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I’m a long-time correspondent for American media across the world. I reported on Europe and Asia for the Wall Street Journal, and on Southeast Asia for Bloomberg News. I was always fascinated by deep historical layers to be found in ancient societies like those of Europe, and the sometimes accurate clichés about European tribes and their strange customs; no European tribe is weirder than the Germans, for a long time the wildest of the continent and then the most cultured and sophisticated until they came under the spell of a certain Austrian. The twelve years that followed still rank as the most insane historical period for any nation ever.
Kershaw’s double biography of the Nazi leader (the second part, almost entirely about World War II, is called Hubris) is a classic, and remains the best, most approachable look at the unusual upbringing of a young boy from provincial Austria who once wanted to be an artist, and felt in debt with the Jewish doctor who (unsuccessfully, as it turned out) treated his mother’s cancer. Hubris is most remarkable for the glimpses it provides of a different fate for that young boy Adolf: how he was scarred by family tragedy and by failure at multicultural Vienna, and how the Great War gave him an opening to become the worst possible version of himself.
From his illegitimate birth in a small Austrian village to his fiery death in a bunker under the Reich chancellery in Berlin, Adolf Hitler left a murky trail, strewn with contradictory tales and overgrown with self-created myths. One truth prevails: the sheer scale of the evils that he unleashed on the world has made him a demonic figure without equal in this century. Ian Kershaw's Hitler brings us closer than ever before to the character of the bizarre misfit in his thirty-year ascent from a Viennese shelter for the indigent to uncontested rule over the German nation that had tried…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
There is no better scholarly work about the birth and death of Germany’s first democracy than The Coming of the Third Reich, by British historian Richard J. Evans. Evans uses a wealth of archival material to create a masterful narrative of the intrigue, revolts, economic forces, and political chaos that marked the Weimar era. The Coming Of The Third Reich is the first book in a three-volume series, which covers Germany from the end of World War I to the downfall of the Nazi regime.
Richard J. Evans' The Coming of the Third Reich: How the Nazis Destroyed Democracy and Seized Power in Germany explores how the First World War, the Weimar Republic and the Great Depression paved the way for Nazi rule.
They started as little more than a gang of extremists and thugs, yet in a few years the Nazis had turned Germany into a one-party state and led one of Europe's most advanced nations into moral, physical and cultural ruin and despair.
In this consummate and compelling history, the first book in his acclaimed trilogy on the rise and fall of Nazi…
I’m a long-time correspondent for American media across the world. I reported on Europe and Asia for the Wall Street Journal, and on Southeast Asia for Bloomberg News. I was always fascinated by deep historical layers to be found in ancient societies like those of Europe, and the sometimes accurate clichés about European tribes and their strange customs; no European tribe is weirder than the Germans, for a long time the wildest of the continent and then the most cultured and sophisticated until they came under the spell of a certain Austrian. The twelve years that followed still rank as the most insane historical period for any nation ever.
Another great hit in Evans’ long series of books about Nazism, this is a very particular one: Evans was invited to take part as an expert in a trial for defamation brought by a British historian, David Irving, long suspected of being a tad too friendly towards the Nazi regime. This 2002 book recounts the trial and focuses on Evans decisive role: he went through Irving’s voluminous, and meticulous, books, finding misleading interpretations favoring the Nazi view of controversial events in World War II and, very particularly, views minimizing the scale of the Holocaust and Hitler’s role in it. This may be the ultimate book about detective work in the fight against misinformation.
In ruling against the controversial historian David Irving, whose libel suit against the American historian Deborah Lipstadt was tried in April 2000, the High Court in London labeled Irving a falsifier of history. No objective historian, declared the judge, would manipulate the documentary record in the way that Irving did. Richard J. Evans, a Cambridge historian and the chief adviser for the defence, uses this famous trial as a lens for exploring a range of difficult questions about the nature of the historian's enterprise.
I’m a long-time correspondent for American media across the world. I reported on Europe and Asia for the Wall Street Journal, and on Southeast Asia for Bloomberg News. I was always fascinated by deep historical layers to be found in ancient societies like those of Europe, and the sometimes accurate clichés about European tribes and their strange customs; no European tribe is weirder than the Germans, for a long time the wildest of the continent and then the most cultured and sophisticated until they came under the spell of a certain Austrian. The twelve years that followed still rank as the most insane historical period for any nation ever.
The coming of the Third Reich in 1933 left Klemperer, a cash-strapped Jewish scholar, without his teaching job in a German university, but somehow sheltered from the worst excesses of Nazism due to his marriage to an “Aryan” German woman. His diaries are a window to the daily life of a childless middle-aged couple that observes world-shaking events from close proximity, while worrying about debts and the high costs of keeping the family car, Klemperer's most cherished possession.
A publishing sensation, the publication of Victor Klemperer's diaries brings to light one of the most extraordinary documents of the Nazi period.
'A classic ... Klemperer's diary deserves to rank alongside that of Anne Frank's' SUNDAY TIMES
'I can't remember when I read a more engrossing book' Antonia Fraser
'Not dissimilar in its cumulative power to Primo Levi's, is a devastating account of man's inhumanity to man' LITERARY REVIEW
The son of a rabbi, Klemperer was by 1933 a professor of languages at Dresden. Over the next decade he, like other German Jews, lost his job, his house and many…
As a Brit growing up in the 1970s, I was obsessed with the Second World War as a heroic narrative and my country’s ‘Finest Hour’. Then I went out on the road and interviewed hundreds of veterans of the Battle of Monte Cassino and learned a somewhat different story…
German novelist Rothman tells the story of two young friends caught up in the death spiral of Nazism at the end of the war when they are forced to ‘volunteer’ for the Waffen-SS. Only recently translated into English, it is a masterpiece of precision and unsentimentality that packs a punch as brutal as almost any other war novel I know.
