I’m a British writer with a passion for the stories of history, both real and imagined. I have always been fascinated by tales and relics of the past, old ruins, ancient buildings, mythology, and the uncanny power of the natural world. All these things connect us to the ghosts of the past. So, I write historical fantasy novels based in the England I explored growing up, but brushed with the shadow of the supernatural, magic, witchcraft, and seductive illusion. I also write straight historical fiction under the name Samantha Grosser.
England 1606. Young witch Sarah Stone has foreseen that Shakespeare’s new play will open doors to evil. But in spite of her pleas, the playwright refuses to abandon it. The first rehearsals of Macbeth are troubled by strange happenings, and when Sarah asks her beloved cousin Tom for his help to win the heart of the man she loves, the couple turns to dark magic to gain their desires.
Then, Tom seduces fellow actor John Upton. Appalled by his own forbidden desires for another man, John accuses Sarah of being a witch, and she soon finds herself on trial for her life. My book is a dark and suspenseful exploration of ideas about power, trust, sex, betrayal, love, God, evil, and witchcraft.
I devoured this book from beginning to end, and the rest of my life was no more than an irritating distraction until I could return to it again. It really does have everything I have ever wanted in a novel. It’s profound, thought-provoking, addictive, moving, heartbreaking, political, and a damn good story.
It explores so many themes that are dear to my heart: the power of language for good and for evil, the exploitation of colonialism and empire, dark academia, politics, and the joys and heartbreak of friendship, all wrapped in an utterly compelling world of magical realism.
Honestly, I’m slightly obsessed with how good it is, and I’m heartbroken I can’t ever read it for the first time again.
I read this book when I was in hospital having surgery a few years ago, and it utterly transported me away from pain and anxiety to another world.
I’ve always loved Greek myth, and I love a book that makes you question things you thought you knew, bringing another side of the story to the fore. For thousands of years, we’ve taken Odysseus’s side on his long journey home from Troy. But who was the witch Circe, and how did she come to be alone on her island in the first place?
Questions of power and justice, love and betrayal, are woven through the text, and these are the themes that never fail to stir me. Written in beautiful prose, I’ve read it twice and recommended it to everyone I know.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
This book was my introduction to magical realism when I studied it as part of my English Literature Degree (more years ago than I care to admit). Salman Rushdie wasn’t so well known in those days, but I fell in love with his trademark wry, dark humour straight away and ended up writing my Honours thesis about it.
It's a stunning take on the partition of India in 1947. The novel explores those themes that always speak to me: the wielding of power, oppression, justice, and the role of the individual caught in historical forces over which they have no control.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
I’ve read this book twice, once as a paperback and more recently as an audiobook, which added a wonderful extra layer to this luscious novel.
Primarily a love story, the tale is told in beautiful prose that made my skin tingle with both appreciation and envy. Love, memory, the nature of books, the nature of self, characters that jump off the page, there is so much to appreciate in this deeply immersive story.
But for me, it was the characters’ sense that there is something unknown missing in themselves, something just out of reach, that resonated most strongly, a feeling that comes so close to my experiences of depression that it almost took my breath away. A book of wonder and magic that reached deep into my soul.
LOSE YOURSELF IN THE BREAKOUT SENSATION OF THE YEAR
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2019
'Brilliant' Joanna Cannon 'Spellbinding' Guardian 'Magic' Erin Kelly 'Immersive' Sunday Times 'Gorgeous' Stella Duffy 'Astounding' Anna Mazzola
Emmett Farmer is a binder's apprentice. His job is to hand-craft beautiful books and, within each, to capture something unique and extraordinary: a memory.
If you have something you want to forget, or a secret to hide, he can bind it - and you will never have to remember the pain it caused.
In a vault under his mentor's workshop, row upon row of books -…
I read this strange and riveting novel several years ago, so I have to confess that I’ve forgotten a lot of the details.
But I have remembered with absolute clarity the richness of the prose and the well-observed wit, so reminiscent of all the Victorian novels I devoured when I was young; the imaginative scope of a world in which an empire can rise or fall on the skill of her magicians, and the all-too-familiar danger of a rivalry between two powerful and ambitious men vying for supremacy.
It is delightful, moving, and an absolute pleasure from beginning to end.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
On the expertise I claim only a deep interest in history, leadership, and social history. After some thirty-six years in the fire and emergency services I can, I think, claim to have seen the best and the worst of human behaviour and condition. History, particularly naval history, has always been one of my interests and the Battle of Jutland is a truly fascinating study in the importance of communication between the leader and every level between him/her and the people performing whatever task is required. In my own career, on a very much smaller scale, this is a lesson every officer learns very quickly.
Captain Heron finds himself embroiled in a conflict that threatens to bring down the world order he is sworn to defend when a secretive Consortium seeks to undermine the World Treaty Organisation and the democracies it represents as he oversees the building and commissioning of a new starship.
When the Consortium employs an assassin from the Pantheon, it becomes personal.
Captain James Heron First Into the Fray: Prequel to Harry Heron Into the Unknown of the Harry Heron Series
The year is 2202, and the recently widowed Captain James Heron is appointed to stand by his next command, the starship NECS Vanguard, while she is being built. He and his team soon discover that they are battling the Consortium, a shadowy corporate group that seeks to steal the specs for the ship’s new super weapon. The Consortium hires the Pantheon, a mysterious espionage agency, to do their dirty work as they lay plans to take down the Fleet and gain supreme power on an intergalactic scale. When Pantheon Agent Bast and her team kidnap Felicity Rowanberg, a Fleet agent…
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