Here are 100 books that A Science for the Soul fans have personally recommended if you like
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I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
Although there is no longer a shortage of scholarship on the occult or supernatural before 1945, Monica Black’s Demon Haunted Landis the first major history in English to investigate the afterlife of these cultural and intellectual traditions in the early years of the West German Federal Republic.
Beautifully written and based on extensive archival research, a Demon Haunted Landshows how witchcraft, the occult, and a belief in miracles played an important role, alongside democratic stabilization and the so-called “Economic Miracle”, in helping Germans work through the trauma of defeat and legacies of the Third Reich in a new postwar reality.
“Evocative. . . . Epic. . . . Chock-full of colorful anecdotes and charismatic figures, A Demon-Haunted Land not only offers a brilliant rethinking of postwar German history, but also asks us to see the irrational as an integral part of modernity.” ―Boston Review
In the aftermath of World War II, a succession of mass supernatural events swept through war-torn Germany. A messianic faith healer rose to extraordinary fame, prayer groups performed exorcisms, and enormous crowds traveled to witness apparitions of the Virgin Mary. Most strikingly, scores of people accused their neighbors of witchcraft, and found themselves in turn hauled…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
Nicholas Goodrick-Clarke’s Occult Roots of Nazism is arguably the first scholarly monograph to take the relationship between occultism and Nazism seriously, providing a fascinating overview of the “secret Aryan cults” and “Ariosophic” beliefs that ostensibly influenced Nazi ideology.
While Goodrick-Clarke stops short of drawing a direct connection between prewar occult doctrines and Nazi policies during the Third Reich– indeed, his study concludes in 1935––no historian before or since has done as thorough a job, based on copious empirical research, of chronicling the eclectic and ubiquitous occult underground that helped shape the interwar folkish movement that produced Nazism.
Reveals how Nazism was influenced by powerful occult sects that thrived in Germany and Austria almost fifty years before Hitler's rise to power
Over half a century after the defeat of the Third Reich, Nazism remains a subject of extensive historical inquiry, general interest, and, alarmingly, a source of inspiration for resurgent fascism around the world. Goodrick-Clarke's powerful and timely book traces the intellectual roots of Nazism back to a number of influential occult and millenarian sects in the Habsburg Empire during its waning years. These millenarian sects-principally the Ariosophists-espoused a mixture of popular nationalism, Aryan racism, and occultism to…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
An ideal complement to Goodrick-Clarke’s study of the links between Nazism and Ariosophy, Staudenmaier devotes his well-researched and comprehensive monograph to examining the relationship between fascism and Rudolf Steiner’s occult doctrine of Anthroposophy.
Like Goodrick-Clarke, Staudenmaier finds important points of ideological and sociological convergence between proponents of Anthroposophy and Nazism, including Waldorf Schools and biodynamic farming, but also highlights many instances of intellectual tension, political hostility, and persecution.
Just as importantly,Between Occultism and Nazismlooks at the role of Anthroposophy in fascist Italy, providing an explicit comparative framework that is missing from most studies of Nazism and the occult. A must read for anyone interested in the “occult roots of Nazism” or the history of Western esotericism.
The relationship between Nazism and occultism has been an object of fascination and speculation for decades. Peter Staudenmaier's Between Occultism and Nazism provides a detailed historical examination centered on the anthroposophist movement founded by Rudolf Steiner. Its surprising findings reveal a remarkable level of Nazi support for Waldorf schools, biodynamic farming, and other anthroposophist initiatives, even as Nazi officials attempted to suppress occult tendencies. The book also includes an analysis of anthroposophist involvement in the racial policies of Fascist Italy. Based on extensive archival research, this study offers rich material on controversial questions about the nature of esoteric spirituality and…
A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.
Witchcraft, astrology, divination and every kind of popular magic flourished in England during the sixteenth and seventeenth centuries, from the belief that a blessed amulet could prevent the assaults of the Devil to the use of the same charms to recover stolen goods. At the same time the Protestant Reformation attempted to take the magic out of religion, and scientists were developing new explanations of the universe. Keith Thomas's classic analysis of beliefs held on every level of English society begins with the collapse of the medieval Church and ends with the changing intellectual atmosphere around 1700, when science and…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.
Titus Crow is an occult investigator, psychic sleuth and cosmic voyager. In this book 11 short stories featuring Crow are brought together. These stories were written before the "Cthulhu Mythos" novels and follow Crow as he explores beyond the frontiers where mortal man is not meant to tread.