The lunacy of the final months of World War II, as experienced by a young German soldier
Distant, silent, often drunk, Walter Urban is a difficult man to have as a father. But his son―the narrator of this slim, harrowing novel―is curious about Walter’s experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.
First published in Britain in 1985, In the Ruins of the Reich is a classic account of Nazi Germany after her fall to the Allies in May 1945. Douglas Botting concentrates on the defining events that took place in the period between the collapse of the Third Reich and the foundation of the new Germanys to create the prevailing atmosphere of a most unusual and little-charted time in history. This was a period when four of the strongest industrial nations to emerge from the Second World War attempted to work together to govern the once strong Germany, now prostate, impoverished…
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
How do people react when a dictatorship forces them to make choices? To learn more, read this brilliant memoir by a journalist looking back on his life in 1930s Berlin. Happily focused on his legal training and circle of friends, Sebastian Haffner at first showed little interest in politics and rejected the Nazis out of instinct rather than principle. Disgusted but powerless, he was content to keep a low profile under the new regime. To his own lasting shame, however, he one day answered “yes” when an SA stormtrooper demanded to know if he was “Aryan.” But Haffner’s friendships and liaisons with Jews, and his belief in the rule of law, ultimately made him realize that he couldn’t live in Nazi Germany. His final choice? Exile in Britain.
An absolute classic of autobiography and history - one of the few books to explore how and why the Germans were seduced by Hitler and Nazism.
'If you have never read a book about Nazi Germany before, or if you have already read a thousand, I would urge you to read DEFYING HITLER. It sings with wisdom and understanding' DAILY MAIL
Sebastian Haffner was a non-Jewish German who emigrated to England in 1938. This memoir (written in 1939 but only published now for the first time) begins in 1914 when the family summer holiday is cut short by the outbreak…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Nick Stargardt’s Witnesses of War is the kind of book I’d love to write – it’s really one of the most comprehensive and accessible studies of children’s experiences under Nazism out there. The author doesn’t shy away from describing the lives of the Third Reich’s youthful victims in harrowing detail, but he also explores the lives of children who were seduced by the Nazi dictatorship. "In war," he writes, "all children are victims."
Even in this most murderous of European wars, children were not merely passive victims of genocide, bombing, mechanised warfare, starvation policies and mass flight. They were also active participants, going out to smuggle food, ply the black market, and care for sick parents and siblings. As they absorbed the brutal new realities of German occupation, Polish boys played at being Gestapo interrogators, and Jewish children at being ghetto guards or the SS. Within days of Germany's own surrender, German children were playing at being Russian soldiers. As they imagined themselves in the roles of their enemies, children expressed their hopes,…
I have been writing non-fiction Second World War history books since 2000 and just recently had my twenty-first published by Osprey. Most deal with aspects of the history of Germany’s U-boats. Though I have had a lifelong interest in military history, the desire to write about this topic began while living near Brest in Brittany, France. I am a scuba diving instructor and spent a great deal of time diving on wrecks left behind by the Kriegsmarine, all in the shadow of the huge U-boat bunkers created in Brest’s military harbour. Encouraged by authors Jon Gawne and Robert Strauss I submitted the proposal for the First U-Boat Flotilla to Pen & Sword in 2000…and it went from there.
Hadley’s book examines the popular image of the U-boats and their crews through an examination of their portrayal in film and books as well as any other applicable medium. A brilliantly written analysis of how perceptions towards the subject have been manipulated both positively and negatively, dependent on the period or any intended bias of the creator.
Written examinations of elements of the Wehrmacht and Waffen SS can frequently be coloured by either an intrinsic dislike of the subject or, by contrast, an almost messianic apologist's belief in the infallibility of the German military. Hadley deftly and dispassionately separates fact from fiction and highlights the pitfalls of believing too much in the popular portrayal of a complex subject.
In Count Not the Dead Michael Hadley explores the complex relationships between political reality and cultural myth, and draws important conclusions about the way Germans have interpreted their past and how present concerns are changing these views. Basing his study on some two-hundred-and-fifty German novels, memoirs, fictionalized histories, and films (including Das Boot), Hadley examines the popular image of the German submarine and weights the values, purposes, and perceptions of German writers and film makers. He considers the idea of the submarine as a war-winning weapon and the exploits of the "band of brothers" who made up the U-boat crews.…
I am a writer and television producer who researches and writes in an attic surrounded by tumbling bookshelves. When I was young I watched a BBC series called Secret Army which got me hooked on the people who stood up to the Nazis when their country was occupied. Over the years I’ve travelled around Europe to interview many of WW2’s resisters and veterans, and I became interested in the people inside Germany who defied the Nazis. Trying to tell the stories of the people who dared to oppose Hitler became something of an obsession.
One of the strangest and morally-complex stories from WW2 and the one I most struggled with while exploring the nature of resistance for my own book.
Could someone at the heart of the apparatus of Nazi terror also be a resister? After joining the Waffen SS to expose its crimes, Kurt Gerstein become involved in the supply of the deadly Zyklon B gas to the death camps.
At the height of the war, he destroyed consignments of gas and tried to tell the Allies and the Vatican about the Holocaust, but was ignored.
Prague-born Friedländer’s parents were murdered by the Nazis but he explores the paradoxes in Gerstein’s story with heart-rending humanity.
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