Here are 18 books that Off the Road fans have personally recommended if you like
Off the Road.
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As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
A deserved, all-time classic, this book seems to transcend time to capture the spirit of wanderlust. I was young and impressionable when I read it for the first time, and it inspired a sense of profound restlessness to explore, grow, and hit the road to see for myself.
Neal Cassidy and Jack Kerouac are wild, occasionally unhinged protagonists, and their journey consists of hustling, romance, and drinking their way to a good time. Kerouac’s writing made me long for similar misadventures, where life is simple and finding the road is all that matters. Subversively, the novel promotes a full life and whole human experience, which makes working 9 to 5 that much more difficult.
The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition
Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naivete and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed…
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
First up in Fante’s famous quartet of Bandini novels—The Road to Los Angeles is a literary—Tour De Force. The central narrator—Arturo Bandini—is stuck out in Boulder Colorado, where it is freezing cold, and nothing ever happens. Not surprisingly a young Arturo is keen to escape to warmer climes, and pursue a writing career in Hollywood. Immediately I could relate to the books central idea, as I was keen to do exactly the same at exactly the same age, albeit on the other side of the world. This novel introduces Fante's alter ego Arturo Bandini who reappears in Wait Until Spring, Bandini (1938), Ask the Dust (1939), and Dreams from Bunker Hill (1982). It’s an important first novel by an important American author.
I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldn’t sleep from the pain in my back. We were digging an excavation in an empty lot, there wasn’t any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tobacco.
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
This is a collection of short stories by John Waters bit-part actress—Cookie Mueller. Most of the well-crafted stories in this cult classic are autobiographical, and most feature the author’s travels around America and Europe, and the rest of the world. Cookie has a unique literary voice, and reading her stories it’s like you are actually getting to know the author personally. Criminally out of print for many years, this excellent book was recently re-published in the UK by Canongate. Unfortunately, Cookie died at the tender age of 40, and so was unable to fulfill her undoubted potential.
The first collected edition of legendary writer, actress, and adventurer Cookie Mueller's stories, featuring the entire contents of her 1990 book Walking through Clear Water in a Pool Painted Black, alongside more than two dozen others, some previously unpublished.
Legendary as an underground actress, female adventurer, and East Village raconteur, Cookie Mueller's first calling was to the written word: "I started writing when I was six and have never stopped completely," she once confessed. Muellerís 1990 Walking through Clear Water in a Pool Painted Black, the first volume of the Semiotext(e) Native Agents series, was the largest collection of stories…
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
Reading Balise Cendrars—The Astonished Man—is like stepping into another universe, so strange, exotic, and weird are the tales he has to tell. Once again, travel and adventure are the main themes. But what’s real and what is unreal is almost impossible to tell as the author constantly blurs fact with fiction. There are tales of how he lost an arm, encounters with Mexican millionaires, gypsies, a stint in the French Foreign Legion, and vivid exploits in South America and Africa. The fact that this great writer is not better known is a constant source of bafflement, for his prose is dazzling, thought-provoking, and illuminating!
Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.
This book is sort of an alternate take of On the Road. Cody Pomeroy here is Dean Moriarty, this book is his legend, and instead of unravelling it all in a chronological spiel it's the koans and page-long dreams of remembrance, some of the richest extended prose he ever made.
The writing is true to the soul and heart of the continent and it captures the electric twentieth century.
He wanted to roll up all his books together, standardize the names, and call it The Duluoz Legend. When I read him now I think of all those words as a part of it. There are so many pieces and places to dive into, but if you're ready for the deep stuff then get digging into this golden loam and be glad.
