100 books like The Quest for Corvo

First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately. 

In my secret heart of hearts, I wrote my most recent book, Unspeakable, for an audience of one: Janet Malcolm. All her prose is sharp, but her anti-biography of Sylvia Plath and Ted Hughes is spectacular in its exploration of the question: is it even possible to write a truthful biography?

Through sheer magic, Lisa Cohen manages to combine three lives that defy biography into a beautifully written group portrait of mid-century lesbian modernism. Although Cohen writes that “every biography is a disappointment of some kind,” her book about Esther Murphy, Mercedes de Acosta, and Madge Garland thrilled me from start to finish.

I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.

But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.

The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.

I found this book so shocking that I couldn’t put it down. I was so mad at Amir for betraying his friend Hasim that I didn’t believe he could possibly be redeemed. I didn’t think he deserved it. Yet, with skill and grace, the author takes us so deep inside Amir’s feelings and lingering shame that it reminded me of the times that I let someone down or said something I wish I hadn’t.

As much as I’d like to ignore my mistakes or pretend them away, this book shows me that there is always a way back to try to do the right thing. It might be hard. It will be humbling. But I am grateful to this book for reminding me to try. 

I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians. 

Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.

I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.

I am fascinated by extraordinary lives, especially lives that cross borders and cultures. I also enjoy biographies set against major historical events, all the more so when an individual life is used to show an apparently familiar era of history in a new light. Tom Reiss’s book manages all this superbly. 

This book reconstructs the life of Lev Nussimbaum, who was born in Kiev in what is now Ukraine but was then imperial Russia. But he spent a good part of his life in Baku when that cosmopolitan Russian imperial port was the center of the world’s first great oil boom. Having traveled myself in the Caucasus region, as well as other former parts of the Russian Empire (and Soviet Union), I found Reiss’s account of that collapsing imperial culture quite fascinating. But it is the story of Lev—or, as he twice reinvented himself, Essad Bey and Kurban… show more.

This is a book about the collision of worlds and ideologies, told through the life of a single woman. This is a biography of Margaret Marcus, a small-town Jewish girl in midcentury America who converted to Islam, emigrated to Pakistan, and became a student of the Islamist political theorist Abul Ala Mawdudi. Under the name Maryam Jameelah, Margaret wrote many books condemning the corruption of Western capitalist society. And then came September 11… 

I found this book absolutely gripping and no less absorbing—and unsettling—in its moral power. Deborah Baker is a truly extraordinary biographer, and I admire her artistry, research, and instinct for an important life history in equal measure. Even though I have traveled extensively across Pakistan myself and written about many of the themes Baker explores, I still learned a great deal from this deeply serious but no less spellbinding biography. 

It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.

That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out. 

The only way to see Hadrian’s Wall properly is to visit it on foot. Only then can you experience it as the Roman soldiers who garrisoned it between 122AD and 410AD experienced it, especially when the freezing hail comes howling in from the north. If Breeze and Dobson have written the definitive book on Hadrian’s Wall, Mike Bishop, who has walked, cycled, driven and flown along the Wall, is undoubtedly the font of all knowledge, immersed in every detail. Backed by a lifetime of archaeological experience, this guide allows you to see the monument through his eyes, with a host of historical and physical detail that most people miss. It follows the Hadrian’s Wall Trail, which Mike was involved in from the start, but where the path deviates from the Wall, this account stays with it, allowing the reader to experience and examine remains most other walkers don’t. I was… show more.