ten-plus years of working in restaurants are just as important to who I am. I’m hungry for food writing that takes a more literary or creative approach. Cooking is a highly creative and meaningful act, and I love to see writing that aspires to do for the reader what the dedicated cook does for the eater: to nourish not only the body but the more metaphysical elements of our being, which is to say, our hearts, and maybe even our souls.
I absolutely love it when poetry and food get down together at the table. In discussions of food writing, poetry is almost always left out of the conversation; this collection of poems spanning from Rumi to Joy Harjo seeks to correct that unfortunate omission.
Young’s organization for the book works almost like a carefully composed tasting menu: arranged by season, the poems begin by whetting the appetite, then gradually progress into meatier fare. Keep this cornucopia of foodie verses handy in the kitchen; it’s the secret seasoning you never knew you needed.
Food and poetry: in so many ways, a natural pairing, from prayers over bread to street vendor songs. Poetry is said to feed the soul, each poem a delicious morsel. When read aloud, the best poems provide a particular joy for the mouth. Poems about food make these satisfactions explicit and complete.
Of course, pages can and have been filled about food's elemental pleasures. And we all know food is more than food: it's identity and culture. Our days are marked by meals; our seasons are marked by celebrations. We plant in spring; harvest in fall. We labor over hot…
I’m a longtime writer and author, who basically learned the craft of writing from over 17 years with the Portland Police Bureau. Some of the best writers are working and retired police officers because, when you write those daily reports or detailed investigativereports, you learn how to write. I've written six books, two of which have been published by Oregon Greystone Press, the Indie Publishing company operated by my wife, Theresa. I graduated from Portland State University in 2017 and was listed in the commencement program as “the oldest PSU graduate” of that year. I was 80. I live in Portland with my wife, Theresa, also a writer and author.
Acid Dreams: The Complete Social History of LSD, the CIA, the Sixties and Beyondis one of the best books I’ve ever read. Even though I worked in Naval intelligence while I was on active duty in Germany, during the Cold War, I was still surprised at what Acid Dreamsrevealed about the US government and how for example, government officials were actively searching for a drug that would make American soldiers more amenable to killing. The book details how the government set out to destroy the black culture and imprison young black leaders for mostly minor drug offenses. It further explores the ways the government secretly studied the effects of LSD on its citizens. I loved this book because it opens the reader's eyes to the radical ways some government factions tried to manipulate the masses and deceive them, using the guise ofthe greater good as justification.
Few events have had a more profound impact on the social and cultural upheavals of the Sixties than the psychedelic revolution spawned by the spread of LSD. This book for the first time tells the full and astounding story—part of it hidden till now in secret Government files—of the role the mind-altering drug played in our recent turbulent history and the continuing influence it has on our time.
And what a story it is, beginning with LSD’s discovery in 1943 as the most potent drug known to science until it spilled into public view some twenty years later to set…
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
Although not a book about travel I feel this book fits the list, as it is essentially an extended love letter to both Jack Kerouac and Neil Cassady, who at certain stages in her life, were the lovers of the author. What this book also describes is how people who decide to stay at home, while their lovers and friends embark on endless road trips, survive the ordinary hardships of day-to-day living. The book is incredibly insightful and sheds new light on the lives of the aforementioned famous Beat Generation authors. It also warns that the perils of living in the moment, fast time, no responsibilities, does not always lead to a long and happy life. As I discovered during my own extensive travels, if you stay on the road too long, you might not be able to find your way home.
The wife of Neal Cassady describes her life in the American Beat subculture, her marriage to Cassady and love affair with Jack Kerouac, and her relationship with Allen Ginsberg. Reprint.
Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.
This book is sort of an alternate take of On the Road. Cody Pomeroy here is Dean Moriarty, this book is his legend, and instead of unravelling it all in a chronological spiel it's the koans and page-long dreams of remembrance, some of the richest extended prose he ever made.
The writing is true to the soul and heart of the continent and it captures the electric twentieth century.
He wanted to roll up all his books together, standardize the names, and call it The Duluoz Legend. When I read him now I think of all those words as a part of it. There are so many pieces and places to dive into, but if you're ready for the deep stuff then get digging into this golden loam and be glad.
"What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart . . . because now I know MY HEART DOES GROW." -Jack Kerouac, in a letter to John Clellon Holmes
An underground legend by the time it was finally published in 1972, Visions of Cody captures the members of the Beat Generation in the years before any label had been affixed to them, with Kerouac's trademark appreciation for the ecstatic and ephemeral…
I used my first chemicals at age nine. Why? To change the way I felt about myself and my life. It was the beginning of using externals to fix an internal problem.
A 74-year old Native American found me at ten months in recovery. He showed me a path to follow, including opening a house of healing for other women. His teachings, spiritual principles, and a lot of work helped me achieve 32 years in recovery.
Journalist Jenny Valentish knows treatment, AA, and the pathways to addiction and recovery. It’s brutally honest, and her story reads like so many others – some who didn’t make it to recovery. She further educates the reader with research and a better understanding of the psychology and physiology that drive female addiction with humor and exceptional insight.
Journalist Jenny Valentish takes a gendered look at drugs and alcohol, using her own story to light the way. Mining the expertise of 35 leading researchers, clinicians and psychiatrists, she explores the early predictors of addictive behaviour, such as trauma, temperament and impulsivity.
Drawing on neuroscience, she explains why other self-destructive behaviours - such as eating disorders, compulsive buying and high-risk sex - are interchangeable with problematic substance use. From her childhood in suburban Slough to her chaotic formative years in the London music scene, we follow her journey to Australia, where she experiences firsthand treatment facilities and AA groups,…
