72 books like Journeys Without a Map

This book was published after the demonstration at Tiananmen Square, Beijing which ended in bloodshed. With this book, I felt finally somebody was giving an honest account of life in China in the 20th Century and  under the Chinese Communist Party.

But this is no regular history book; it is Jung Chang’s personal account following the lives of three generations of women in her own family: Jung Chang herself, her mother, and her grandmother. They endured so much, but I was struck by how united and loving they remained. They managed in the face of adversity to keep their humanity, inner strength, and incredible courage.

I felt empowered by these women, from the grandmother who had endured the torture of having her feet bound as a young girl to the author who showed admirable courage to tell us exactly what China was like right up and through the dark years… show more.

Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death. 

Among a tiny handful of intrepid women travellers in the nineteenth and twentieth century, Freya Sterk stands out. Not only for her courage in going where no woman or man had gone before in remote and dangerous Middle Eastern regions and for her unique mastery of their languages, but also for her own beautiful writing. Largely self-educated, she is adopted by the Royal Geographical Society and lionised as an explorer. And she revels in the limelight. Knighted by the Queen at age 82, Freya emerges as appealingly human and fallible, and unusually democratic in her dealings with the people she meets in these remote regions.  Her biographer has created a brilliant, absorbing, and penetrating picture of this flamboyant woman.

Christabel Bielenberg’s autobiography I find madly inspiring for her courage and clear, perceptive writing. A well-connected Anglo-Irish Englishwoman, she marries a German lawyer in 1934 only to find herself living through the war and the horrors of Nazi rule in Germany. Staggeringly, near the war’s end, she manages to talk her husband Peter out of a concentration camp with the camp commandant after Peter was implicated in the plot to assassinate Hitler. It’s that rare book that I would have loved to last much longer, especially for showing how ordinary Germans changed and got corrupted by Nazism—but others managed to retain their humanity. She shows us the triumph of the human spirit, even in the face of a downward slide into evil and corruption.

Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.

How much would you be willing to give up for fame and greatness?

By 1895, Henry James had written a number of all-time classics, including Daisy Miller and The Portrait of a Lady, but had never achieved the kind of commercial or popular success he thought he deserved. So in his fifties, he started writing for the theater, hoping to break through.

The Master begins with the London opening of his play Guy Domville, which turns out to be a flop, and follows James as he comes to terms with this failure, and all the other sacrifices he has to make – in his personal and sexual life, too – in order to become the writer he wants to be. 

Daphne has numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës. 

I've always heard there are two sides to every story. Generally, this means a good side and a bad, or at least one with some sort of a redeeming perspective. But what does a person do when both sides are equally hellish? For Maiya, it means she truly is Daydream's Daughter and Nightmare's Friend. It seems as though the insufferable miseries will never end. This book is deeply emotional and compelling. The author describes the events in vivid detail creating a sense for the reader of being there in the midst of it all. The book immediately captures your attention, and page after page keeps you wondering what will happen next. An excellent story by an excellent author.

Kit and I share some life similarities, she’s a working-class girl with a Birmingham background, published later in life, and I was keen to read her story. Written as scenes from childhood with sharp observation and wit, her book illustrates an unpredictable childhood. The daughter of an Irish mother and Caribbean father in a large and sometimes chaotic family, where there is love in the Kingdom Hall of Jehovah’s Witnesses, but not always at home. There are the familiar places, the family dynamics observed with the clarity of a child, and the tit-for-tat games her parents play - dad buys a new car, the next week, mum a harmonica and Davy Crockett hat. All quirks observed and challenging situations related with a lightness of touch and wit, a genuine pleasure to read.

“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sister is a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.