Here are 100 books that The Silent Woman fans have personally recommended if you like
The Silent Woman.
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Alongside writing, I’ve been running workshops, teaching and mentoring writers for nearly twenty years, helping people get unstuck and keep going. So I spend most of my working life thinking about creativity and writing—then suddenly I, too, couldn’t write the book I needed to write. Every book in this list is about not-writing for different reasons, in different circumstances, but between them they tell us so much about how we write, why we write, how we get writing to happen—and what’s happening when we can’t. These very different stories resonate with each other, and I hope some of them resonate with you.
First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately.
Recounts the author's experiences visiting the places D.H. Lawrence lived while actively not working on a book about Lawrence and not writing his own novel.
I am a historian of sexuality who is fascinated by unknown stories that reveal the past to be way more complicated than we expect. I’ve written about same-sex marriage in early America, a teenage female poet of the American Revolution, a masculine woman who founded her own college, and a notorious British pederast. Now I’m working on the tale of a forgotten American sexual adventuress and jewel thief. I also have a longstanding research project about the history of food and sex from the eighteenth century to the present day.
Before Symons published The Quest for Corvo in 1934, many biographies were little more than hagiographies, or boring tomes about unblemished saints. Symons redefined biography by writing a mystery story, featuring himself as a historical detective seeking to understand how a character as disagreeable as Frederick Rolfe, a.k.a. Baron Corvo, could have authored beautiful novels like Hadrian the Seventh.
One day in 1925 a friend asked A. J. A. Symons if he had read Fr. Rolfe's Hadrian the Seventh. He hadn't, but soon did, and found himself entranced by the novel -- "a masterpiece"-- and no less fascinated by the mysterious person of its all-but-forgotten creator. The Quest for Corvo is a hilarious and heartbreaking portrait of the strange Frederick Rolfe, self-appointed Baron Corvo, an artist, writer, and frustrated aspirant to the priesthood with a bottomless talent for self-destruction. But this singular work, subtitled "an experiment in biography," is also a remarkable self-portrait, a study of the obsession and…
I am a historian of sexuality who is fascinated by unknown stories that reveal the past to be way more complicated than we expect. I’ve written about same-sex marriage in early America, a teenage female poet of the American Revolution, a masculine woman who founded her own college, and a notorious British pederast. Now I’m working on the tale of a forgotten American sexual adventuress and jewel thief. I also have a longstanding research project about the history of food and sex from the eighteenth century to the present day.
Through sheer magic, Lisa Cohen manages to combine three lives that defy biography into a beautifully written group portrait of mid-century lesbian modernism. Although Cohen writes that “every biography is a disappointment of some kind,” her book about Esther Murphy, Mercedes de Acosta, and Madge Garland thrilled me from start to finish.
All We Know is one of Publishers Weekly's Top 10 Best Books of 2012
A revelatory biography of three glamorous, complex modern women
Esther Murphy was a brilliant New York intellectual who dazzled friends and strangers with an unstoppable flow of conversation. But she never finished the books she was contracted to write―a painful failure, and yet a kind of achievement. The quintessential fan, Mercedes de Acosta had intimate friendships with the legendary actresses and dancers of the twentieth century. Her ephemeral legacy is the thousands of objects she collected to preserve the memory of those performers and to document…
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.
Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).
Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I’ve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, I’ve written thirty as a ghostwriter in the last six years and am working on my own. I’m fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.
Mixing official documents with real, remembered events, Lemn Sissay’s memoir is a search for identity, for his true name. Left in a home in Liverpool for unmarried mothers, he is moved between a series of foster and care homes, until he is given access to all his records in 2015, after a thirty-year campaign to find them. He finds who he really is. It’s an honest, poignant, unsettling, and heartfelt journey, revealing how a small boy’s life is shaped by ‘the authority’ and the faceless state. Complimented with inspiring poems and useful resources, this is a hopeful and helpful book.
THE NUMBER ONE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE GORDON BURN PRIZE A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, DAILY TELEGRAPH, SUNDAY TIMES, OBSERVER, NEW STATESMAN, METRO, DAILY MAIL, SUNDAY EXPRESS and HERALD
How does a government steal a child and then imprison him? How does it keep it a secret? This story is how.
At the age of seventeen, after a childhood in a foster family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.Winter 1999: Grace Bradley, 98, one-time house-maid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.Set as the war-shattered Edwardian…
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Pat Barker’s prize-winning 1991 novel is a devastating portrait of the horrors of the trenches of World War One but also a meditation on why men fight, how they suffer and recover, how they live for the men they fight with.
