Here are 100 books that A Science for the Soul fans have personally recommended if you like
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I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
Although there is no longer a shortage of scholarship on the occult or supernatural before 1945, Monica Black’s Demon Haunted Landis the first major history in English to investigate the afterlife of these cultural and intellectual traditions in the early years of the West German Federal Republic.
Beautifully written and based on extensive archival research, a Demon Haunted Landshows how witchcraft, the occult, and a belief in miracles played an important role, alongside democratic stabilization and the so-called “Economic Miracle”, in helping Germans work through the trauma of defeat and legacies of the Third Reich in a new postwar reality.
“Evocative. . . . Epic. . . . Chock-full of colorful anecdotes and charismatic figures, A Demon-Haunted Land not only offers a brilliant rethinking of postwar German history, but also asks us to see the irrational as an integral part of modernity.” ―Boston Review
In the aftermath of World War II, a succession of mass supernatural events swept through war-torn Germany. A messianic faith healer rose to extraordinary fame, prayer groups performed exorcisms, and enormous crowds traveled to witness apparitions of the Virgin Mary. Most strikingly, scores of people accused their neighbors of witchcraft, and found themselves in turn hauled…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
Nicholas Goodrick-Clarke’s Occult Roots of Nazism is arguably the first scholarly monograph to take the relationship between occultism and Nazism seriously, providing a fascinating overview of the “secret Aryan cults” and “Ariosophic” beliefs that ostensibly influenced Nazi ideology.
While Goodrick-Clarke stops short of drawing a direct connection between prewar occult doctrines and Nazi policies during the Third Reich– indeed, his study concludes in 1935––no historian before or since has done as thorough a job, based on copious empirical research, of chronicling the eclectic and ubiquitous occult underground that helped shape the interwar folkish movement that produced Nazism.
Reveals how Nazism was influenced by powerful occult sects that thrived in Germany and Austria almost fifty years before Hitler's rise to power
Over half a century after the defeat of the Third Reich, Nazism remains a subject of extensive historical inquiry, general interest, and, alarmingly, a source of inspiration for resurgent fascism around the world. Goodrick-Clarke's powerful and timely book traces the intellectual roots of Nazism back to a number of influential occult and millenarian sects in the Habsburg Empire during its waning years. These millenarian sects-principally the Ariosophists-espoused a mixture of popular nationalism, Aryan racism, and occultism to…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
An ideal complement to Goodrick-Clarke’s study of the links between Nazism and Ariosophy, Staudenmaier devotes his well-researched and comprehensive monograph to examining the relationship between fascism and Rudolf Steiner’s occult doctrine of Anthroposophy.
Like Goodrick-Clarke, Staudenmaier finds important points of ideological and sociological convergence between proponents of Anthroposophy and Nazism, including Waldorf Schools and biodynamic farming, but also highlights many instances of intellectual tension, political hostility, and persecution.
Just as importantly,Between Occultism and Nazismlooks at the role of Anthroposophy in fascist Italy, providing an explicit comparative framework that is missing from most studies of Nazism and the occult. A must read for anyone interested in the “occult roots of Nazism” or the history of Western esotericism.
The relationship between Nazism and occultism has been an object of fascination and speculation for decades. Peter Staudenmaier's Between Occultism and Nazism provides a detailed historical examination centered on the anthroposophist movement founded by Rudolf Steiner. Its surprising findings reveal a remarkable level of Nazi support for Waldorf schools, biodynamic farming, and other anthroposophist initiatives, even as Nazi officials attempted to suppress occult tendencies. The book also includes an analysis of anthroposophist involvement in the racial policies of Fascist Italy. Based on extensive archival research, this study offers rich material on controversial questions about the nature of esoteric spirituality and…
Sometimes, you just want to feel like you’re reading in an old library during a storm, you know? Because I’ve read so widely and studied so many Classics, I’ve had the opportunity to immerse myself in old books in a way that many others haven’t. Take that obsessive bookishness and add a love for magical, literary, character-driven stories, and voilà! I’m lucky I got to write my own dark academia novel for people looking to have that experience. Hopefully these books make you just as cozy and melancholy as they make me.
I know, I know—this one’s YA urban fantasy. What’s this book doing on this list? It is one of my all-time favorites, and it has the heart of a dark academia story.
