Here are 100 books that The Shadow King fans have personally recommended if you like
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I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.
THE BOOK- As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range- its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.
I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.
And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
My Amgalant series follows the Secret History of the Mongols, which, though a history of the rise of Chinggis Khan, draws on an oral epic tradition. I always liked epics. Gilgamesh and the Saga of Grettir the Strong are among the fiction that most moves me. I look for historical fiction that owes to epic not only its story but its storytelling. The epic makers, ancient and medieval, knew craft we still can learn from. Quote epic at me, or misquote – homage, but own it. I like epic size and scope, but also intimate epic, with a close-up on the people that is post-19th-century novel. Epic has room for everything.
Another big, ambitious book that tells a war from both sides: here the 16th-century Spanish invasion of Chile. Equal time is given to the cast of Spaniards and the cast of Mapuche – large casts in each case. You’ll learn a battery of Mapuche words, for epics were always educative. What I love most, perhaps, about this book – after the shaman Ñamku, whom you see on the wonderful cover – is its witty style, its wordplay, gambolling in its sentences like a porpoise in the ocean, for sheer exuberance’s sake. Exuberance is a quality of epic. Along with expansiveness, and arguably, the upturn at the end, the grace note in spite of atrocities.
Set in a land of earthquakes and towering volcanoes, weaving history with myth, Arauco tells of war, sorcery ... and a love demonstrating that a man can embrace what he was seeking to destroy.When in 1540 Pedro de Valdivia headed south from Peru to conquer lands and gold, he took with him his beautiful mistress, Inés de Suárez. With him also rode his secretary, Juan de Cardeña, whose hopeless love of Inés stems from the same romances that inspired the Quixote. Having crossed the Atacama Desert, the Spanish encounter the indomitable resistance of the Mapuche people....For the first time, Arauco…
When I first visited Central Asia in 2008, little did I know that it would become the focus of my life and work. I now advise the World Bank and national governments on economic development, with a particular focus on tourism, and I’m the Chairman of the Royal Society for Asian Affairs. I am Uzbekistan’s Ambassador for Tourism, a co-founder of the Silk Road Literary Festival, and I’ve written and updated guidebooks to Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan, and the Silk Road.
The shrinking of the Aral Sea is arguably the greatest manmade environmental disaster of the 20th century. Kazakh writer Rollan Seisenbayev uses the catastrophe as the backdrop for his novel, exploring the impact on local people through the eyes of a fisherman and his son who are confronted not only with the vanishing sea but as a result also the disappearance of their livelihood and future. The Dead Wander in the Desertwas long-listed for the PEN Translation Prize and deserves to be much more widely read.
From Kazakhstan's most celebrated author comes his powerful and timely English-language debut about a fisherman's struggle to save the Aral Sea, and its way of life, from man-made ecological disaster.
Unfolding on the vast grasslands of the steppes of Kazakhstan before its independence from the USSR, this haunting novel limns the struggles of the world through the eyes of Nasyr, a simple fisherman and village elder, and his resolute son, Kakharman. Both father and son confront the terrible future that is coming to the poisoned Aral Sea.
My Amgalant series follows the Secret History of the Mongols, which, though a history of the rise of Chinggis Khan, draws on an oral epic tradition. I always liked epics. Gilgamesh and the Saga of Grettir the Strong are among the fiction that most moves me. I look for historical fiction that owes to epic not only its story but its storytelling. The epic makers, ancient and medieval, knew craft we still can learn from. Quote epic at me, or misquote – homage, but own it. I like epic size and scope, but also intimate epic, with a close-up on the people that is post-19th-century novel. Epic has room for everything.
Out of left field but one of the strongest novels I’ve read in the last few years. Meera’s story of Chetna, the first hangwoman in India in the modern-day, is underlain by hundreds, not to say thousands of years of Chetna’s family history as hangmen.
Chetna has an epic force of character, real but the stuff of legends too. Some of this weight and heft accrues to her from the tales she tells herself and us of the lives of public executioners past, a vast tapestry that feeds into her sense of self. How you feel about Chetna is up to you. As in the case of Achilles, she is extravagant, with the uncomfortable energies of the slightly-more-than-human epic hero.