I came to Regeneration young, and to the poems of Wilfred Owen, Robert Graves, and Siegfried Sassoon, all of whom appear in Barker’s novel. Sassoon’s declaration against the war is well known, as is his decision to return to it, to be with his men. Owen was killed in action.
There is also a character Barker creates: Billy Prior, a working-class figure John Mullan called “an interloper, angrily observing the snobbery and smugness of the officer class”. Regeneration shows fiction can complement reportage when considering how brotherhood works.
"Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction."-The Boston Globe
The first book of the Regeneration Trilogy-a Booker Prize nominee and one of Entertainment Weekly's 100 All-Time Greatest Novels.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back…
I’m a blogger, vlogger, historian, and author of 14 history books, and have a true passion for Tudor history. Tudor history grabbed me at the age of 11, when I had to do a project on Henry VIII and his six wives, and has never let me go. Anne Boleyn is my historical heroine and area of expertise, but I love anything to do with the Tudors. I’m a complete Tudor nut and if I’m not researching and writing about Tudor history, I’m talking about it or getting lost in a good book about it. I love any book that brings my favourite character to life or transports me back to the 16th century.
Gareth Russell can do no wrong in my eyes! He brings history to life with storytelling that many novelists could only hope to emulate. Not only that, his books are based on meticulous research
In Young and Damned and Fair Russell tells the story of Catherine Howard, Henry VIII’s ill-fated wife, and what I love about Russell’s narrative is the way it brings Catherine to life. Here, she’s not the wayward ‘tart’ who betrayed Henry VIII, or the victim of sexual abuse, she’s fully three-dimensional and all facets of her life are explored.
I particularly loved Russell’s examination of her queenship, which is so often neglected. A riveting read!
SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017
During one of the hottest summers on record the court of Henry VIII is embroiled, once again, in political scandal. The King's marriage to Anne of Cleves has failed, his closest adviser Thomas Cromwell is to be executed for treason and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly irascible, unpredictable monarch.
Her story is both a very dark fairy tale and a gripping thriller. Born into nobility and married into the royal family, Catherine was attended every waking hour by…
I’m a writer of Regency Romance fiction with a perfectionist’s zeal to get the details right. Most Regency Romances are tales of aristocrats falling in love and marrying—or marrying and then falling in love! But in real life, romantic love was often not an essential aspect of courtship in this era. Aristocratic families might ensure that a couple was “suited”, but they arranged unions for bloodlines and wealth, and the ties were almost impossible to break. Enjoy these true tales of marriage and divorce, and the two novels of heartbreak, divorce, and happy-ever-after.
This book provides a helpful overview of the marriage and divorce laws of England during the period in question, as well as twelve “case studies,” all useful for research. Most of the marital breakups covered in this volume occurred before the Regency era, a few even before the greater Georgian era. Each story takes a reader through the heartache and drama of these unhappy marriages and the legal machinations needed to end them.
In Road to Divorce, Lawrence Stone explored and analysed the ambiguous nature of the law and pratice concerning marriage, separation, and divorce in England from 1530 to the present day. He showed how husbands and wives, lovers and lawyers, adapted, circumvented, of defied the law in order to achieve their end, namely either a secure marriage, or a marital separation on favourable terms. In Uncertain Unions, he offered a series of detailed case-studies, which painted a vivid picture of how certain individuals coped with the manifold uncertainties of the law of marriage before the Marriage Act of 1753. Now, Broken…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
This book is considered by many to be ‘the bible’ for all Anne Boleyn fans and I imagine it is the number one go-to book. Covering her life from birth to death, it is so scholarly that I use it constantly as a reference book.
What is good is that it fully exposes the circumstances that led to Anne’s death, and you can clearly see how it came about – and why the king had to get rid of her. But it is not a dry textbook. Everyone can enjoy it as it’s easy to read, hard to put down, and immaculately researched.
If you are thinking about writing about Anne Boleyn this must be your first reference book. In fact, if you buy only one book about Anne, this is it.
This definitive biography of Anne Boleyn establishes her as a figure of considerable importance and influence in her own right.
A full biography of Anne Boleyn, based on the latest scholarly research.
Focusses on Anne's life and legacy and establishes Anne as a figure of considerable importance and influence in her own right.
Adulteress or innocent victim? Looks afresh at the issues at the heart of Anne's downfall.
Pays attention to her importance as a patron of the arts, particularly in relation to Hans Holbein.
Presents evidence about Anne's spirituality and her interest in the intellectual debates of the period.…
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