Here are 100 books that Digging Up Britain fans have personally recommended if you like
Digging Up Britain.
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I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
What do we mean by landscape? What do we mean by Britain?
Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.
It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.
Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate's climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; 'Trespass', 'Landscape and Identity', and 'Climate Breakdown', there will be around 100 works in total…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.
Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.
It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.
Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched. On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four.
Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.
The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).
This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.
Since 1994, when the first "Time Team" program was broadcast, archaeology has been brought to life for millions of people by Victor Ambrus and Mick Aston. Victor has produced hundreds of sketches and drawings of archaeological sites and the lives of those who would have inhabited them. For the first time, his drawings of individual excavations have been brought together to provide a dramatic chronological survey of British history—from Stone Age to modern via the Romans, the Vikings, and more. Add to this Mick Aston's lively explanations and photographs, and you have an archaeological collaboration which is guaranteed to delight.
I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.
By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.
But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve.
This survey, an introduction to the history of Anglo-Saxon England looks at political history, and religious, cultural, social, legal and economic themes are woven in. Throughout the book the authors make use of original sources such as chronicles, charters, manuscripts and coins, works of art, archaelogical remains and surviving buildings.The nature of power and kingship, role of wealth, rewards, conquest and blood-feud in the perennial struggle for power, structure of society, the development of Christianity and the relations between church and secular authority are discussed at length, while particular topics are explored in 19 "picture essays".
I am a thriller writer who was born and grew up in Kuwait during a period when the country was threatened with invasion by Iraq. My father was the Preventative Health Officer for the Kuwait Oil Company. At the end of 1960 Ian Fleming visited the country and they became close friends. At the time Britain depended on inside information to prepare for military Operation Vantage. The experiences I had of that time and of that relationship, even as a child, were crying out to be written about. Despite the Middle East being a hotspot for espionage during that period of the Cold War, there’s been relatively little written about it.
This book sums up so much of what went on in the Middle East from the Second World War onwards. As such, James Barr lifts the curtain on British plotting and intrigue in a most readable and thrilling way. It details how America got involved in the middle decades of the twentieth century and much of the rivalry that existed during this period between the secret services. Essential reading to understand some of the present-day political ramifications of the region.
A path-breaking history of how the United States superseded Great Britain as the preeminent power in the Middle East, with urgent lessons for the present day
We usually assume that Arab nationalism brought about the end of the British Empire in the Middle East -- that Gamal Abdel Nasser and other Arab leaders led popular uprisings against colonial rule that forced the overstretched British from the region.
In Lords of the Desert, historian James Barr draws on newly declassified archives to argue instead that the US was the driving force behind the British exit. Though the two nations were allies,…
Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.
I was at the landmark conference in 1987 that legitimated critical analyses of archaeological work and the socio-cultural parameters in which it takes place. We were all surprised at the numbers, range of interests, range of professional standing of the participants, and enthusiasm––all reflected in the papers in this book. Dipping into it startles with the diversity of persons and places and times affecting the history of archaeology. Feminist concerns were loud and clear and critiqued from a supportive standpoint. Pair this with Trigger's magisterial history to see how he distilled a multitude of disparate activities oriented to the past, into his deeply discerning long story.
In 17 critical essays, the first book to address the historiography of archaeology evaluates how and why the history of archaeology is written.
The emphasis in the first section is on how archaeologists use historical knowledge of their discipline. For example, it can help them to understand the origin of current archaeological ideas, to learn from past errors, and to apply past research to current questions. It can even be integrated into the new liberal arts curricula in an attempt to instruct students in critical thinking.
The second section considers the sociopolitical context within which past archaeologists lived and worked…
I have researched human origins professionally for almost decades by studying the trail of fossils that have survived millions of years. But, before then, and since I can remember, I’ve been a lover of adventure and science fiction stories in all formats: action movies (Indiana Jones, Back to the Future), TV shows (The X Files), novels (Jack London!), or anime and manga (Ghost in the Shell, Akira, Alita). So, I guess my mind constantly travels from the past to the future. I think this list will also work as a time machine for others.
Reading this book is like watching an adventure movie on a Sunday afternoon on the couch. But it’s not a movie; it actually happened. The late author, a recognized geologist, recounts his personal biography during the 1970s, exploring the Afar region of Ethiopia and searching for the earliest human ancestors.
The “plot” involves the US government, spy accusations, funny stories about personalities in the field, and one of the “game changers” in paleoanthropology: The discovery of “Lucy,” the skeleton of a tiny female of Australopithecus afarensis that lived more than 3 million years ago. Knowing some of the personalities mentioned in the book, the pages flew in front of my face, and I effortlessly read it in no time.
Over the past 25 years, a stream of fossil and artifact discoveries in the Afar Depression of Ethiopia has produced the longest single record of human ancestors in the world. Many of the fossils found in this region are the missing links leading to modern humans. This book chronicles the exploration of this unique desert area, focusing especially on the 1970s when the valley was mapped and many fossils and archeological sites were discovered. The author gives his personal account of the 25 years he spent researching the region. As co-founder of the team that discovered Lucy, Jon Kalb has…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
Peeling back the stratigraphic layers of archaeology’s history, self-described “weirdshitologist,” archaeologist Jeb Card, reveals the discipline’s very “spooky” foundations in this riveting book. These foundations included a belief in a mythic time that preceded our modern world which has left behind its spoor in the form of eerie and phantasmagorical archaeological sites imbued with evil spirits, elves, pixies, djinn, elementals, and other paranormal entities. Card discusses haunted landscapes, bloodthirsty Druids, cursed mummies, and Lovecraftian “Old Ones” in his romp through all that is weird, strange, and, indeed, spooky in archaeology. Finally, Card shows that archaeology as presented on cable TV, YouTube videos, blogs, and social media is still haunted by the specter of Victorian Age beliefs about humanity’s presumably spooky past.
Outside of scientific journals, archaeologists are depicted as searching for lost cities and mystical artifacts in news reports, television, video games, and movies like Indiana Jones or The Mummy. This fantastical image has little to do with day-to-day science, yet it is deeply connected to why people are fascinated by the ancient past. By exploring the development of archaeology, this book helps us understand what archaeology is and why it matters.
In Spooky Archaeology author Jeb J. Card follows a trail of clues left by adventurers and professional archaeologists that guides the reader through haunted museums, mysterious hieroglyphic inscriptions, fragments…
