100 books like The New Encyclopedia of the Occult

A modern Witch should never be without this book! This was the first-ever published encyclopedic reference of herbs, trees, and flora in an exclusively magickal context. The author researched herbal folklore and cross-cultural histories far-and-wide to discover this glorious list of classic esoteric correspondences and practices. I continue to find the book useful, practical, and educational.

The historical uses of the herbs presented in the encyclopedia are fascinating, and many of them are downright hilarious! That aside, I love this book because it’s filled with practical information and correspondences for modern magickal practitioners of all varieties. If I had to pick only three books about magickal herbalism, it would easily be this one, alongside The Master Book of Herbalism by Paul Beyerl and Hoodoo Herb & Root Magic by Catherine Yronwode. We Witchy types need our reference books, and this one is hugely important!

There’s no doubt about it: this is an incredible “forever book” for Witches of all ages. This compendium has guided every single one of my Witchy years from teenagehood onward, and I still discover something new with every read. Drawing on the Irish authors’ training in Alexandrian Wicca, which developed shortly after Gerald Gardner and Doreen Valiente developed the Wiccan religion itself, this book journeys across cultures, traditions, and magickal practices, both old and new.

Although the book is a product of the 70s, it was incredibly progressive back then and certainly continues to be. Also, keep in mind that the terms Wicca and Witchcraft, in a Western Pagan context, were synonymous at the time. I find this book’s information (and accompanying photographs throughout) both timeless and perpetually invaluable!

This is a brilliant scholarly examination of the Neopagan movement. What differentiates this book from other Witchy titles is that, although Ms. Adler was, in fact, a Pagan herself, this is not a “how-to” book. Instead, the author uses her background in anthropology, journalism, and historical academia to offer much-needed perspectives.

I was fortunate to have met the author at a large Neopagan convention called PantheaCon back in 2008, where I expressed profound gratitude for this book and for her poignant journalism. Not only was she an incredible journalist for NPR (National Public Radio), but her book was imperative in my early years of realizing and recognizing myself as a natural Witch. During my early Pagan studies, this book helped offer me a well-rounded approach to the Craft, even having influenced my future calling to pursue a degree in cultural anthropology!

Nothing compares to this book when it comes to esoteric wisdom of the animal kingdom. Animals are all around us and can appear in various forms: physically (often as familiars), in dreams (often as omens), and by way of synchronicity, such as finding feathers, bones, or carcasses. The world of Witchcraft has always been tied to the animal realm because animals are living extensions of Mother Nature herself.

Being a metaphysical encyclopedia about animal medicine, this is where it’s at! Its faunal associations were compiled from both Indigenous wisdom and modern interpretations, spanning time and culture, to craft this rightfully best-selling gem. Although the amazing author was both Native American and a practicing occultist, I love the fact that this book is not written exclusively for Witches. The accessibility of this book is remarkable and is a lifelong asset for Pagans and mystical folks of all stripes.

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.

As he was a friend and mentor to me, I got to see this work evolve from the seed idea to the final form just as our beloved Raven passed from this world. As his last book, What We Knew in the Night takes lore and tradition not readily available today, drawn from Raven’s living experience as a Witch and occultist in the lively and secretive California communities. He would speak about the traditional ways lore was passed at the time, mouth to ear, and this work is the manifestation of his deep desire to see those important teachings brought together and passed to a new generation as the world changes. 

Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.

This was the first occult book I ever bought, so it holds a special place in my heart. The title alone, drew me to it and I was not disappointed. The book is full of all kinds of spells and information on herbs, amulets and talismans, ceremonial magic, Satanism & Witchcraft, potions, and many other wicked goodies. I love old occult books and this one, first published in 1970, started my occult library which has continued to grow. 

This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.

An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.