91 books like What We Knew in the Night

Rosaleen Norton is hands down one of the most inspiring Witches of the 20th Century, and thankfully better known today with recent media attention. While her evocative art and her challenging life story certainly provide ample magickal and personal inspiration for us as Witches today, this is the only book that really details some of her magickal ideas and experiences, deeply advanced and philosophical, for us to explore on our own. It’s a little-known book, but there is truly nothing quite like it out there. It’s a fragmented biography and collection of papers, not a book intended for publication, which makes it all the more special. A grim memoire grimoire indeed…. 

This is the book I wished I had when reading the classic Dion Fortune novels The Sea Priestess and Moon Magic, though Margie certainly is not writing commentary of those novels. She provides a context for the bigger themes in such stories I was ignorant of when first reading Fortune. Lady of the Sea weaves a grand vision of the Goddess from ancient roots, including Egypt, the Celts, indigenous lore, Avalonian traditions, and the modern New Age, but does so with such skill, grace, and practical purpose. It is the best book for deeply describing the inner temple of the Moon, Sea, and Stars and how to work in them as a modern mystic. For that alone it is worth it, but everything leading to and from those sections supports your understanding of why the Lady of the Sea is important to us all.  

This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work. 

B. Stewart Myers, who also wrote extensively under the name Ócháni Lele, was another first for me in terms of uniting Witchcraft and Hermetic Qabalah in a meaningful and practical way encouraging deep experience and personal revelation. I’d soon be led to the classics of The Witches Qabala by Ellen Cannon Reed and Modern Magick by Donald Michael Kraig, but this was the one that got me out of the armchair and doing things with the Tree of Life as a Witch. I had the opportunity to meet him in 2013 and had a delightful time, not realizing until much later in the dinner that Ócháni was also Stewart Myers. 

Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.

This was the first occult book I ever bought, so it holds a special place in my heart. The title alone, drew me to it and I was not disappointed. The book is full of all kinds of spells and information on herbs, amulets and talismans, ceremonial magic, Satanism & Witchcraft, potions, and many other wicked goodies. I love old occult books and this one, first published in 1970, started my occult library which has continued to grow. 

This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.

An unlikely complement to Huizinga tracing the overlap between magical beliefs in religion as well as astrology and the emerging accusations of witchcraft. Deeply immersed in research about 16th-17th century England, this book offers a form of historical anthropology for baseline views of the strange ideas that drove spiritual life.

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.