'A contemporary classic' -Mint The Grddha Mullick family bursts with marvellous tales of hangmen and hangings in which they figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. When twenty-two-year-old Chetna Grddha Mullick is appointed the first woman executioner in India, assistant and successor to her father, her life explodes under the harsh lights of television cameras. When the day of the execution arrives, will she bring herself to take a life? Meera's spectacular imagination turns the story of Chetna's life into an epic and perverse coming-of-age tale. The lurid pleasures of voyeurism and…
When I moved to South Carolina some 25 years ago, I found understanding all the history around me challenging. Even more than that, I found it hard to talk about! Politics and history get mixed up in tricky ways. I worked with students to understand stories about plantation sites, leading me to start reading the words of survivors of captivity. I started reading slave narratives and trying to listen to what people had to say. While sad sometimes, their words are also hopeful. I now read books about our nation’s darkest times because I look for ways to guide us to a better future.
A desperate mother gives her child all she can before they are separated: a cotton sack with a handful of nuts, a tattered dress, and a braid of hair. Little Ashley was sold away from her mother but somehow held onto and cherished that bag. Later, her granddaughter embroidered that story of a mother’s love onto the bag.
I never knew where this story would take me because it’s not a history book or a family story like any other. The author takes this one sad and beautiful object and asks us to think about motherhood, Black hair, women’s art, nuts, and the history of food for enslaved Americans. She even asks us to think about girlhood itself.
Could I ever see that much in one object? Could you? This is a gorgeous and inspiring reminder of how history works for different people and in different ways if we look…
NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * WINNER OF THE CUNDILL HISTORY PRIZE
'A remarkable book' - Jennifer Szalai, The New York Times 'A brilliant exercise in historical excavation and recovery' - Annette Gordon-Reed, author of The Hemingses of Monticello 'A history told with brilliance and tenderness and fearlessness' - Jill Lepore, author of These Truths: A History of the United States
In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal.
The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her father’s friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952.
Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation.
Waltzing with the Dragons is the true story of a Vietnamese woman and her Eurasian daughter.Born in 1922 in the north of Vietnam, under French colonial rule, Ly was the daughter of one of the last Mandarins, a childhood friend of Ho Chi Minh. After she rebelled against her family, by refusing an arranged marriage at thirteen, she was sent to live with her father’s best friends, a French couple. It was the beginning of a life-long love affair with French culture and lifestyle. At seventeen, she married a French army officer who, shortly there after, was killed in action.…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
An amazing imaginative blend of nonfiction and reportage, The Postcard sets a mystery in motion.
In 2003, with the rest of the Christmas holiday mail, a postcard arrives at the Paris home of Annie Berest. The card is blank but for the names of her maternal great-grandparents and their two children – all killed at Auschwitz.
Fifteen years later, Annie and her chain-smoking mother embark on a journey: discovering the fates of the Rabinovitch family who flee the Russian revolution for Latvia, Palestine, and Paris. Annie and her mother discover secrets that shatter the present; mother and daughter question the past and accept a new reality in their own distinct ways.
I loved both the mystery revealed and the unshakable resolve of these women, who spent years finding the truth.
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
Steven Casey is Professor in International History at the LSE. A specialist in US foreign policy, he is the author of ten books, including Cautious Crusade, which explored American attitudes toward Nazi Germany during World War II; Selling the Korean War, which won both the Truman Book Award and the Neustadt Prize for best book in American Politics; and When Soldiers Fall which also won the Neustadt Prize. In 2017, he published War Beat, Europe: The American Media at War against Nazi Germany, which won the American Journalism Historians Association 2018 book of the year, the panel judging it “a landmark work.”
A savage counterpoint to Pyle’s brave frontline reporting. The English novelist made two trips to the Ethiopia to cover the war launched by Mussolini in 1935. While in Africa, Waugh complained bitterly about a rival reporter who “never set foot in Abyssinia . . . he sits in his hotel describing an entirely imaginary campaign.” And in this satire, he gave savage voice to this incendiary allegation, describing a group of reporters who spent the bulk of their time far from the front, writing stories based on either misleading briefings by local propaganda chiefs or ingenious inventions that fit the prejudices of their editors and proprietors back home. A hilarious romp.
Evelyn Waugh's brilliantly irreverent satire of Fleet Street, now in a beautiful hardback edition with a new Introduction by Alexander Waugh
Lord Copper, newspaper magnate and proprietor of The Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs Algernon Stitch, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. But for,…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.
For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.
The classic one-volume history of the American Civil War simultaneously captures the dramatic scope and intimate experience of that epic struggle, by Pulitzer Prize-winner Bruce Catton.
Covering events from the prelude of the conflict to the death of Lincoln, Catton blends a gripping narrative with deep, yet unassuming, scholarship to bring the war alive on the page in an almost novelistic way. It is this gift for narrative that led contemporary critics to compare this book to War and Peace, and call it a “modern Iliad.” Now over fifty years old, This Hallowed Ground remains one of the best-loved and…
