Here are 100 books that Alchemy fans have personally recommended if you like
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I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
In this book, you meet a rare person–a female heroine from the Tudor Times. Based on a true story about a woman aboard the Golden Hind, you are taken into the dark world of medieval ships and meet Maria.
As the book unfolded, I was moved to tears by her courage, strength, and ability to navigate a terrible world. I was inspired by her.
April 1579: When two ships meet off the Pacific coast of New Spain, an enslaved woman seizes the chance to escape. But Maria has unwittingly joined Francis Drake’s circumnavigation voyage as he sets sail on a secret detour into the far north. Sailing into the unknown on the Golden Hind, a lone woman among 80 men, Maria will be tested to the very limits of her endurance. It will take all her wits to survive—and courage to cut the ties that bind her to Drake to pursue her own journey. How far will Maria go to be truly free? Inspired…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
I love this because Ken Follett is a master storyteller. It spans the Elizabethan era and captures the intrigue, international conspiracies, horrors of religious persecution, and the opening up of the world through trade and exploration.
Yet again, Follett takes you to the town of Kingsbridge and into the world and lives of the characters who live there. You are engaged and invested in them and even feel you know them. I loved the reality, the emotion, the highs of joy, and the lows of sadness.
"Absorbing . . . impossible to resist." -The Washington Post
As Europe erupts, can one young spy protect his queen? #1 New York Times bestselling author Ken Follett takes us deep into the treacherous world of powerful monarchs, intrigue, murder, and treason with his magnificent new epic, A Column of Fire.
In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.
Royal Academy, London 1919: Lily has put her student days in St. Ives, Cornwall, behind her—a time when her substitute mother, Mrs. Ramsay, seemingly disliked Lily’s portrait of her and Louis Grier, her tutor, never seduced her as she hoped he would. In the years since, she’s been a suffragette…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
I loved this because there is a sense of foreboding from the beginning, and the horror builds. SW Perry pulls you into the dirt, grime, and grunge of Tudor London and the roughness of life at the end of the Tudor reign.
You are immersed in the sheer awfulness of medieval medicine and the arrogance of the people who led it. You can almost smell the streets and laboratories and hear Tudor London's din. I also loved it because the key characters are sympathetically developed and flawed.
Also, the dual point of view leads you to feel a sense of urgency and fear, which adds to the pace of the reading.
Longlisted for the Crime Writers' Association Historical Fiction Dagger, 2019
A Walter Scott Prize Academy Recommended Read 2019
'Rich, intelligent and dark in equal measure, leaving you wrung out with terror. Historical fiction at its most sumptuous.' Rory Clements ________________________
Heresy. Conspiracy. Murder...
London, 1590: Amidst a tumultuous backdrop of Spanish plotters, Catholic heretics and foreign wars, Queen Elizabeth I's control over her kingdom is wavering.
And a killer is at work, preying on the weak and destitute of London...
Idealistic physician Nicholas Shelby becomes determined to end these terrible murders. Joined in his investigations by Bianca, a beautiful but…
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
Ithell Colquhoun was a surrealist artist, writer, and an initiate of several magical orders. Her unique novel (first published in 1961) has a haunting and visionary quality in the way it blends surrealist imagery and occult symbolism. The hermetic plot symbolizes alchemical processes and transformations and reading it feels like being guided through an oneiric landscape, evoking myths tangled with bodily sensations and fragments of memories.
Not a novel in the usual sense of the word, but a philosophical and poetic meditation on dreams, desires, and the journey through life. This is a lovely edition, illustrated with a selection of Colquhoun’s watercolours which beautifully complement the text.
Ithell Colquhoun was a leading British surrealist artist and writer whose love of the esoteric and the occult had a profound influence on her work. Nowhere is this more apparent than in the weird and wonderful alchemical novel Goose of Hermogenes. An unnamed woman must escape her uncle's island when his sinister attentions fall upon an heirloom—a priceless jewel in her possession—that may help in his tireless efforts to conquer death. Gothic, erotic and dreamlike, Goose of Hermogenes is a dizzying work of surrealist imagination. This new edition features five of Colquhoun's watercolor paintings originally painted to illustrate the novel.…
I fell in love with the ancient Greeks a half-century ago. Ever since I have tried to learn from the past, by recognizing the ways in which the ancients were at once very like us and shockingly different. I only recently grasped that the Greeks were like us in their self-consciousness about human motivation: They recognized that many (perhaps most) people are driven by self-interest. But only a few of us are skilled at strategic choice-making. They knew that cooperation was necessary for human flourishing, but terribly hard to achieve. Today working together on common projects remains the greatest challenge for business, politics – and your everyday life.
