Here are 91 books that What We Knew in the Night fans have personally recommended if you like
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Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
Rosaleen Norton is hands down one of the most inspiring Witches of the 20th Century, and thankfully better known today with recent media attention. While her evocative art and her challenging life story certainly provide ample magickal and personal inspiration for us as Witches today, this is the only book that really details some of her magickal ideas and experiences, deeply advanced and philosophical, for us to explore on our own. It’s a little-known book, but there is truly nothing quite like it out there. It’s a fragmented biography and collection of papers, not a book intended for publication, which makes it all the more special. A grim memoire grimoire indeed….
Hardcover. 8vo. xxiv + 128pp. Red cloth with gilt titling to spine. Frontispiece & 8 pages of color & black and white illustrations. Rosaleen Norton was a natural rebel whose bohemian lifestyle, outspoken occultism, and unusual and often sexually-charged artwork attracted widespread condemnation from the conservative establishment. She suffered frequent arrest, her art exhibitions were raided, a book of her art banned, and in one notorious case, her paintings burned at the censor's order. She died in relative obscurity in 1979, yet left the world a rich and unusual artistic legacy. Some of this was hidden away in two battered…
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This is the book I wished I had when reading the classic Dion Fortune novels The Sea Priestess and Moon Magic, though Margie certainly is not writing commentary of those novels. She provides a context for the bigger themes in such stories I was ignorant of when first reading Fortune. Lady of the Sea weaves a grand vision of the Goddess from ancient roots, including Egypt, the Celts, indigenous lore, Avalonian traditions, and the modern New Age, but does so with such skill, grace, and practical purpose. It is the best book for deeply describing the inner temple of the Moon, Sea, and Stars and how to work in them as a modern mystic. For that alone it is worth it, but everything leading to and from those sections supports your understanding of why the Lady of the Sea is important to us all.
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
B. Stewart Myers, who also wrote extensively under the name Ócháni Lele, was another first for me in terms of uniting Witchcraft and Hermetic Qabalah in a meaningful and practical way encouraging deep experience and personal revelation. I’d soon be led to the classics of The Witches Qabala by Ellen Cannon Reed and Modern Magick by Donald Michael Kraig, but this was the one that got me out of the armchair and doing things with the Tree of Life as a Witch. I had the opportunity to meet him in 2013 and had a delightful time, not realizing until much later in the dinner that Ócháni was also Stewart Myers.
Witches, pagans, Goddess worshippers and Qab alists will find interest in this guide to spiritual develop ment in the Wiccan Tradition. This complete system of Qabali stic Witchcraft has explanations, illustrations and appendix es for easier learning. '
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This was the first occult book I ever bought, so it holds a special place in my heart. The title alone, drew me to it and I was not disappointed. The book is full of all kinds of spells and information on herbs, amulets and talismans, ceremonial magic, Satanism & Witchcraft, potions, and many other wicked goodies. I love old occult books and this one, first published in 1970, started my occult library which has continued to grow.
The Complete Book of Black Magic and Witchcraft is a mainstay for both beginners and advanced seekers into genuine occult methods because it is the first instruction manual to systematise the techniques and aims of Ritual Magic. Including how to prepare for rituals of exorcism and purging, and the rites and mysteries of sorcery, and Infernal Necromancy. This was achieved this by years of research pooling information from rare manuscripts on these subjects and comparing the various sub-sections of each to find the central methods of Ceremonial Magic. While crucially informing the readers of the differences so they can experiment…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.
This extraordinary collection features 13 spine-tingling tales of delicious terror by the unquestioned master of the horror genre, as well as portions of stories he never fully completed. Discover how the mind of H.P. Lovecraft worked, and how much his early and late stories tell about this intriguing writer.
I started studying and practicing Witchcraft in high school. It was an honor to become trained in the Georgian tradition of Wicca by its founding Priestess, Zanoni Silverknife. From there, I branched out to study other branches of Western Paganism as well as metaphysical and mystical systems ranging from Hermeticism, Tarot, and esoteric Qabalah (Kabbalah) to traditions of Hinduism and Buddhism. Over 20 years and 10 traditionally published books later, I’m as Witchy as ever and am thrilled to share a list of essential books that aided in my early development as a Neopagan Witch. Enjoy!
This book is, hands-down, one of my top “Stranded on a Desert Island” books. Why? Let me count the ways! For one, the author himself is a walking encyclopedia—trust me, I’ve spent time with him! John-Michael is also a practicing Druid and is a member of various occult orders and fraternal lodges. Basically, he’s a genius.
I adore this monumental book’s approachability and depth of knowledge. The information is academic but easy to read. Regardless of a person’s mystical, metaphysical, or occult leanings, there’s a rabbit hole of wisdom waiting to be uncovered. The investigation of one topic quickly leads to another. In fact, I’ve found myself (on numerous occasions) researching one occult term, only to realize that hours had passed; studying one fascinating entry led to another, and another, and another!
This is an indispensable book for spiritual seekers of all ages and all varieties. Without question, I’ll continue…
With this one text, you will gain a thorough overview of the history and current state of the occult from a variety of Western European and North American traditions. Its pages offer the essential knowledge you need to make sense of the occult, along with references for further reading if you want to learn more. You will find here the whole range of occult tradition, lore, history, philosophy, and practice in the Western world.
A retired professor, an art historian who taught at Berkeley, Northwestern, and the University of Pennsylvania. Since my main interest is the emergence of Europe from the late Middle Ages and into the Early Modern period around 1500, I naturally gravitate to non-fiction books that engage with the shifting interests and values of that era, and my own books include similar efforts to discuss visual art in relation to religion, literature, politics, and wider contemporary cultural movements. Among my own books I would cite: Rubens, Velázquez, and the King of Spain (with Aneta Georgievska-Shine); Europe Views the World, 1500-1700; and the forthcoming Art and Dis-Illusion in the Long Sixteenth Century.
An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.
Witchcraft, astrology, divination and every kind of popular magic flourished in England during the sixteenth and seventeenth centuries, from the belief that a blessed amulet could prevent the assaults of the Devil to the use of the same charms to recover stolen goods. At the same time the Protestant Reformation attempted to take the magic out of religion, and scientists were developing new explanations of the universe. Keith Thomas's classic analysis of beliefs held on every level of English society begins with the collapse of the medieval Church and ends with the changing intellectual atmosphere around 1700, when science and…
