Here are 100 books that Arthur Rackham fans have personally recommended if you like
Arthur Rackham.
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I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
My sister read the Lord of the Rings trilogy to me when I was a kid while we were on holiday in Scotland and it was hugely inspiring. Growing up I thought I would like to illustrate the books - until Alan Lee did it so perfectly. No one can better his interpretation, as Peter Jackson will agree. His delicate pencil work and subtle use of colour have always, for me, set the bar for illustration. A highlight of my career has been having my own work exhibited alongside his.
Alan Lee, the Oscar-winning conceptual designer for the Lord of the Rings movie trilogy, discusses his approach to depicting Tolkien’s imaginary world. The book presents more than 150 of Lee’s celebrated illustrations to show how his imagery for both the illustrated Lord of the Rings and the films progressed from concept to finished art. In addition, the book contains 20 full-color plates and numerous examples of the conceptual art produced for Peter Jackson’s film adaptation.
The Lord of the Rings Sketchbook provides a wealth of background information and will be of interest to those who know and love Tolkien’s work,…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
This book contains exquisite pencil and ink drawings by Dr. Sarah Simblet who teaches at The Ruskin and Christ Church, at Oxford University. Her observational work is second to none and through it, she explores the relationship between science, history, and art. She is dedicated to sharing visual intelligence and promoting understanding through art. This is complemented perfectly with the text by Gabriel Hemery who gives an in-depth insight into the value of one of our most treasured assets – the trees of our land.
"Beautiful, useful, inspirational" BBC Wildlife Book of the Month
"A delight on every page" Evening Standard
In 1664, the horticulturist and diarist John Evelyn wrote Sylva, the first comprehensive study of British trees. It was also the world's earliest forestry book, and the first book ever published by the Royal Society. Evelyn's elegant prose has a lot to tell us today, but the world has changed dramatically since his day. Now authors Gabriel Hemery and Sarah Simblet, taking inspiration from the original work, have masterfully created a contemporary version - The New Sylva. The result is a fabulous resource that…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
For me, this book was a real education. It provided insight into how the greatest artists strive to break the rules and find interest in juxtapositioning different versions of reality and fantasy. The perfect summation, to me, of what Escher strived to do is communicated in this quote, “My topics are often playful too. I cannot stop fiddling around with our incontestable certainty. It is a pleasure, for example, to deliberately mingle two- and three-dimensions, flat and spatial and to poke fun at gravity.” One of the main takeaways from this book is to always strive to reimagine reality, break rules, be playful, and never be afraid to fail.
As beautiful and rigorous as an Escher work itself, this book is the classic study of a great maverick who so memorably linked the world of imagemaking with geometry and paradox. Escher's works, from the great master prints to numerous drawings, are brilliantly arranged to form a cinematic journey of discovery that reveals the magical world of the artist's mind, an uncharted realm lush with exotic conceptions and inventions.
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
Doré was a prolific artist who illustrated editions of the Bible, Dante's Inferno, Poe's The Raven, and The Adventures of Don Quixote. He was a veritable ‘dream machine’ with multi-disciplinary skills. His depictions of London never cease to amaze me with the intricacy of his observation. The fact that he also turned to sculpture and not to mention his influence on early cinema are all aspects that fill me with awe especially when considering his life was cut short at 51. The epic quality of his work inspires me hugely and this big book encompasses his whole career with lots of well-reproduced images, and the photograph of him on page 17 always makes me laugh.
The diverse oeuvre of Gustave Doré—illustrations, paintings, sculpture—combines with biography and critical essays and attests to the artist’s enduring impact on contemporary culture. Proclaimed "the most illustrious of illustrators," Gustave Doré is best known for his engravings, which appeared in editions of the Bible, Dante’s Inferno, Poe’s The Raven, The Adventures of Don Quixote, and even in Hollywood, from King Kong to Seven. Yet the extent of his genius remains largely unknown. Here, along with his renowned illustrations, his paintings and sculptures are also examined, bringing to light the rich diversity of his talent. Using watercolor, vivid oil paint, or…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago.
