100 books like Joseph and His Brothers

I grew up in part in Chile, and when the Pinochet dictatorship started killing and torturing people, I wanted to do something about it. Years later, as a professor of international law, I helped countries figure out what to do after mass atrocities. Seeing how trials in other countries – or in international criminal courts – could break through barriers and make it possible to bring those who killed, tortured, or disappeared thousands of people to justice gave me hope. I wanted to tell the stories of the brave people who overcame the odds to do justice, in a readable and exciting way that also explained the legal and political issues involved. 

I was born and raised in rural Western Australia, married young, traveled with my geologist husband in the Outback until our children were born, and was settling down to becoming a housewife and mother in a Perth suburb when an Indian guru crossed my path. In no time at all, I packed up my family and we moved to India. Four years later I followed my guru when he went to America, and four years after that, I found myself behind bars. Understanding what led me there, and facing the consequences, was to occupy me for many years to come. I continue to have a deep and abiding interest in what makes us tick and why we do the things we do.

I was born and raised in rural Western Australia, married young, traveled with my geologist husband in the Outback until our children were born, and was settling down to becoming a housewife and mother in a Perth suburb when an Indian guru crossed my path. In no time at all, I packed up my family and we moved to India. Four years later I followed my guru when he went to America, and four years after that, I found myself behind bars. Understanding what led me there, and facing the consequences, was to occupy me for many years to come. I continue to have a deep and abiding interest in what makes us tick and why we do the things we do.

I was born and raised in rural Western Australia, married young, traveled with my geologist husband in the Outback until our children were born, and was settling down to becoming a housewife and mother in a Perth suburb when an Indian guru crossed my path. In no time at all, I packed up my family and we moved to India. Four years later I followed my guru when he went to America, and four years after that, I found myself behind bars. Understanding what led me there, and facing the consequences, was to occupy me for many years to come. I continue to have a deep and abiding interest in what makes us tick and why we do the things we do.

Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart. 

My Amgalant series follows the Secret History of the Mongols, which, though a history of the rise of Chinggis Khan, draws on an oral epic tradition. I always liked epics. Gilgamesh and the Saga of Grettir the Strong are among the fiction that most moves me. I look for historical fiction that owes to epic not only its story but its storytelling. The epic makers, ancient and medieval, knew craft we still can learn from. Quote epic at me, or misquote – homage, but own it. I like epic size and scope, but also intimate epic, with a close-up on the people that is post-19th-century novel. Epic has room for everything.

When I first visited Central Asia in 2008, little did I know that it would become the focus of my life and work. I now advise the World Bank and national governments on economic development, with a particular focus on tourism, and I’m the Chairman of the Royal Society for Asian Affairs. I am Uzbekistan’s Ambassador for Tourism, a co-founder of the Silk Road Literary Festival, and I’ve written and updated guidebooks to Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan, and the Silk Road.

My Amgalant series follows the Secret History of the Mongols, which, though a history of the rise of Chinggis Khan, draws on an oral epic tradition. I always liked epics. Gilgamesh and the Saga of Grettir the Strong are among the fiction that most moves me. I look for historical fiction that owes to epic not only its story but its storytelling. The epic makers, ancient and medieval, knew craft we still can learn from. Quote epic at me, or misquote – homage, but own it. I like epic size and scope, but also intimate epic, with a close-up on the people that is post-19th-century novel. Epic has room for everything.

As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.

I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.