100 books like Occult Roots of Nazism

For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’s The Amazing Adventures of Kavalier & Clay is the perfect novel.

Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clay evokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years. 

Although there is no longer a shortage of scholarship on the occult or supernatural before 1945, Monica Black’s Demon Haunted Land is the first major history in English to investigate the afterlife of these cultural and intellectual traditions in the early years of the West German Federal Republic.

Beautifully written and based on extensive archival research, a Demon Haunted Land shows how witchcraft, the occult, and a belief in miracles played an important role, alongside democratic stabilization and the so-called “Economic Miracle”, in helping Germans work through the trauma of defeat and legacies of the Third Reich in a new postwar reality.

Corinna Treitel’s Science for the Soul did for the occult what Goodrick-Clarke’s Occult Roots of Nazism did for Ariosophy, providing the first comprehensive account of the wide array of occult doctrines and esoteric sciences that flourished in Germany and Austria at the turn of the twentieth century.

While she does include a chapter on occultism in the Third Reich, Treitel is careful not to blame occultism for Nazism, showing how Theosophy and Anthroposophy (the progenitors of Ariosophy), astrology, parapsychology, spiritualism, and other esoteric doctrines provided a socially and politically diverse group of Germans a range of alternative beliefs and practices to help make sense of a modernizing, post-industrial, “disenchanted” world.

One of the two best books, with Anne Harrington’s Reenchanted Science, on the history of German occultism and “border science”.

An ideal complement to Goodrick-Clarke’s study of the links between Nazism and Ariosophy, Staudenmaier devotes his well-researched and comprehensive monograph to examining the relationship between fascism and Rudolf Steiner’s occult doctrine of Anthroposophy.

Like Goodrick-Clarke, Staudenmaier finds important points of ideological and sociological convergence between proponents of Anthroposophy and Nazism, including Waldorf Schools and biodynamic farming, but also highlights many instances of intellectual tension, political hostility, and persecution.

Just as importantly, Between Occultism and Nazism looks at the role of Anthroposophy in fascist Italy, providing an explicit comparative framework that is missing from most studies of Nazism and the occult. A must read for anyone interested in the “occult roots of Nazism” or the history of Western esotericism.

Science collapses when scientists ignore objectivity and unbiased analysis, and Robert N. Proctor argues this effectively in this book.

I had long assumed (incorrectly) that racial doctrine during the Third Reich came directly from Hitler, but many German scientists actively espoused racial policies with supposed scientific justification. It may be hard to accept that some scientists became sympathizers overnight, no doubt for their own welfare and survival.

Proctor illustrates that pure science can be adapted for evil intent and that a self-centered agenda can result in illegitimate outcomes. 

This is one of the most influential studies of cultural politics in Nazi Germany which takes as its focus the bureaucracy Joseph Goebbels charged with integrating pre-National Socialist artists and their organizations into the new cultural and political order. Noteworthy, of course, throughout Steinweis’s masterpiece of institutional reconstruction, is the revelation that National Socialist aesthetic preferences were not novel but represented the appropriation of the prevailing conservative taste dominant in the late Weimar Republic.

Written during the Third Reich itself, this is the hard-hitting book that told the world just how heinous Nazi education policy was – although it was only heeded by a prescient few at the time. Anyone who is worried about how easily schooling can become subject to ideology should definitely read this book!

This book was originally published by Doubleday, New York, in 1944. This book also contains material obtained from Heinrich Pfeifer, not only from Pfeifer’s own experience but from Pfeifer’s secret network of sympathisers and informants deep within the Nazi Establishment.

It is alarming in the extreme, detailing as it does how the Nazis of the SS and SD had since 1943 started planning to metastasize their doctrines all round the world, and found a Nazi International organisation, with the eventual hope of creating a Fourth Reich which was not dependent upon the territory of Germany, but was spread across the world invisibly, so that no armies could ever conquer it.

They planned the ratlines and escape routes to all the friendly countries such as Argentina and Chile. Their ratline HQ was in Madrid, with the full cooperation of the Franco Government. One of the two chief organisers was SS Lieutenant… show more.

Are you tired of Hollywood clichés about Nazi culture? The Princeton historian Anson Rabinbach is your man. His brilliant essays on aspects of Nazi culture as diverse as the popular novel under Nazism, the Nazi-organized leisure industry, and the fate of the humanities at German universities between 1933 and 1945, provide the sharp, well-informed analysis you never got at school. Get started with the interview the author gave to two younger colleagues (pp. 450-480); here things become personal. Of course, Rabinbach is a pro, he knows the critical literature on the topic and cites it to differentiate his argument. But more importantly, his insights and arguments force you to rethink your response to German fascism, and to question the facile opposition of democracy and Nazism portrayed in American pop culture.  

I found this book by the German scholar Joachim Fest many years ago at a flea market. Fest’s portrait of Hitler and a dozen high-ranking officials of the Third Reich became models for my own writing. Fest maps out the range of personalities—their cruelty, greed, and misplaced ideals—and the way in which Hitler encouraged rivalry among them to preserve absolute power for himself.