96 books like Raising Hell

Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.

From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!

From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!

From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!

Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life. 

A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.

I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures. 

I used to love Dennis Wheatley’s Satanic pulp fiction when I was about twelve—like a gateway drug—and graduated on to read my first Crowley biography a year or two later. I was gripped. As the years went by I developed what might seem like more serious interests in reading about psychoanalysis, Buddhism, and surrealism, but it’s really the same area. I used to think it was funny that the Dewey library system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about the mind, and inner experience, and Crowley remains one of its towering figures.