Here are 100 books that Digging Up Britain fans have personally recommended if you like
Digging Up Britain.
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I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
What do we mean by landscape? What do we mean by Britain?
Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.
It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.
Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate's climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; 'Trespass', 'Landscape and Identity', and 'Climate Breakdown', there will be around 100 works in total…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.
Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.
It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.
Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched. On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four.
Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.
The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).
This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.
Since 1994, when the first "Time Team" program was broadcast, archaeology has been brought to life for millions of people by Victor Ambrus and Mick Aston. Victor has produced hundreds of sketches and drawings of archaeological sites and the lives of those who would have inhabited them. For the first time, his drawings of individual excavations have been brought together to provide a dramatic chronological survey of British history—from Stone Age to modern via the Romans, the Vikings, and more. Add to this Mick Aston's lively explanations and photographs, and you have an archaeological collaboration which is guaranteed to delight.
I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.
By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.
But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve.
This survey, an introduction to the history of Anglo-Saxon England looks at political history, and religious, cultural, social, legal and economic themes are woven in. Throughout the book the authors make use of original sources such as chronicles, charters, manuscripts and coins, works of art, archaelogical remains and surviving buildings.The nature of power and kingship, role of wealth, rewards, conquest and blood-feud in the perennial struggle for power, structure of society, the development of Christianity and the relations between church and secular authority are discussed at length, while particular topics are explored in 19 "picture essays".
I am a thriller writer who was born and grew up in Kuwait during a period when the country was threatened with invasion by Iraq. My father was the Preventative Health Officer for the Kuwait Oil Company. At the end of 1960 Ian Fleming visited the country and they became close friends. At the time Britain depended on inside information to prepare for military Operation Vantage. The experiences I had of that time and of that relationship, even as a child, were crying out to be written about. Despite the Middle East being a hotspot for espionage during that period of the Cold War, there’s been relatively little written about it.
This book sums up so much of what went on in the Middle East from the Second World War onwards. As such, James Barr lifts the curtain on British plotting and intrigue in a most readable and thrilling way. It details how America got involved in the middle decades of the twentieth century and much of the rivalry that existed during this period between the secret services. Essential reading to understand some of the present-day political ramifications of the region.
A path-breaking history of how the United States superseded Great Britain as the preeminent power in the Middle East, with urgent lessons for the present day
We usually assume that Arab nationalism brought about the end of the British Empire in the Middle East -- that Gamal Abdel Nasser and other Arab leaders led popular uprisings against colonial rule that forced the overstretched British from the region.
In Lords of the Desert, historian James Barr draws on newly declassified archives to argue instead that the US was the driving force behind the British exit. Though the two nations were allies,…
Tim Murray has been a leading exponent of the history and philosophy of archaeology for the past thirty years. He has used the history of the discipline to explore the nature of archaeological theory and the many complex intersections between archaeology and society. Of his many publications flowing from this general project, the award-winning global scale five-volume Encyclopedia of Archaeology,the single volume global history of Archaeology Milestones in Archaeology. Murray is a global leader in applying studies in the history of archaeology to the reform of archaeological theory. This is evidenced by the publication of a collection of his essays, From Antiquarian to Archaeologist, and his numerous academic papers on the subject.
In its original edition, Bruce Trigger's book was the first ever to examine the history of archaeological thought from medieval times to the present in worldwide perspective.
Now, in this new edition, he both updates the original work and introduces new archaeological perspectives and concerns. At once stimulating and even-handed, it places the development of archaeological thought and theory throughout within a broad social and intellectual framework.
The successive but interacting trends apparent in archaeological thought are defined and the author seeks to determine the extent to which these trends were a reflection of the personal and collective interests of archaeologists as these relate - in the West at least - to the fluctuating fortunes of the middle classes.
While subjective influences have been powerful, Professor Trigger argues that the gradual accumulation of archaeological data has exercised a growing constraint on interpretation.
In its original edition, Bruce Trigger's book was the first ever to examine the history of archaeological thought from medieval times to the present in world-wide perspective. Now, in this new edition, he both updates the original work and introduces new archaeological perspectives and concerns. At once stimulating and even-handed, it places the development of archaeological thought and theory throughout within a broad social and intellectual framework. The successive but interacting trends apparent in archaeological thought are defined and the author seeks to determine the extent to which these trends were a reflection of the personal and collective interests of…
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Many, many years ago, Rose Macauley’s classic book, The Pleasure of Ruins, went a long way to inspiring my sense of wonder at the remnants of past worlds.
In this book, Roloff Beny interprets Macauley’s words in the same way that I attempt to encapsulate and share some of the feelings of awe I get when I visit these magical places.
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.
The Third Edition of this classic account of the inside story of one of the major intellectual breakthroughs of our time - the last great decipherment of an ancient script - revised and brought right up to date with the latest developments. 113 illustrations bring to life the people and texts that have enabled us to read the Maya script. The original edition, which sold over 40,000 copies in English, was hailed as 'a masterpiece that transcends the boundaries between academic and popular writing'. 'Coe's thrilling account of the cracking of Mayan is like a detective story ... great stuff'…
