Fans pick 89 books like 1919

On finishing my book, I wanted to write a companion novel, based this time in Paris. My inspiration for the lead character in that book was Marie-Madeleine Fourcade, an extraordinary woman who led the Alliance network in France, operating on behalf of SIS, as MI6 was then known. Her handler Sir Kenneth Cohen described her as the ‘textbook beautiful spy,’ but her intelligence and courage marked her out even more. Marie-Madeleine lived a life on the run, operating under the radar via a string of false identities, and even escaping imprisonment. Lynne Olsen’s riveting account tells the story of Marie-Madeleine’s terrifying existence in Nazi-occupied France, and of a heartbreaking love affair. 

O’Brien performed some sort of alchemy in turning a previously dry and underpopulated section of the historical fiction genre into literary gold, at once gripping and supremely well-written. One follows the adventures of a Royal Navy Commander and his Irish doctor friend–a man with a secret life–through the war at sea in the Napoleonic era, and I found the balance between naval exploits–Jack Aubrey being a swashbuckler of renown–and period history made for fascinating counter-points.

Over and above that, I loved the way O’Brien built an ensemble cast and proceeded to draw the reader into their lives, making the death of any one of them a personal loss. I know that I benefitted from learning this writing trick and used it myself in my Empire series, and I know at least one other Roman author who did much the same. Wonderful stories that kept me coming back, and this is… show more.

Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally. 

Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwell at the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.

In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.

Dead Wake is fact that reads like fiction. Not often do I choose a book already knowing how it ends. His artistic rendering of the world in 1915 is alone worth the read. He introduces us to the passengers of the SS Lusitania, who they are, why they are on the ship, and he makes us care.

Larson limns Captains Turner of the Lusitania, and Schweiger of the U-20, the Imperial German submarine. The author carefully choreographs the final voyage of the doomed ship. The sinking is not the end of the story. 

The last third of the book is devoted to what happened after the torpedo hit. Captain Turner survives the attack as well as many of the passengers. This is a beautifully researched, but heartrending read. 

Eventually, my travels to understand and write about the times in which I had been born took me to the Auschwitz concentration camp near Krakow, then to its source in Berlin and some excellent walking tours into the heart of its lights and shadows – which is much of the world of Philip Kerr’s fictional Bernie Gunther. A 1930s Berlin detective, Bernie must navigate the attempt to maintain a humanity that is both moral and faulted in a time of brutality and absurdity over the course of fifteen novels that will puzzle through the human dilemma of World War II Europe. Field Gray, which ranges from the Spanish Flu epidemic of World War I to the corruption of 1950s Cuba is perhaps the most comprehensive of the series.

“Je suis las,” is the first human utterance of A Hero of France. “I am tired of the way I have to live my life.” In the lights and shadows of Alan Furst’s Europe at war the challenges are almost elegant in their quiet persistence, and their demands for endurance through the endless nights of the European underground. Occupied France is often the transit point through the center of it all. Paris is the delicate city of hard dangers and the closed doors upon, or hidden stairways to, the French Resistance. Mathieu, without a surname, is the leader of one of its cells of ordinary men and women who love their country and its magnificent, brutalized city. Like my friend Alan Seeger, he becomes A Hero of France.

As I was finishing Dutch Children, my own DNA began pointing to the watermen, boatbuilders, and seafarers of Middlesex and Mathews counties, Virginia, on the Chesapeake Bay. The Mathews Men took me deep within a story of the war that I had not much known and which would soon turn personal. These were the Merchant Mariners who carried the people and supplies of war through treacherous seas of German submarines, and lost beneath the waves the highest percentage of members of all military branches. Geroux’s fine telling of the lives of these men and their families prepared me for the eventual discovery that my mystery father had been one of them, raised in Middlesex County, a survivor of the war who had sailed everywhere in the world, though I would never meet him.

Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim. 

The sheer volume of historical research evident in Quicksilver eclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome. This is rapture for a bibliophile. Mr. Stephenson is a genius.

This is easily the best single-volume account of Roosevelt’s life. Dalton writes with an understated verve and an attention to detail that will pull along even biography-averse readers. While Morris’s trilogy is still the definitive account, Dalton’s is more persuasive, as she is more willing to cast a skeptical eye on Roosevelt’s excesses and shortcomings.

The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.

Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.

In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for… show more.