Fans pick 100 books like Count Not the Dead

 This novel was first published in Germany in 1954, based on the author’s actual experience as a U-boat man during the Second World War. Told through the eyes of the fictional Teichmann, it is a visceral tour-de-force of German naval life beginning on minesweepers and gravitating toward U-boats. A brilliant portrayal of a grim reality.

I read this book during my teenage years and it was one of the first times I can remember reading a book that is grittily realistic; devoid of the 'boy's own' adventure style of many Second World War novels, but nor did it preach an obvious repentance by the German protagonist that also became quite common. In that sense, it’s virtually a dramatized documentary story of the author’s war.

Related to Das Boot this may be (same author, same boat as within the novel) but this is a factual photographic essay of photos taken by Buchheim, predominantly aboard U96 during August-September 1941 as a member of the Propaganda Company. The photographs show life as it actually was in the North Atlantic on patrol, and end with shots taken aboard U309 as it escaped Brest in August 1944 and was involved in the rescue of crew from U981 which sank after hitting a mine with twelve crewmen killed.

This is, quite simply, a brilliant and evocative set of photographs. Buchheim was part of the propaganda machine that he so vocally lambasted in his later years, and, talking to U-boat veterans, opinions of him as a human being were extremely polarised. However, there can be no doubt about his mastery of the visual medium.

Brilliantly told and deeply tragic, Iron Coffins recounts the Battle of the Atlantic from the firsthand perspective of one of the few surviving German submarine captains.

Herbert A. Werner’s service took him on multiple tours, including the Mediterranean and various battlegrounds in the Atlantic, where he sank ships, dodged sub hunters, and watched the Third Reich crumble, all the while as his personal losses and wartime guilt mounted.

I have a personal attachment to this book, as I knew radio man Georg Seitz from whom this history of U604 originates. It is an incredible story and Christian has diligently woven together the history of what, on the surface, seems a relatively unremarkable U-boat career. It nonetheless carries an engrossing human tale of triumph and tragedy, ending with the boat’s loss in action and the commander’s suicide. Georg then went on to crew aboard U873 which surrendered to the US Navy at the end of hostilities and which carries the terrible distinction of a second commander’s suicide. Many previously unpublished photos from Herr Seitz’s personal albums vividly illustrate the history of U604 and its crew.        

As I was finishing Dutch Children, my own DNA began pointing to the watermen, boatbuilders, and seafarers of Middlesex and Mathews counties, Virginia, on the Chesapeake Bay. The Mathews Men took me deep within a story of the war that I had not much known and which would soon turn personal. These were the Merchant Mariners who carried the people and supplies of war through treacherous seas of German submarines, and lost beneath the waves the highest percentage of members of all military branches. Geroux’s fine telling of the lives of these men and their families prepared me for the eventual discovery that my mystery father had been one of them, raised in Middlesex County, a survivor of the war who had sailed everywhere in the world, though I would never meet him.

Voss volunteered to join the elite Nazi forces as a teenager in 1943, when (unbeknownst to him) the war was already lost for Germany. His memoir of barely two years in history’s most notorious military unit will surprise many who are used to seeing SS members in Holocaust movies and memoirs; Voss was an infantryman who fought in Finland and later in the Western front, fully devoted to Nazi ideology until Germany was defeated and he saw the flip side of the coin. A very unique book.

In this beautifully written, well-researched book, Showalter explains how German generals won a spectacular victory on the eastern front. Although able to deploy only one army group – while seven were deployed in the west – they prevailed in the famous Battle of Tannenberg (1914) against two ineptly led and poorly armed Russian armies. Germany achieved the kind of success that eluded them in the west, but was unable to knock Russia out of the war – in fact, the victors had only bought time against enemy forces increasing in number. Not until the communist revolution three years later would Germany wriggle free of enemies in the east.

German novelist Rothman tells the story of two young friends caught up in the death spiral of Nazism at the end of the war when they are forced to ‘volunteer’ for the Waffen-SS. Only recently translated into English, it is a masterpiece of precision and unsentimentality that packs a punch as brutal as almost any other war novel I know.

One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.

It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.

I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.

Before being drafted into the German Army in 1941, Willy Peter Reese was a bank clerk who spent his time engaged in reading German literature and attempting to become a writer in his own right.

The memoir is a compilation of his journal entries as he reflected on his transition from civilian to soldier. Originally published in German, Reese’s journal demonstrates the way in which a relatively naïve and carefree intellectual became involved in the Nazi war of annihilation in the Soviet Union.

The transformation from a bookish, sensitive, and brooding teenager into a soldier who lost empathy for the people suffering under German occupation demonstrates how some German youth became actors and accomplices in the Nazi regime’s crimes.