67 books like The Sorcerer of the Wildeeps

Mythago Wood is the kind of book that pulls you in and settles you down for a great, blanket-comfy, rainy-day read.

Concerning Ryhope Wood, an ancient, primeval forest in England that seems bigger the deeper in you go, it explores human psychology, both personal and collective, particularly the ideas of Carl Jung.

The forest somehow uses human psychology to create “mythagos,” complex unconscious creations built upon human memories and myths, and our hero Stephen Huxley is compelled to learn the secrets of the wood, whether or not he makes it back out alive.

As psychologically astute as it is thrilling, Holdstock’s book won the World Fantasy Award in 1985 and launched a successful series of fantasies that’s even more widely respected today.

For a more traditional take on fantasy, Sofia Samatar’s A Stranger in Olondria is lovely and immersive, a fascinating new world worthy of Ursula Le Guin and Gene Wolfe.

Reportedly, she created Olondria from a combination of regions in Turkey and North Africa, and it feels absolutely fresh and instantly powerful. A teenage merchant becomes haunted by the ghost of a young girl and must find a way to put her to rest.

But the story is really about the power of books and stories and language itself. It’s a love letter to adventure and open seas, harbors, and alleys, and snowy mountains in the distance.

Ms. Samatar holds several advanced degrees in language and literature, including Arabic and various African dialects, and you can feel the joy of her verbal artistry dancing on the page.

Stranger is not to be missed.

Crowley is the author of the timeless classic Little, Big, of course (which is also essential reading), but his novel, The Solitudes, began a tetralogy that explores history, alternate history, and the grand Hermetic framework which contains it all.

Centering around a historian working to connect an alternate imagined world, Ægypt, with the real one today, Crowley’s readers take a deep dive into the Renaissance world of Giordano Bruno, Doctor Dee, Shakespeare, and others, while simultaneously exploring the arcane world of the present.

It feels strangely akin to something Umberto Eco might come up with if he ever wanted to write fantasy.

As with any Crowley novel, the prose is absolutely gorgeous—a masterclass of beautiful, thoughtful writing. This series has been unjustly overlooked. Give it a try.

There’s a valid argument to be made that Shadowland is perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.

It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.

After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.

Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowland feels timeless in a way Stephen King never does. It might be the best book I’ve ever read.

I fell for this book like a leprechaun for gold. The world and characters are colorful, and the magic is based on color. From a sensational sensory standpoint, Warbreaker lifted my spirits to a magnificent place. 

I am drawn to this book because of the wondrous world and storytelling that revolves around the true spirit of femininity. I love books that reach for the highest virtue of the noble spirit, and Warbreaker did not disappoint. We watch as the two heroines use the true power of femininity to draw out the best in masculinity forces, thus calling them to their destiny. Talk about a story that embraces the Good, the True, and the Beautiful.

Since the first page, I have not been able to stop thinking about Whitten’s gorgeously immersive world.

With a main character named Red and something about a wolf, you may think that this is just another Little Red Riding Hood rewriting…but it is so much more. A magical murderous forest, prophesies, blood pacts, destiny, love—all the things I already knew I loved, but then add even more—haunted trees, a twisting sickness caused by shadow, and two sisters fighting to determine their own fate.

This last aspect lends a specialness to Whitten’s novel and reminds me of my favorite novels growing up. These are not your average princesses. For the Wolf teeters on that edge between NA and adult, and the language alone is worth the read!

I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.

Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.

For fans of slow-burn, enemies-to-lovers fantasy, this book is gold.

With Beauty and the Beast and Hades and Persephone vibes, this book tells the story of a human woman who is kidnapped and wed to the Frost King, a brooding immortal.

The writing is beautiful, and I appreciated how it took a long time for the heroine and hero to trust each other and break down their walls. Both characters are deeply flawed, yet you still root for their happiness.

The world-building is lovely and folkloric. Getting into the steamy parts takes a while, but it’s worth the wait!

This entire series has my heart and soul. Paranormal world fused with Greek mythology? Hell, yes! I’d read this any day and every day. My top pick in this series is The Darkest Kiss because I love the female lead Anya. She’s just amazing. Anya is introduced as a fun loving, trouble maker but as the novel evolves we learn Anya has more layers to her character and with each layer coming off, you can’t help but fall deeply in love with her just like Death. I mean, I totally understand him. This book is such an entertaining read.

I’m drawn to fantasy stories set in modern-day analogues because I’m fascinated to see the ways that having magic and monsters as a fact of life would shape a world from the ground up. I’m particularly interested in the impact on more mundane matters like legal contracts and labor disputes. Perhaps no one dives into this topic with as much gusto as Max Gladstone. In Three Parts Dead, we meet necromantic lawyers and witness the legal and practical repercussions of a god’s death. In lesser hands, this could easily slump into tedious details, or the intricacies might be forgotten in an attempt to ramp up the action. But Gladstone finds the perfect balance, keeping abstract concepts engaging while presenting action scenes that carry true consequences. The city of Alt Coulumb is one of my favorite fantasy settings, and the entire Craft Sequence is well-worth reading.