"What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart . . . because now I know MY HEART DOES GROW." -Jack Kerouac, in a letter to John Clellon Holmes
An underground legend by the time it was finally published in 1972, Visions of Cody captures the members of the Beat Generation in the years before any label had been affixed to them, with Kerouac's trademark appreciation for the ecstatic and ephemeral…
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
One of the first places I heard about Buddhism was through Allen Ginsberg, Jack Kerouac, and Gary Snyder. The joy of reading Kerouac has worn off a bit, but Snyder and Ginsberg have become lifetime companions and real sources of inspiration for me, not least in their engagement with Buddhism. This collection of poems, essays, letters, and other writings brings them together with a much wider range of writers – Diane di Prima and Philip Whalen, Anne Waldman and Kenneth Rexroth, William Burroughs and Lawrence Ferlinghetti – showing how the best minds of two generations heard, felt and responded to Buddhism in their many different ways. It’s a real treasure-house of words.
Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.
Seth Wynes is a climate researcher studying how everyday people can fight climate change more effectively. His work has been featured in media outlets from around the world including The New York Times, NPR, and The Guardian. Before pursuing an academic career, Seth was a high school science teacher in England and Northern Quebec, and still draws inspiration for his research from the questions and concerns raised by his students. He is currently a postdoctoral fellow at Concordia University in Montreal, Canada.
“The little flowers grew everywhere around the rocks, and no one had asked them to grow, or me to grow.” The joy in Kerouac is stumbling along with his absent-minded musings and finding the stretches of poetry that really speak to you. Dharma Bums is spiritual and inward-focused, but the characters spend time in nature, trying to figure out their place in it. It’s the kind of companion that you want to have with you on a canoe trip or sharing space with you on a hammock on a warm fall day.
Published just one year after "On The Road", this is the story of two men enganged in a passionate search for Dharma or truth. Their major adventure is the pursuit of the Zen Way, which takes them climbing into the High Sierras to seek the lesson of solitude.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
While Jack Kerouac can arguably be synonymous with the Beat generation, the poems in this collection reveal a lesser-known and seldom seen but poignant side of Kerouac’s legacy. He distills his surroundings into short vignettes, reminiscent of the Beat style and motif, but incorporates a significant amount of nature imagery. They’re beautiful glimpses of the world through the eyes of one of America’s most influential authors.
Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence,…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
As Roderick Nash is the scholarly historian of the term “wilderness” in the American mind, Gary Snyder is the sagacious philosopher of the term for contemporary America. I admire Snyder’s poetic style as much as his evocation of the meaning of “place”; i.e., how one can develop both a physical and a spiritual awareness of the wild around us and then transfer that awareness to a sense of one’s place in the larger country and then the planet itself.
From chapters such as “The Place, The Region, and the Commons” and “Survival and Sacrament,” I have gleaned what I can only term Snyder’s mystical appreciation of wilderness and its importance for the future of the human race. Snyder is truly the “High Priest” of how to “practice” the wild in one’s own life.
"This is an important book for anyone interested in the ethical interrelationships of things, places, and people, and it is a book that is not just read but taken in." ―Library Journal
Featuring a new introduction by Robert Hass, the nine captivatingly meditative essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder in the ways of Buddhist belief, wildness, wildlife, and the world. These essays, first published in 1990, stand as the mature centerpiece of Snyder’s work and thought, and this profound collection is widely accepted as one of the central texts…
I’m a second-generation Jewish New Yorker. I love my city passionately, and I know that it loves me back. Some two million Jews left Russia for New York at the turn of the 20th century. They landed at Ellis Island, headed for the Lower East Side, and made the city theirs. My immigrant grandparents were among them. It’s impossible to conceive of New York without Jews. Lenny Bruce once said: In New York, even if you’re Catholic, you’re Jewish.
Hettie Cohen defied the stifling conventions of her middle-class Jewish Queens upbringing to live the life with her husband, the poet LeRoi Jones in a Bowery loft. When the Black Power movement beckoned, he changed his name to Amiri Baraka and left her. Hettie Jones’ memoir brings to life the Village of the late 1950s and 60s, complete with the beats, their women, jazz spots, and the rich literary scene. A little-known gem about a very specific cultural moment in New York, told in a clear, honest voice.
Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.
