Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
As he was a friend and mentor to me, I got to see this work evolve from the seed idea to the final form just as our beloved Raven passed from this world. As his last book, What We Knew in the Night takes lore and tradition not readily available today, drawn from Raven’s living experience as a Witch and occultist in the lively and secretive California communities. He would speak about the traditional ways lore was passed at the time, mouth to ear, and this work is the manifestation of his deep desire to see those important teachings brought together and passed to a new generation as the world changes.
Explores the roots of witchcraft while providing an integrated magical system to serve the modern witch
Raven Grimassi is among the pioneering authors of the modern witchcraft renaissance. In What We Knew in the Night, he presents a cohesive and complete system of witchcraft based on traditional sources. The author’s premise is that, beginning in the 1980s, with the rise of modern metaphysical publishing, authors began presenting very personal witchcraft practices. In the process, traditional and formerly well-established practices fell into obscurity, which potentially lead to confusion.
What We Knew in the Night uncovers and clarifies those buried gems for…
Rosaleen Norton is hands down one of the most inspiring Witches of the 20th Century, and thankfully better known today with recent media attention. While her evocative art and her challenging life story certainly provide ample magickal and personal inspiration for us as Witches today, this is the only book that really details some of her magickal ideas and experiences, deeply advanced and philosophical, for us to explore on our own. It’s a little-known book, but there is truly nothing quite like it out there. It’s a fragmented biography and collection of papers, not a book intended for publication, which makes it all the more special. A grim memoire grimoire indeed….
Hardcover. 8vo. xxiv + 128pp. Red cloth with gilt titling to spine. Frontispiece & 8 pages of color & black and white illustrations. Rosaleen Norton was a natural rebel whose bohemian lifestyle, outspoken occultism, and unusual and often sexually-charged artwork attracted widespread condemnation from the conservative establishment. She suffered frequent arrest, her art exhibitions were raided, a book of her art banned, and in one notorious case, her paintings burned at the censor's order. She died in relative obscurity in 1979, yet left the world a rich and unusual artistic legacy. Some of this was hidden away in two battered…
This is the book I wished I had when reading the classic Dion Fortune novels The Sea Priestess and Moon Magic, though Margie certainly is not writing commentary of those novels. She provides a context for the bigger themes in such stories I was ignorant of when first reading Fortune. Lady of the Sea weaves a grand vision of the Goddess from ancient roots, including Egypt, the Celts, indigenous lore, Avalonian traditions, and the modern New Age, but does so with such skill, grace, and practical purpose. It is the best book for deeply describing the inner temple of the Moon, Sea, and Stars and how to work in them as a modern mystic. For that alone it is worth it, but everything leading to and from those sections supports your understanding of why the Lady of the Sea is important to us all.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
B. Stewart Myers, who also wrote extensively under the name Ócháni Lele, was another first for me in terms of uniting Witchcraft and Hermetic Qabalah in a meaningful and practical way encouraging deep experience and personal revelation. I’d soon be led to the classics of The Witches Qabala by Ellen Cannon Reed and Modern Magick by Donald Michael Kraig, but this was the one that got me out of the armchair and doing things with the Tree of Life as a Witch. I had the opportunity to meet him in 2013 and had a delightful time, not realizing until much later in the dinner that Ócháni was also Stewart Myers.
Witches, pagans, Goddess worshippers and Qab alists will find interest in this guide to spiritual develop ment in the Wiccan Tradition. This complete system of Qabali stic Witchcraft has explanations, illustrations and appendix es for easier learning. '
The Mighty Dead, the Hidden Company, the Secret Chiefs, the Withdrawn Order, the Inner Plane Adepts, the Masters, the Bodhisattva, and the Saints – all names for the enlightened dead who guide the spiritual traditions and evolution of humanity through the mysteries. They are found in traditions across the world, east and west, old and new. They were the guiding force of the occult revival at the turn of the 20th century, and continue to aid us today.
By forging connections with them, collectively or individually, we can learn how to evolve and pass through the cycles of reincarnation to become one with these sanctified masters. Hand in hand we shall ecstatically dance together at the eternal Sabbat of the Witch.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