My own kids absolutely devoured non-fiction when they were middle-graders, and this book would have topped their lists. Torpedoed tells the story of the torpedoing and tragic sinking of the SS City of Benares, an ocean liner bearing English evacuees to Canada. Full of photographs, excerpts from letters, first-person accounts, and ephemera like packing lists, other evacuation paperwork, and even the ship’s emergency drill instructions, Deborah Heiligman’s book belongs in every middle-grade non-fiction collection. There is heartbreak and tragedy in these pages, but there is also extraordinary bravery and heroism. I can’t recommend this one highly enough.
Amid the constant rain of German bombs and the escalating violence of World War II, British parents by the thousands chose to send their children out of the country: the wealthy, independently; the poor, through a government relocation program called CORB. In September 1940, passenger liner SS City of Benares set out in a convoy of nineteen ships sailing for Canada. On board were ninety CORB children, chaperones, and crew, along with paying passengers. When the war ships escorting the Benares to safe waters peeled off and the way forward seemed certain, a German submarine attacked and torpedoed the Benares.…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present
The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
I am Karen Slater the author of My Journey Through Hell. It’s a memoir of addiction and generational abuse. A story about my dysfunctional childhood and the negative consequences that took me to hell and back. The books I love the most are the stories that inspire me. The true stories of real people overcoming tragedy and adversity give me such hope and motivation to keep on doing what I do and reach other people still struggling. I like to think these are the books that radiate courage and optimism and let others know that we all have our crosses to bear but we can bear them nonetheless.
The thing I love about Tyson's story is he makes it so relatable to ask questions that others are too afraid to answer. He talks about his triumphs but especially his tribulations. He single handily put mental health on the horizon up for discussion and this man being a giant and talented boxer showed men in particular that it was alright to hurt at times to get lost and to fall apart. Up to then, most celebrities were too proud to go deep and talk about their struggles. Not Tyson, this is the greatest gift you can give.
Honesty and integrity. Not being afraid of being shamed or judged but allowing the world to know that it's ok to talk about this. Not only OK but necessary. I admired the man and his family even more from that very read. It was fabulous looking into the mind of the best…
THE UNDEFEATED HEAVYWEIGHT CHAMPION, IN HIS OWN WORDS ________________________________ The UK's bestselling boxing book since records began. WINNER of the Telegraph Sports Book of the Year. ________________________________ 'One of sport's most heart-warming stories' SUNDAY TIMES, SPORTS BOOK OF THE YEAR 'A must-read for any boxing fan.' WORLD BOXING NEWS 'If you know someone who's a fan of the People's Champion, then they'll love this.' TALKSPORT
The extraordinary story of the rise and fall and rise again of Tyson Fury...
THE GYPSY KING.
A Manchester lad from Irish Traveller stock, born three months premature and weighing just a pound at birth,…
I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago.
I adore all of Emma Carroll’s delicious historical fiction, but Letters from the Lighthouse is my favorite. After the Luftwaffe’s bombings separate them from their mother and older sister, Olive and Cliff are evacuated to Devonshire. There, they end up billeted with the shy and enigmatic young lighthouse keeper, Ephraim Pengilly, who is tasked with taking the children in “whether he likes it or not.” Gorgeously atmospheric (the lighthouse alone – “a beacon to guide the lost to safety” – would have been enough for me), Letters from the Lighthouse also features unexpected friendships, the glimmer of a love story, and a sister who may be a spy.
We weren't supposed to be going to the pictures that night. We weren't even meant to be outside, not in a blackout, and definitely not when German bombs had been falling on London all month like pennies from a jar.
February, 1941. After months of bombing raids in London, twelve-year-old Olive Bradshaw and her little brother Cliff are evacuated to the Devon coast. The only person with two spare beds is Mr Ephraim, the local lighthouse keeper. But he's not used to company and he certainly doesn't want any evacuees.
Desperate to be helpful, Olive becomes his post-girl, carrying secret…
