100 books like Midnight's Children

I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.

Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.

Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saunders’s strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.

Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the “Bardo”—a liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

The idea to adapt Conrad’s Heart of Darkness came from my teaching of modern world history every semester. Later in that course, I would have students read Achebe’s novel as a foil or answer to Heart of Darkness. The Congolese in Heart are barely people: they have no names, and they are only really described by parts of their bodies.

This book presents the West African world–the communities, the customs, the emotions, the families–that colonialism destroys. While it is easy to be swept away by the story’s momentum in the last two dozen pages, take some time early in the novel to enjoy the world that Achebe lovingly paints. I think it is among the most human expressions of fiction you can read.  

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable… show more.

Dickens did not “invent” Christmas, of course, but our modern understanding of it undoubtedly derives from him.

For long a Londoner, because of Dickens, Christmas still seems to me at heart a matter of foggy London streets, enclosed city houses, and window-lights and passers-by at dusk. Christmas means rituals, and I, among others, go through the yearly rite of re-reading A Christmas Carol. And every year, it’s just as vivid, as funny, and as moving as the years before.

Dickens celebrates Christmas as a time of renewal, and Scrooge finds redemption by finding the person he used to be and the person he ought to be now. Robert Louis Stevenson said that reading it made him want to do good things, and what better recommendation could there be?

There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).

Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.

I probably re-read it once a year.

This book is a literary biography that reads like a detective novel. I found it to be gripping, shocking, hilarious, and tragic. I also consider it a great work of literature in its own right, effectively reinventing the genre of biography and turning it into an artwork forged in the era of Raymond Chandler. It was first published in 1934, but has been through many reissues, including with the alternative subtitle, Genius or Charlatan? 

That question captures perfectly the state of mind in which I was left after finishing Symons’s account of the life of Frederick Rolfe, who called himself Baron Corvo, as he swanned around southern Europe in the 1900s. While Corvo was a writer—he wrote a series of over-ripe novels, most famously Hadrian the Seventh—his life is more the stuff of the unbelievable potboiler than the usual tedious life of authors tied to their typewriters.

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I found this book so shocking that I couldn’t put it down. I was so mad at Amir for betraying his friend Hasim that I didn’t believe he could possibly be redeemed. I didn’t think he deserved it. Yet, with skill and grace, the author takes us so deep inside Amir’s feelings and lingering shame that it reminded me of the times that I let someone down or said something I wish I hadn’t.

As much as I’d like to ignore my mistakes or pretend them away, this book shows me that there is always a way back to try to do the right thing. It might be hard. It will be humbling. But I am grateful to this book for reminding me to try.