Fans pick 88 books like The Mathews Men

On finishing my book, I wanted to write a companion novel, based this time in Paris. My inspiration for the lead character in that book was Marie-Madeleine Fourcade, an extraordinary woman who led the Alliance network in France, operating on behalf of SIS, as MI6 was then known. Her handler Sir Kenneth Cohen described her as the ‘textbook beautiful spy,’ but her intelligence and courage marked her out even more. Marie-Madeleine lived a life on the run, operating under the radar via a string of false identities, and even escaping imprisonment. Lynne Olsen’s riveting account tells the story of Marie-Madeleine’s terrifying existence in Nazi-occupied France, and of a heartbreaking love affair. 

I first read 1919 by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.

We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.

The USA trilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.

Eventually, my travels to understand and write about the times in which I had been born took me to the Auschwitz concentration camp near Krakow, then to its source in Berlin and some excellent walking tours into the heart of its lights and shadows – which is much of the world of Philip Kerr’s fictional Bernie Gunther. A 1930s Berlin detective, Bernie must navigate the attempt to maintain a humanity that is both moral and faulted in a time of brutality and absurdity over the course of fifteen novels that will puzzle through the human dilemma of World War II Europe. Field Gray, which ranges from the Spanish Flu epidemic of World War I to the corruption of 1950s Cuba is perhaps the most comprehensive of the series.

“Je suis las,” is the first human utterance of A Hero of France. “I am tired of the way I have to live my life.” In the lights and shadows of Alan Furst’s Europe at war the challenges are almost elegant in their quiet persistence, and their demands for endurance through the endless nights of the European underground. Occupied France is often the transit point through the center of it all. Paris is the delicate city of hard dangers and the closed doors upon, or hidden stairways to, the French Resistance. Mathieu, without a surname, is the leader of one of its cells of ordinary men and women who love their country and its magnificent, brutalized city. Like my friend Alan Seeger, he becomes A Hero of France.

Hadley’s book examines the popular image of the U-boats and their crews through an examination of their portrayal in film and books as well as any other applicable medium. A brilliantly written analysis of how perceptions towards the subject have been manipulated both positively and negatively, dependent on the period or any intended bias of the creator.

Written examinations of elements of the Wehrmacht and Waffen SS can frequently be coloured by either an intrinsic dislike of the subject or, by contrast, an almost messianic apologist's belief in the infallibility of the German military. Hadley deftly and dispassionately separates fact from fiction and highlights the pitfalls of believing too much in the popular portrayal of a complex subject.  

 This novel was first published in Germany in 1954, based on the author’s actual experience as a U-boat man during the Second World War. Told through the eyes of the fictional Teichmann, it is a visceral tour-de-force of German naval life beginning on minesweepers and gravitating toward U-boats. A brilliant portrayal of a grim reality.

I read this book during my teenage years and it was one of the first times I can remember reading a book that is grittily realistic; devoid of the 'boy's own' adventure style of many Second World War novels, but nor did it preach an obvious repentance by the German protagonist that also became quite common. In that sense, it’s virtually a dramatized documentary story of the author’s war.

Two African American brothers spend their summer in rural Virginia while their parents navigate a rough patch in their marriage. Genie, 11, and Ernie, 13, get to know their blind grandfather who has a special room filled with plants and songbirds. I identified with Genie, a worrier who likes to pose questions in his notebook. As the two brothers respond differently to their grandfather’s announcement that a brave man learns to shoot a gun at 14, Reynolds is also asking readers to consider what it means to be brave and how we should define family. I loved the themes and vivid setting of the book. As someone who visited a grandparent in a small, rural town each summer, I identified with the boys’ sense that they have travelled not just a state but a whole world away from home.

I love mysteries, undersea adventures, and books that transport me to new places. This book does it all.

I first read it when I moved to New England for graduate school many years ago. As a new research diver living on Cape Cod, reading about Aristotle's “Soc” Socarides’ adventures introduced me to the region, both above and below the ocean’s surface.

The story was so compelling that on weekends, I would dive in the morning and then spend the afternoons driving around trying to find the locations featured in the novel. 

I have a personal attachment to this book, as I knew radio man Georg Seitz from whom this history of U604 originates. It is an incredible story and Christian has diligently woven together the history of what, on the surface, seems a relatively unremarkable U-boat career. It nonetheless carries an engrossing human tale of triumph and tragedy, ending with the boat’s loss in action and the commander’s suicide. Georg then went on to crew aboard U873 which surrendered to the US Navy at the end of hostilities and which carries the terrible distinction of a second commander’s suicide. Many previously unpublished photos from Herr Seitz’s personal albums vividly illustrate the history of U604 and its crew.        

Yes, there was a naval war in the Atlantic, too. Had not the Allies defeated Hitler’s U-boats over a multi-year battle—the longest of the war—World War II would likely have been lost no matter the heroics in the Pacific. Hitler’s U-Boat War does for the Battle of the Atlantic what Blair did with Silent Victory for submarine actions in the Pacific.

This book is exhaustive in detail—pick a boat or an engagement, and Blair has chronicled it— but taken overall, these volumes show the tenuous nature of the battle that was won in the aggregate by individual conflicts between hunter and hunted. This is a reliable desktop reference as well as a compelling read.