A long time ago, back in the mid-1970s, my Greek history professor told me that Dodds’ Greeks and the Irrational was one of the most important books on Greek history of the 20th century. He was right. It is a wonderful book, full of amazing facts about magic, ritual, and religion. It has had a huge impact on the field of classical studies and is still in print 70 years after its first publication. Dodds was a distinguished Greek scholar (the Regius Professor of Greek at Oxford) but wrote for a wide audience interested in not only Greek civilization but social science as well. I have thought hard and long about his book ever since reading it on my professor’s recommendation.
In this philosophy classic, which was first published in 1951, E.R. Dodds takes on the traditional view of Greek culture as a triumph of rationalism. Using the analytical tools of modern anthropology and psychology, Dodds asks, 'Why should we attribute to the ancient Greeks an immunity from 'primitive' modes of thought which we do not find in any society open to our direct observation?'. Praised by reviewers as "an event in modern Greek scholarship" and "a book which it would be difficult to over-praise", "The Greeks and the Irrational" was Volume 25 of the "Sather Classical Lectures" series.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.
Joshua Cutchin has written seven books. If you find yourself beside him on an airplane and ask what he writes about, he’ll say, “Speculative non-fiction.” If he warms up, he’ll explain that he writes about supernatural mysteries—UFOs, Bigfoot, ghosts, etc.—all through the lens of folklore. A suspicion that all these phenomena are connected undergirds his writing. In addition to his books, Joshua regularly contributes to essay collections and, in 2019, appeared on the hit History Channel series Ancient Aliens. Joshua has appeared on countless paranormal programs, including Coast to Coast AM. He regularly speaks at events nationwide, most recently Rice University’s 2023 Archives of the Impossible conference.
1987’s Communion made Whitley Strieber the world’s most famous alien abductee. Since then, many have derided him as a fantasist or even a charlatan.
Most attacks stem from his critics’ insistence on viewing Strieber’s experiences literally. Few stop to consider whether or not that approach may be misguided. In this collaboration with Rice University professor Dr. Jeffrey Kripal, Strieber’s firsthand accounts are placed in dialogue with religious scholarship, providing a useful framework for navigating the treacherous waters between the objective and subjective.
The Super Natural acknowledges that these things are—at least partially—"real" in a sense that modern culture would recognize. Their meaning, however, may well be something else entirely, best apprehended through our never-ending attempt to make sense of our place in the cosmos.
Two of today's maverick authors on anomalous experience present a perception-altering and intellectually thrilling analysis of why the paranormal is real, but radically different from what is conventionally understood.
Whitley Strieber (Communion) and Jeffrey J. Kripal (J. Newton Rayzor professor of religion at Rice University) team up on this unprecedented and intellectually vibrant new framing of inexplicable events and experiences.
Rather than merely document the anomalous, these authors--one the man who popularized alien abduction and the other a renowned scholar and "renegade advocate for including the paranormal in religious studies" (The New York Times)--deliver a fast-paced and exhilarating study of…
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about
the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.
Many students don't want to be tied to a particular group or spiritual tradition, but prefer to search, experiment, and grow on their own/ this book is perfect for these people. Watson discusses the principles that underlie magical practice in a veryeasytounderstand manner. She includes information on affirmations, visualization, spiritual practices, folk magic, and ritual. Safety measures and ethical considerations are stressed throughout.
I am a teacher and writer, drawn to the topic of synchronicity because I have experienced so many remarkable coincidences during my life that it seems I have no choice but to study them. As a young man, I spent much time working with dreams, coming to understand them especially through Carl Jung’s explorations of archetypes, myths, and the deep unconscious. This led naturally to the study of synchronicity. I am also interested in the related topic of consciousness and have written several books about it. Out of all this I have come to see the cosmos as a strangely mysterious and wonderfully orchestrated community of beings and events.
Carl Jung is the person who actually coined the term “synchronicity” and was the first to recognize it as an important connecting principle between the unconscious and the outer world. He observed that such events occur when the archetypal processes of the collective and personal unconscious correspond to objective events in the real world. Here, for example, he reports the now-famous case of the patient who dreamed of a scarab beetle, a creature that represented transformation to the ancient Egyptians, only to find a similar beetle tapping on Jung’s consultation room window the next day, as the patient described the dream to him.
For Jung, virtually all authentic instances of synchronicity involve the archetypal unconscious and reflect mythic themes. This book includes a number of the first and best examples in synchronicity literature.
Jung was intrigued from early in his career with coincidences, especially those surprising juxtapositions that scientific rationality could not adequately explain. He discussed these ideas with Albert Einstein before World War I, but first used the term 'synchronicity' in a 1930 lecture, in reference to the unusual psychological insights generated from consulting the I Ching. A long correspondence and friendship with the Nobel Prize-winning physicist Wolfgang Pauli stimulated a final, mature statement of Jung's thinking on synchronicity, originally published in 1952 and reproduced here. Together with a wealth of historical and contemporary material, this essay describes an astrological experiment Jung…
