I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.
Drake’s old Nathan is explicitly identified as a “cunning man” throughout these tales. Inspired by Wellman’s Silver John, Old Nathan is a predecessor, an Appalachian wizard in the late 1700s and early 1800s, using real-world folk magic to ward off curses, heal wounds, and otherwise battle evil. Like Silver John and Hiram Woolley, Old Nathan is a war veteran—a veteran of the Revolutionary War. Nathan’s war wounds left him crippled and pulled aside from ordinary life, turning him into the course of becoming a magician.
FIFTH YEARS AFTER THE AMERICAN REVOLUTION, MAGIC IS LOOSE IN THE BACKWOODS
The forces of evil are poised to prey on the folk of the hamlets and hollows: witches, demons, and red-handed men—but first they'll have to overcome Old Nathan the Wizard.
He doesn't claim much for his magical powers, but they're real enough for what they are—and besides, he hasn't forgotten how to use his long flintlock rifle ....
Enter the gritty, realistic world of Old Nathan, a backwoodsman who talks to animals and says he'll face The Devil himself-and who in the end will have to face The…
My Brother’s Keeper is a thrilling gothic fantasy novel swirling with family curses, megaliths, folk magic, buried demons, sects of one-eyed French werewolf hunters, the werewolves they’re hunting, ruined temples to the goddess Minerva, Minerva herself, ghost dogs, the Yorkshire moors, double-bladed daggers, and haunted churchyards. And the protagonist is Emily Brontë.
This is a ghost story. It is a story about werewolves, and things that go bump in the night. It is a story of an ill-fated land, the pathless moors of Northern England so well chronicled in Wuthering Heights. And it is the story of a real family whose des
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about
the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.
Many students don't want to be tied to a particular group or spiritual tradition, but prefer to search, experiment, and grow on their own/ this book is perfect for these people. Watson discusses the principles that underlie magical practice in a veryeasytounderstand manner. She includes information on affirmations, visualization, spiritual practices, folk magic, and ritual. Safety measures and ethical considerations are stressed throughout.
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
If you want to know about some of the earliest forms of magic that originated in America, this book is for you. This book focuses on folk magic, with an emphasis on Hoodoo, the magic of enslaved black people, with practices that include nature and the elements as sources of power. The text provides botanical information on magic plants, and spell recipes for healing and protection. As a plus, the book is lavishly and beautifully illustrated with extensive how-to guides on creating your own charms for good luck and fortune.
This is the first book of its kind, presenting accurate botanical information about roots and herbs employed in conjure, with sample spells that will show you how to make and use your own mojo bags, spiritual baths, and incenses. 224 pages
500 herbs, roots, minerals, and rare zoological curios, 750 traditional spells, tricks, and magical recipes, 50 black and white illustrations
I love fantasy literature, because it's the what-if literature of the human spirit. Magic animates fantasy, and in the real world, magic is difficult to define; it lies somewhere on the border of the unconscious mind, the lore of our grandparents, scientific hypothesis, what the priest tells us, and what we see in social groups other than our own. In recent decades, much fantasy literature has walked away from portrayals of real-world magic, replacing it with synthetic and sterile creations euphemistically called “hard magic.” Hard magic has the form of magic, but lacks the power thereof. These books are all strong inoculations against the scourge of hard magic.
Wellman roots the adventures of his hero, Korean War vet John “the Balladeer,” in Appalachian folktale and folk customs. His hero battles strange old evils in the mountains with his faith, his traditional American folk magic (he carried a copy of The Long Lost Friend), and the evil-repelling silver of his guitar strings. Silver John was a major influence on our hero in The Cunning Man, Hiram Woolley.
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
This is the best book on magic for skeptics and modern, rationally-minded readers. The author, who has a Ph.D. in Psychology, argues that magic can be verified and explained scientifically without all of the “woo-woo” that often requires an extra leap of faith for beginning practitioners. Magic is a natural aspect of reality, and each of us can tap into it skills and techniques with practice and persistence. The book provides a brief history of magic and offers a guide with exercises that one can do to strengthen mental and practical abilities.
The chief scientist at the Institute of Noetic Sciences (IONS) turns a critical eye toward such practices as telepathy, clairvoyance, precognition and psychokinesis. Are such powers really possible? Science says yes.
According to noted scientist and bestselling author of The Conscious Universe, Dean Radin, magic is a natural aspect of reality, and each of us can tap into this power with diligent practice.
But wait, aren't things like ESP and telepathy just wishful thinking and flights of the imagination? Not according to the author, who worked on the US government's top secret psychic espionage program known as Stargate. Radin has…
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
Another book on American magic, but with a focus on the folk magic practices of black people. This is an immensely readable guide to the venerable tradition of African American magic, a gift made possible only by the perseverance and determination of those who maintained the old ancestral ways. This book contains gems of wisdom, wit, and lots of information for readers who want the basics on how magic is applied for well-being and happiness.
A reader-friendly, fun, and practical guide to improving one's love life, career, health, and overall happiness with African American folk magick.
In this groundbreaking book that places Rootwork in its rightful spot among other magickal traditions, Tayannah Lee McQuillar offers a fun and practical guide to improving your life with the help of African American folk magick. Rootwork begins with the basics, from explanations about the magickal powers of the four elements (air, earth, fire, and water) to instructions on creating talismans, charms, and mojo bags. Also included are spells to help you:
