Magical realism was created by Latin American writers, and I’m proud to continue the tradition today. I grew up reading magical stories – mostly fantasy – but there was always something missing in those books, that sense of reality that I experienced every day of my life thanks to my Mixed Latinx heritage. When I discovered magical realism, I felt at home. I’ve been studying magical realism since I was 21, so it comes as no surprise that most of the creative writing I do fall into the magical realism genre. I love helping others discover the beauty of magical realism because it is a phenomenal genre that helps readers understand their reality through magic.
When I read So Far From God, it did two things. First, it helped me understand this genre that was created by Latin American authors. Lois Parkinson Zamora said, “Magical realism is characterized by...its capacity to create (magical) meanings by envisioning ordinary things in extraordinary ways.” I understood what that meant when I read So Far From God. In the first chapter alone, one of the main characters, La Loca, dies and comes back to life. Her death was ordinary and extraordinary. I was hooked.
Perhaps more importantly, in reading Castillo’s novel, I saw our shared Latina history, culture, and perspective through the stories she told. It was the first book that validated my experience as a Latina which is why it’ll always be close to my heart.
Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside.
Most people think magical realism is limited to fiction, but Maxine Hong Kingston proves that it can be used for memoir, too. This was the first non-fiction form of magical realism that I ever read, and it broadened the genre for me. I think the biggest element of magical realism found in this memoir is her thematic use of ghosts. Readers might have a hard time figuring out if certain characters are really ghosts or not, and that vagueness is one of the most beautiful elements of magical realism.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues.
In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.
The Hummingbird’s Daughter is the first in a two-part book series about a real-life woman known as Teresita, a curandera (or Mexican folk healer) and revolutionary figure who was born in Mexico and lived in the U.S. for some time. Urrea, a descendant of Teresita, fictionalizes her life in the book. I hope readers fall in love with Teresita’s story and share it with others because she is one of many figures in North American history that we should all know.
The magical realism in this novel makes an appearance through Teresita’s healing powers as a curandera. I’ve been obsessed with curanderismo, or the folk healing practice of Latin America that combines Indigenous and Catholic beliefs and practices, since I was in college. This is why curanderas make appearances in both my books.
The prizewinning writer Luis Alberto Urrea's long-awaited novel is an epic mystical drama of a young woman's sudden sainthood in late 19th-century Mexico.It is 1889, and civil war is brewing in Mexico. A 16-year-old girl, Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream--a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal--but it will take all her faith to endure the trials that await her and her family now that she has…
In Midnight’s Children, Salman Rushdie takes a real point in history – when India becomes independent at midnight on August 15, 1947 – and turned it into a magical event. At the same time that India is born into its own country, 1,000 children are born with magical gifts. These magical children’s lives are often connected to the history of their nation, which in itself, is such a cool concept. I loved that Rushdie helps us understand a new country and its people through the lives of his characters. His writing and storytelling are beautiful. I know you’ll think so too.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge's all-white, 1 percenter motorcycle club, the Lawless, and from her uncle himself. As soon as she can, she leaves the violence and bigotry behind and doesn't look back.
Years later, Raqi is a successful partner at a law firm in Los Angeles. She gets a call from Billy, the leader of the Lawless. Dodge is dead, and Billy wants her to go on the Grieving Ride. There is no way Raqi would ever attend, except for one thing: Billy promises to give her the address of her grandfather if she goes.
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.
When she helps her drug-addicted father win enough casino cash to accidentally overdose, she becomes the target of violent people determined to exploit her, and she goes on the run. Ashlee reaches out to a distant relative, traumatized war journalist Mike Baker. Soon, at least in Ashlee's eyes, they are…
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable. And when she helps her drug-addict father win enough casino cash to accidentally overdose, she becomes the target of violent people determined to exploit her, and she goes on the run. Ashlee reaches out to a distant relative, traumatized war journalist Mike Baker. Soon, at least in Ashlee's eyes, they…