It sweeps you up in its magic and doesn’t let you go. The book itself is like a spell. I can’t even fully articulate why I love it so much. The characters are obsessive and flawed and so wonderfully written I can’t get them out of my head. Because of it, I own a version of Gansey’s multimedia, research-driven, Welsh king-hunting journal. Now, if that’s not the spirit of dark academia, I don’t know what is.
'There are only two reasons a non-seer would see a spirit on St. Mark's Eve,' Neeve said. 'Either you're his true love ... or you killed him.'Every year Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue never sees them - until this year, when a boy emerges from the dark and speaks to her.His name is Gansey, a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.
Titus Crow is an occult investigator, psychic sleuth and cosmic voyager. In this book 11 short stories featuring Crow are brought together. These stories were written before the "Cthulhu Mythos" novels and follow Crow as he explores beyond the frontiers where mortal man is not meant to tread.
The moment I read the first page of The Stand, I was hooked on apocalypse stories. The good ones make you question your lifestyle and the bad ones give you hours of tragic entertainment. You’ll be stockpiling rice and toilet paper, and leaving on the hall light against the dark. You’ll be scanning obscure headlines for news of rapidly-spreading diseases and shoveling your own fallout shelter at the first sign of nuclear saber-rattling. Apocalyptic novels can make you into a more prepared person—or a crazy one—and sometimes they’ll even become your career. My recommendation list helped shape me into the writer I am today… sorry about that.
This novel takes a more serious tone from the outset, though there are humorous situations in the later books. This is one that will keep you up at night, reading and biting your fingernails as the characters struggle to survive. It begins somewhat slowly, but quickly gains steam and keeps you wanting more. The action is fast-paced and realistic and the military aspects are spot on. There is a character for everyone in this series, and it was the idea of Sky that loosely inspired a character in my own series.
The way that Campbell wrote this heroine and followed her progress from a young and naïve college girl to powerful and able to face down every threat thrown her way was so engaging and powerful that I bought the entire series as soon as it was released. The male characters were so diverse and far-ranging that none of them…
"Readers who enjoyed The Strain Trilogy, by Guillermo Del Toro and Chuck Hogan, will find plenty to satisfy them here."-San Francisco Book Review When the end came, it came quickly. No one knew where or exactly when the Omega Virus started, but soon it was everywhere. And when the ones spreading it can't die, no one stands a chance of surviving.
San Francisco, California. Father Xavier Church has spent his life ministering to unfortunate souls, but he has never witnessed horror like this. After he forsakes his vows in the most heartrending of ways, he watches helplessly as a zombie…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
First, the main character is compelling–intelligent, strong, flawed, and courageous. Second, excellent research takes you into the difficult politics of medieval Europe, the tensions between religions, and the madness of European Courts. Third, it takes you into the dark world of medieval alchemists and their dangerous competition to find the Philosopher's Stone.
The crimes make your skin crawl. I also love it because my very own detective, Doctor John Dee, is ever present but never seen.
The new historical crime thriller, a Sunday Times bestseller, perfect for fans of C. J. Sansom and Hilary Mantel
Prague, 1588.
A COURT IN TURMOIL
The court of the Holy Roman Emperor, Rudolf II, is a haven for scientists, astrologers and alchemists. The dream - to discover the philosopher's stone and attain immortality. But now there are rumours of heresy.
A MURDERED ALCHEMIST
Giordano Bruno is sent to Prague as a spy for Elizabeth I. He arrives to find the palace in uproar - an alchemist has been murdered.
As a child, I was fascinated by science fiction books. Later on, I’ve started reading horror as well and used to get engrossed in the books of Stephen King. As a software engineer, I’m passionate about technology, the latest innovations, and the science behind anything. However, I find a hint of supernatural equally fascinating, and such elements find their way in my books.
I’ve read this book as a child, I was probably around 10 years old. I loved that a regular person was able to conquer the world given the right tools. I was also intrigued by the occult and mystical elements in this book. I found all the geographical and cultural references fascinating and I loved that it had a happy ending.
A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.
Witchcraft, astrology, divination and every kind of popular magic flourished in England during the sixteenth and seventeenth centuries, from the belief that a blessed amulet could prevent the assaults of the Devil to the use of the same charms to recover stolen goods. At the same time the Protestant Reformation attempted to take the magic out of religion, and scientists were developing new explanations of the universe. Keith Thomas's classic analysis of beliefs held on every level of English society begins with the collapse of the medieval Church and ends with the changing intellectual atmosphere around 1700, when science and…
