100 books like A Hero of France

Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.

As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.

I was a misbegotten child of World War II, my father an anonymous stranger on a train returning to war, thus setting me in search of an answer. While driving through rural France one day in my sixth decade I realized I'd been searching for my father through writing, and an understanding of his experience in war. My seventh decade produced Dutch Children of African American Liberators, with co-author Mieke Kirkels, about the puzzling lives of the European children of African American soldiers of World War II. As I got to its final chapters, my own father’s identity was revealed to me through DNA, and that will be the subject of my final book.

I was a misbegotten child of World War II, my father an anonymous stranger on a train returning to war, thus setting me in search of an answer. While driving through rural France one day in my sixth decade I realized I'd been searching for my father through writing, and an understanding of his experience in war. My seventh decade produced Dutch Children of African American Liberators, with co-author Mieke Kirkels, about the puzzling lives of the European children of African American soldiers of World War II. As I got to its final chapters, my own father’s identity was revealed to me through DNA, and that will be the subject of my final book.

I love history and stories. Over the years I realized stories are part history and part character. I still don’t know in which ratio, but a story without characters or history is boring. A world, any world, needs history as much as characters because the story develops from their interaction. As a writer I always ask why. It’s the quintessential question. Any character is there for a reason that must be linked to history in some form. It’s cheap to say, “they’re there because it suits the plot.” And all of these books give us both history and character(s). And then some.

Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.

When I say I enjoy stories of ordinary people in extraordinary situations, I’m talking about characters who don’t have law enforcement or Special Forces training, who aren’t martial arts experts, KGB agents, or CIA officers. I like those characters too, but they typically engage my head, not my heart. Thrown into dangerous situations, “ordinary” individuals can show tremendous courage and quick-wittedness. I can easily put myself in their shoes and empathize with their plight, which gives me a real stake in the story’s outcome. If a story is well-written, the creative ways characters respond and the strengths they discover within themselves make them true heroes to me.

My life has been blessed by having British grandparents who lived very long lives. Grandad was in the RAF and Nanny sewed for the War Effort during WWII. They rarely spoke of their experiences until they reached their early 90s. Their memories, other family members, and friends inspired me to research the children who persevered through Operation Pied Piper. I also visited related locations in England gathering more information. The Greatest Generation had a huge impact on who I am as a person and how I treat others. My recommendation list is a sampling of some of my favorite books about perseverance. 

Twenty years ago I nearly married a French woman and emigrated. I prepared vigorously to become an honorary Frenchman, cramming French history, language, and culture. Ultimately, I neither married nor emigrated, but the passion for that cultural acquisition project never left me, meaning many years of trips, reading, and language study. For the last decade, I've supplemented that interest by looking for historically significant French texts to translate (primarily contemporaneous texts about the World Wars and the interwar period). I have degrees in history and international affairs, plus professional experience in military affairs (including the Office of Secretary of Defense) and editing magazines (for Time, Inc.).

I am teaching Theater studies at the Hebrew University of Jerusalem. Among my courses, “The World of Theater in the Reflection of Cinema" was a notable one. My favorite film was Children of Paradise. However, I was taken aback when a friend questioned the film's alleged anti-Semitic elements. I scrutinized the character of the Old-Clothes Man, Josué, noticing his stereotypical Jewish traits. As my research went further, I discovered the original 1942 script, where Josué played a more significant role as an overt Jewish traitor, ultimately slain by the film's hero, Deburau. This revelation prompted extensive research in Paris and Jerusalem, uncovering veiled Jewish portrayals in other French films made during the German occupation.