The moment I read the first page of The Stand, I was hooked on apocalypse stories. The good ones make you question your lifestyle and the bad ones give you hours of tragic entertainment. You’ll be stockpiling rice and toilet paper, and leaving on the hall light against the dark. You’ll be scanning obscure headlines for news of rapidly-spreading diseases and shoveling your own fallout shelter at the first sign of nuclear saber-rattling. Apocalyptic novels can make you into a more prepared person—or a crazy one—and sometimes they’ll even become your career. My recommendation list helped shape me into the writer I am today… sorry about that.
This novel takes a more serious tone from the outset, though there are humorous situations in the later books. This is one that will keep you up at night, reading and biting your fingernails as the characters struggle to survive. It begins somewhat slowly, but quickly gains steam and keeps you wanting more. The action is fast-paced and realistic and the military aspects are spot on. There is a character for everyone in this series, and it was the idea of Sky that loosely inspired a character in my own series.
The way that Campbell wrote this heroine and followed her progress from a young and naïve college girl to powerful and able to face down every threat thrown her way was so engaging and powerful that I bought the entire series as soon as it was released. The male characters were so diverse and far-ranging that none of them…
"Readers who enjoyed The Strain Trilogy, by Guillermo Del Toro and Chuck Hogan, will find plenty to satisfy them here."-San Francisco Book Review When the end came, it came quickly. No one knew where or exactly when the Omega Virus started, but soon it was everywhere. And when the ones spreading it can't die, no one stands a chance of surviving.
San Francisco, California. Father Xavier Church has spent his life ministering to unfortunate souls, but he has never witnessed horror like this. After he forsakes his vows in the most heartrending of ways, he watches helplessly as a zombie…
As a child, I was fascinated by science fiction books. Later on, I’ve started reading horror as well and used to get engrossed in the books of Stephen King. As a software engineer, I’m passionate about technology, the latest innovations, and the science behind anything. However, I find a hint of supernatural equally fascinating, and such elements find their way in my books.
I’ve read this book as a child, I was probably around 10 years old. I loved that a regular person was able to conquer the world given the right tools. I was also intrigued by the occult and mystical elements in this book. I found all the geographical and cultural references fascinating and I loved that it had a happy ending.
I fell in love with the ancient Greeks a half-century ago. Ever since I have tried to learn from the past, by recognizing the ways in which the ancients were at once very like us and shockingly different. I only recently grasped that the Greeks were like us in their self-consciousness about human motivation: They recognized that many (perhaps most) people are driven by self-interest. But only a few of us are skilled at strategic choice-making. They knew that cooperation was necessary for human flourishing, but terribly hard to achieve. Today working together on common projects remains the greatest challenge for business, politics – and your everyday life.
A long time ago, back in the mid-1970s, my Greek history professor told me that Dodds’ Greeks and the Irrational was one of the most important books on Greek history of the 20th century. He was right. It is a wonderful book, full of amazing facts about magic, ritual, and religion. It has had a huge impact on the field of classical studies and is still in print 70 years after its first publication. Dodds was a distinguished Greek scholar (the Regius Professor of Greek at Oxford) but wrote for a wide audience interested in not only Greek civilization but social science as well. I have thought hard and long about his book ever since reading it on my professor’s recommendation.
In this philosophy classic, which was first published in 1951, E.R. Dodds takes on the traditional view of Greek culture as a triumph of rationalism. Using the analytical tools of modern anthropology and psychology, Dodds asks, 'Why should we attribute to the ancient Greeks an immunity from 'primitive' modes of thought which we do not find in any society open to our direct observation?'. Praised by reviewers as "an event in modern Greek scholarship" and "a book which it would be difficult to over-praise", "The Greeks and the Irrational" was Volume 25 of the "Sather Classical Lectures" series.
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
This book is another that has a similar vibe to The Dresden Files and my books. This one had a really unique take that I liked, mixing in ghosts with the other supernatural creatures and elements. The main character has some fun, memorable quirks that I enjoyed, and the plot had some great twists that I didn’t see coming. The world is really broad, and there’s a lot more to uncover about how things work, so I liked that it didn’t tell everything in the first book, so it left me with the desire to read more.
Reagan Moon -- paranormal reporter, terminal underachiever, and staunch cynic of the human race. The only ghosts he really believes in are the ones in his own head. But his world is about to get an upgrade. When Moon is hired by a reclusive tycoon to investigate the events surrounding his girlfriend's tragic death, he learns of an impending apocalypse about to flatten Los Angeles. Seems that the Summu Nura, ancient gods from a parallel dimension, are looking for a new stomping ground. And Hollyweird is ground zero. What's worse, Reagan Moon is the only one who can stop them.…
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