Here are 100 books that The Magpie's Nest fans have personally recommended if you like
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As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.
This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.
Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.
I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.
Highlight the environment with these thought-provoking stories and activities!
Our relationship to the planet earth is at the heart of the single largest problem we face today. We have a choice: hurt mother earth and we hurt ourselves; care for the earth and we reap its bounty. People from ancient times have always known this and have expressed it in their traditional stories.
Here are more than forty stories from thirty cultures that touch upon ecological themes: "Caring for the Land," "Caring for Other Creatures," "All Things Are Connected," "No Thing is Without Value," and "Planning for the Future." These…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.
A page of 'Lessons' at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.
Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This is more than a collection of garden folktales.
Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.
Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.
This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.
The garden is an oasis, a pocket of nature in our busy modern lives, full of plants, animals, insects - and a fair bit of magic.
Folk Tales from the Garden follows the seasons through a year of stories, garden lore and legends. Explore the changing face of nature just outside your front door, from the tale of the Creator painting her birds and the merits of kissing an old toad, to pixies sleeping in the tulips, and an unusually large turnip.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.
Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.
However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.
Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.
Telling the Seasons takes us on a journey through the twelve months of the year with stories, customs and celebrations. Drawing on the changing patterns of nature and the rich tapestry of folklore from the British Isles, it is a colourful guide into how and why we continue to celebrate the seasons.
Here are magical myths of the sun and moon, earthy tales of walking stones and talking trees and lively legends of the spirits of each season. Original drawings, sayings, songs, recipes and rhymes, combine into a 'spell-book' of the seasons. Martin Maudsley tells tales around the year to…
I have been fortunate to be able to turn my childhood birdwatching into a career in ornithology. Scientists are sometimes accused of being cold and heartless, but most of the ornithologists I know are driven by a passion to protect and understand birds. At school, I only really liked biology and art. I hated history, but later in life I discovered the vast riches embedded in the history of ornithology and I am fascinated by how we know what we know about birds. This in turn has sparked ideas that have allowed me to discover and explore new areas of bird study. Above all, I love telling people about birds.
The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago!
Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader.
Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a…
From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.
Lift the flaps and take an intimate peek inside the villains and find what really makes them tick. Through a twist in classic fairytale storytelling and a sophisticated design, this book has reimagined the inner workings of the iconic fairytale witch, giant, and wolf. Pull levers and tabs, discover objects on strings, and open flaps to discover the real truth about the villains. Brilliantly creative and exploratory.
Internationally bestselling, oversized lift the flap book that reveals the secrets of the most famous fairytale villains.
Explore if you dare! Take a look inside and discover the villainous tricks inside the heads of an ogre, a wolf and a witch. Lift the flaps to find out what’s beneath their disguise and who was the victim of their last meal (now comfortably settled inside their stomach!).
This exquisitely produced large fold-out book is like no other: a celebration of story that’s full of humor and detail on every page, and has over 30 interactive elements that will mesmerize toddlers, pre-schoolers…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own.
I love this Native American folktale because it is a lesser-known one, and its message is appropriate for young children. Chipmunk, the main character, learns a great lesson about bragging. Folktales are an excellent resource for teaching children lessons without being preachy. This one has messages about kindness, bragging, and friendship. The illustrations are amazing too!
Bear brags that he can do anything-even stop the sun from rising. Brown Squirrel doesn't believe him, so the two wait all night to see if the sun will rise. Sure enough, the sky reddens and the sun appears. Brown Squirrel is so happy to be right that he teases Bear. What happens when a little brown squirrel teases a big black bear? Brown Squirrel gets stripes and is called chipmunk from that day forward . . . Joseph and James Bruchac join forces to create this buoyant picture book, based on a Native American folktale.
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
With simple, colorful illustrations and a humorous plot featuring Grandmother Witch’s magical pasta pot that requires more than the right words to control it, this book delights me still.
The story seems to be about learning to listen properly. It’s also about eavesdropping, bragging, and above all, the consequences of failing to follow directions. But its charm to me is its sympathy for naughty Big Anthony, who is, after all, just like everyone’s inner child.
When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works in this classic Caldecott Honor book from Tomie dePaola.
Strega Nona-"Grandma Witch"-is the source for potions, cures, magic, and comfort in her Calabrian town. Her magical everfull pasta pot is especially intriguing to hungry Big Anthony. He is supposed to look after her house and tend her garden but one day, when she goes over the mountain to visit Strega Amelia, Big Anthony recites the magic verse over the pasta pot, with disastrous results.
