100 books like Melmoth

There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).

Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.

I probably re-read it once a year.

I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians. 

Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.

I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.

When I read So Far From God, it did two things. First, it helped me understand this genre that was created by Latin American authors. Lois Parkinson Zamora said, “Magical realism is characterized by...its capacity to create (magical) meanings by envisioning ordinary things in extraordinary ways.” I understood what that meant when I read So Far From God. In the first chapter alone, one of the main characters, La Loca, dies and comes back to life. Her death was ordinary and extraordinary. I was hooked. 

Perhaps more importantly, in reading Castillo’s novel, I saw our shared Latina history, culture, and perspective through the stories she told. It was the first book that validated my experience as a Latina which is why it’ll always be close to my heart.

From the first words, I felt myself to be in the company of an excellent storyteller. I also love great styles, and Urrea’s was bursting. Though I was unfamiliar with the author, his style and voice are authentic and rich. The characters are oddball and interesting without being forced. Also, for me, there is something about the Mexican culture that is wild. I am a wild child, and thus, I am drawn to the unexpected.

The heroine, Teresita, happens to be an ancestor of the author, and this tale is based on a true story, impeccably researched, so I thought Urrea had lived during this time, but impossible since it was 1870. Healers often talk about the task of the dead ancestors to protect the living; for the living, it is important that the dead stay close to us.  I believe this since I had a personal experience with my… show more.

Nicholas Goodrick-Clarke’s Occult Roots of Nazism is arguably the first scholarly monograph to take the relationship between occultism and Nazism seriously, providing a fascinating overview of the “secret Aryan cults” and “Ariosophic” beliefs that ostensibly influenced Nazi ideology.

While Goodrick-Clarke stops short of drawing a direct connection between prewar occult doctrines and Nazi policies during the Third Reich– indeed, his study concludes in 1935––no historian before or since has done as thorough a job, based on copious empirical research, of chronicling the eclectic and ubiquitous occult underground that helped shape the interwar folkish movement that produced Nazism.

This novel takes a more serious tone from the outset, though there are humorous situations in the later books. This is one that will keep you up at night, reading and biting your fingernails as the characters struggle to survive. It begins somewhat slowly, but quickly gains steam and keeps you wanting more. The action is fast-paced and realistic and the military aspects are spot on. There is a character for everyone in this series, and it was the idea of Sky that loosely inspired a character in my own series.

The way that Campbell wrote this heroine and followed her progress from a young and naïve college girl to powerful and able to face down every threat thrown her way was so engaging and powerful that I bought the entire series as soon as it was released. The male characters were so diverse and far-ranging that none of them… show more.

Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.

Carl Jung is the person who actually coined the term “synchronicity” and was the first to recognize it as an important connecting principle between the unconscious and the outer world. He observed that such events occur when the archetypal processes of the collective and personal unconscious correspond to objective events in the real world. Here, for example, he reports the now-famous case of the patient who dreamed of a scarab beetle, a creature that represented transformation to the ancient Egyptians, only to find a similar beetle tapping on Jung’s consultation room window the next day, as the patient described the dream to him.

For Jung, virtually all authentic instances of synchronicity involve the archetypal unconscious and reflect mythic themes. This book includes a number of the first and best examples in synchronicity literature.

A long time ago, back in the mid-1970s, my Greek history professor told me that Dodds’ Greeks and the Irrational was one of the most important books on Greek history of the 20th century. He was right. It is a wonderful book, full of amazing facts about magic, ritual, and religion. It has had a huge impact on the field of classical studies and is still in print 70 years after its first publication. Dodds was a distinguished Greek scholar (the Regius Professor of Greek at Oxford) but wrote for a wide audience interested in not only Greek civilization but social science as well. I have thought hard and long about his book ever since reading it on my professor’s recommendation. 

If you know Hellboy only from the movies, you’re seeing a very limited image of the character and his adventures. Hellboy has many roots (pulp sci fi and crimefighter stories, superhero tales, Lovecraft’s mythos), but one of his earliest is in real world magic and folktale. We see this in his encounters with Baba Yaga, Hecate, and others, but also in his battle fairy creatures that are vulnerable to unforged iron.