100 books like A Feast of Vultures

I've been working in the field of AI for 40 years, first in graduate school and then as a professor. For the most part, I have had my head in the sand, focusing on the minutiae that occasionally lead to publications, the coins of the academic realm. When deep learning started exhibiting human-level pattern recognition abilities, the number of AI books for the general public began to swell.  Unfortunately, the science-fiction scenarios were a bit much. Since understanding, recognizing, and admitting problems are vital steps toward a solution, I find these books to be the most important warnings of the impending tech-dominated future.

For over 44 years, I have been a writer, speaker, anchor, interviewer, teacher, analyst/commentator, publisher, producer, director, and consultant across different mass media: the written word, the spoken word, and the audio-visual medium – printed publications and websites, radio and podcasts, television, and documentary cinema. As a student of the political economy of India, I have sought to investigate the working of the nexus between business and politics. I am of the view that crony capitalism and oligarchy are at the roots of much that has gone wrong in the country of my birth and domicile which is often described as the “world’s largest democracy”.

I’ve worked for two decades as a researcher and campaigner to expose the tax behaviour of unscrupulous multinational companies and wealthy individuals, and the central lesson is that we only make progress when the narrative shifts: when the public and policymakers start to appreciate just how much damage is done to our societies by the professional enablers of tax abuse. These books are real narrative-shifters, showing the world to us in ways we need to see, and making it a pleasure. 

For over 44 years, I have been a writer, speaker, anchor, interviewer, teacher, analyst/commentator, publisher, producer, director, and consultant across different mass media: the written word, the spoken word, and the audio-visual medium – printed publications and websites, radio and podcasts, television, and documentary cinema. As a student of the political economy of India, I have sought to investigate the working of the nexus between business and politics. I am of the view that crony capitalism and oligarchy are at the roots of much that has gone wrong in the country of my birth and domicile which is often described as the “world’s largest democracy”.

I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.

I am an anthropologist of development who has conducted ethnographic research in India, Indonesia, and more recently, Australia. Throughout my career I have grappled with questions of how power works in development, particularly in and through processes of self-making. I seek new theoretical tools to examine these questions, but always grounded in the realities of the everyday. I came of age when post-development critiques were dominant, but both my idealism and cynicism have been tempered by working alongside local development actors. In my work I try to give readers a sympathetic portrait of their lives, beliefs, and hopes, and how these shape practices, relationships, and consequences of ‘development’. 

David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the U.S.S.R. He is a senior fellow at the Hudson Institute in Washington, D.C. He has been a fellow of the Foreign Policy Institute at the Johns Hopkins University School of Advanced International Studies (SAIS), a research fellow at the Hoover Institution, a senior fellow of the Foreign Policy Research Institute in Philadelphia, and an associate of the Henry Jackson Society in London.

I’ve always been a voracious reader, and from an early age I was drawn to military, political, and science fiction thrillers because they explored a world of black operations, ruthless cabals, and clandestine government programmes. Later, I discovered that such a world exists, one where the military-industrial complex exerts enormous power and influence, a world of secretive global agendas, of dark actors controlling corrupt politicians, and cold-blooded military contractors, their allegiances no longer tied to any national flag but to mega-wealth cabals, offshore accounts, and vast pension funds. A world of shadows, where the light rarely shines, and the truth remains hidden. A truth often stranger than fiction.

I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.

I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.