A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
Spain. Seventeenth century. The Inquisition has forbidden the painting of nudes, but Diego Velázquez, court portraitist, has defied the rules. He has painted an exquisite Venus—a woman seen from the back, gazing at her reflection in a mirror. How has he dared? Who commissioned the painting? And more intriguing: Who is the model?
Set in an atmosphere of political turmoil and romantic scandal,I Am Venus recreates the public and private lives of Diego Velázquez, Spain’s greatest baroque artist, and narrates his fascinating rise to fame. It also tells the story of the mysterious woman who posed for “The Rokeby Venus,” Velázquez’s only extant female nude, whose intimate knowledge of the court and detailed descriptions create a vivid image of a monarchy in decline.
A brilliant portrait of Italy’s great female baroque painter, Artemisia Gentileschi. Daughter of the highly respected artist Orazio Gentileschi, Alexandra studied painting under her father, who recognized her extraordinary talent. However, she was raped by one of Orazio’s colleagues, Agostino Tassi, and when Artemisia denounced him, the trial became an enormous scandal. This book brings to life the dynamic art world of seventeenth-century Italy and reveals the power a gifted woman could wield in a patriarchal society.
In a vivid re-creation of Baroque Italy, Artemisia Gentileschi, one of the Western world's first major women artists, is raped by her father's partner, Agostino Tassi, and refuses, in the face of family pressure, scandal, and torture to deny the crime, an attitude that ostracizes her from Rome and from her father. 25,000 first printing.
I have been fascinated with
Sisi since I visited the Habsburg Castle in Vienna several years ago. In The
Accidental Empress, Allison Pataki imbues Elisabeth of Bavaria—known as
Sisi—with humanity and intelligence. Engaged to Sisi’s older sister, the
emperor Franz Joseph falls in love with the younger girl instead, making Sisi
an “accidental empress.” However, his choice unleashes a chain of intrigue and
political maneuvering. Pataki’s novel is rich in psychological insight, and her
detailed descriptions of court life and the Austrian landscape transport the
reader to another time and place. Pataki captures beautifully the atmosphere of
luxury and intrigue of the Habsburg court and having been in the Castle, I can
well imagine Sisi gliding through its vast space or dining on its priceless
china.
*NEW YORK TIMES BESTSELLER * Discover the "captivating, absorbing, and beautifully told" (Kathleen Grissom) love story of Sisi, the Austro-Hungarian empress and wife of Emperor Franz Joseph-perfect for fans of the Netflix series The Empress!
The year is 1853, and the Habsburgs are Europe's most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.
Fifteen-year-old Elisabeth, "Sisi," Duchess of Bavaria, travels to the Habsburg Court with her older sister, who is betrothed to the young emperor. But shortly after her arrival at court, Sisi…
Although we actually know very little about Vermeer, Tracy Chevalier imagines a context for his celebrated painting, Girl with a Pearl Earring. As a professor of early modern literature and culture, I was especially fascinated by the interplay of religions in this novel. Griet, who comes to work for the Vermeers as a servant, is Protestant, and she is scandalized by some of the sumptuous Catholic art she sees hidden away in the Vermeer home. Intrigued by her master’s paintings, Griet begins to serve him as an assistant and finally agrees to pose for him. Through her experiences, Chevalier paints a vivid picture of a seventeenth-century Dutch household.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
Isabella of Castile is one of Spain’s most controversial and complicated queens. I have been teaching Spanish history for decades, so it was particularly thrilling for me to see how C.W. Gortner brings this dynamic woman to life. Having engineered her own marriage to Fernando of Aragon, Isabella contrived to back the voyages of Christopher Columbus and took an active part in the war against the Moors in Granada. She resists and finally succumbs to the demands of the fanatical inquisitor Torquemada, who urges her to rid the realm of Jews. Gortner recreates the climate of intrigue, the bloody battlefields, and the lush gardens of Andalusia so beautifully that you feel as though you were there.
“A masterwork by a skilled craftsman . . . Make a vow to read this book.”—New York Journal of Books
Isabella is barely a teenager when she becomes an unwitting pawn in a plot to dethrone her half brother, King Enrique. Suspected of treason and held captive, she treads a perilous path, torn between loyalties, until at age seventeen she suddenly finds herself heiress of Castile, the largest kingdom in Spain. Plunged into a deadly conflict to secure her crown, she is determined to wed the one man she loves yet who is forbidden to her—Fernando, prince of Aragón. As…
I have always been intrigued by Catherine de Medici, the most powerful—some say, ruthless—woman of sixteenth-century France. Narrating in Catherine’s own voice, C.W. Gortner brings Catherine to life. My own work in the area of religious conflict in early modern Europe made Catherine, who was caught up in France’s endless wars between Protestants and Catholics, a particularly attractive subject. Capturing exquisitely the inner workings of Catherine’s psyche, Gortner makes us feel Catherine’s anguish at having to ally herself with the Protestant leader Coligny and at the sacrifices she had to make on behalf of the monarchy.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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