Here are 55 books that Deep Time fans have personally recommended if you like
Deep Time.
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I am an astronomer and educator (Ph.D. Astrophysics, University of Colorado), and I’ve now been teaching about global warming for more than 40 years (in courses on astronomy, astrobiology, and mathematics). While it’s frustrating to see how little progress we’ve made in combatting the ongoing warming during this time, my background as an astronomer gives me a “cosmic perspective” that reminds me that decades are not really so long, and that we still have time to act and to build a “post-global warming future.” I hope my work can help inspire all of us to act while we still can for the benefit of all.
I love the way this book brings perspective to modern issues by emphasizing the idea of “deep time” – that we are part of a long history that makes our current existence possible.
By thinking in this way, we also realize that our current predicament is one that we have the tools to address, and that by doing so, we would be honoring the miracles of nature that lie behind everything we are and do. Along the way, this book also helped me understand – and teach about – a variety of important geological processes.
Why an awareness of Earth's temporal rhythms is critical to our planetary survival
Few of us have any conception of the enormous timescales of our planet's long history, and this narrow perspective underlies many of the environmental problems we are creating. The lifespan of Earth can seem unfathomable compared to the brevity of human existence, but this view of time denies our deep roots in Earth's history-and the magnitude of our effects on the planet. Timefulness reveals how knowing the rhythms of Earth's deep past and conceiving of time as a geologist does can give us the perspective we need…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.
The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This is the classic book on the deep history of the Earth. Hutton is known as the father of modern geology, because he understood that today’s rocks represent the accumulation of changes over incredibly long geologic epochs. In publishing his ideas he went against the then-popular notion of catastrophism, which held that sudden, violent events such as floods had shaped most of the Earth’s surface. Hutton instead argued for slow changes over time — a concept known as uniformitarianism — and, crucially, recognized that two rock types at Siccar Point, Scotland, had formed at different times separated by many millions of years. “The mind seemed to grow giddy by looking so far into the abyss of time,” one of Hutton’s companions said. That realization set the stage for future scientists to explore the ramifications of a deep geologic past.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
I‘m a Sydney-based exploration geologist and science writer, travelling the world in search of gold, exotic metals, gemstones, and the stories they have to tell — writing is my tool to bring alive ideas and concepts important to me, and my popular books include Rocks, Fossils and Dinosaurs;Natural Disasters; and Geologica. Working in the world's poorest regions has also sparked a strong humanitarian interest. I'm the founding president of FreeSchools World Literacy – Australia, a charity dedicated to education of underprivileged children, and towards which earnings from my writing go. It is my belief that education for all, not just a privileged few, is key to solving the world's problems.
This book stands as one of the last great paper encyclopedias created for children in this day and age of digital searches, and that is what I love about it. As you leaf through its pages, it is reminiscent of turning the stone pages of our own planet’s 4.6 billion-year-old story, featuring the evolution of life, culminating in us! This beautifully illustrated and written encyclopedia presents the most up-to-date information about planet Earth in a style and format designed for children, but which will appeal to a wide range of readers. With hundreds of photographs, illustrations, diagrams, and maps, it presents an impressive overview of our globe—beginning with the history of the universe and ending with today's conservation issues. A truly spectacular reference.
How do twisters form? What makes lightening strike? Why are tropical rain forests the lungs of our planet? Curious kids want to know everything about their planet. They’ll find the answers to their questions here, as they investigate our world from its core to its cosmic connections.
I became a science journalist because I’ve been fascinated by the natural world around me for as long as I can remember. I also always loved imagining another world or realm, ever since I first read The Lion, the Witch, and the Wardrobe and The Wizard of Oz series as a child. So when I was writing my blog, Gory Details, at National Geographic, I naturally started to get curious about places around the world that are linked to legends of otherworldly realms. Now, as an author, I’ve had the chance to explore these places for myself, and I hope readers will enjoy going on the journey with me!
I love the originality of this book—who ever would have thought to write about the geology of hell but a geologist? As a big-time nerd, I loved the deep dive into science, mixed with the stories and legends of people around the world.
I also enjoyed the author’s personal stories about visiting many of the places in the book, from the oilfields of Azerbaijan (and accompanying legends of the Zoroastrians) to the famed Greek river Acheron, said to carry the dead to the underworld.
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
The Star King is one of the first science fiction romances I read. It has everything I want in a space opera – politics, fast-paced action, danger, drama, angst, all mixed up with a great love story. I fell in love with the characters, especially the dishy alien alpha male. And I particularly like that the romance is between two mature people with life experience.
An alien king, an Earth woman. Fated mates—Or is fate stacked against them?
Rom B’Kah is fighting for the survival of his people when a beautiful and mysterious warrior from Earth saves his life. When she vanishes without a trace, he vows to find her again.
Years after battlefield trauma sends her life into a tailspin, Jas Hamilton has given up on love. When a galactic empire makes first contact with Earth, she sets out to reclaim her lost sense of adventure—and finds it in the arms of the golden-eyed alien warrior she’s spent a lifetime trying to forget.
I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.
As with my other recommendations, I am making this one based on the impact the book had on me. From this novel, as well as the others that Jerry wrote, I learned how important it is to build a comprehensive world-universe when planning a book. And, when I sat down to pen the first book in what would become the Legion of the Damned series, I attempted to build a reality as fully realized as the CoDominium universe is.
In a future universe in which prisoner colonists are shipped to strange worlds for a corrupt alliance of Earth nations, John Christian Falkenberg gives up a brilliant military career and makes a monumental sacrifice
As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trekuniverse, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.
I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Lightfeels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.
A page of 'Lessons' at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.
Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.
