100 books like The Woman Warrior

I devoted most of my career to conservation charities and now write full-time. Besides my book Looking for the Goshawk, I've published regular articles about this species and the issues around it. In an age of increased awareness of the need for rewilding, the goshawk becomes especially interesting, although it receives little of the airtime given to other birds of prey, and mammals. If we are serious about fixing ecosystems and living with raw nature and having any credibility or moral compass when bemoaning nature loss in other parts of the world, we need to get real about the importance of accommodating keystone species like the goshawk.

I coined the term “slut-bashing,” the precursor to “slut-shaming,” and am passionate about exploring the ways that girls and young women behave and cope in a culture of slut-shaming. I also am curious about how they face other unique challenges—such as the risk of harassment and assault, the pressures to achieve an impossible beauty ideal, and others. All girls and women experience sexism, while many girls of color— and lesbian, queer, and trans girls— face numerous intersecting pressures. The works I recommend here are aching, powerful, and unforgettable.

I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time. 

Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA. 

It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.  

From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.

I write fiction and poetry in English and translate literary works from Kannada, a South Indian language. I was shortlisted for the Lucien Stryk Asian Translation Prize, and twice in a row for the Montreal International Poetry Prize. I had the Charles Wallace India Trust Fellowship in writing and translation at LAF and UWTSD in 2022. As a reader, I admire original and clever use of language, writing that portrays with humour the profundity in the absurdity of life, that which makes the quotidian quotable – writing that strikes while the ‘irony’ is hot. These are qualities that I think are intuitive in my own writing. I've enjoyed the following books for these reasons. 

My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics. 

My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics. 

My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics.