98 books like The Convert

This book is a literary biography that reads like a detective novel. I found it to be gripping, shocking, hilarious, and tragic. I also consider it a great work of literature in its own right, effectively reinventing the genre of biography and turning it into an artwork forged in the era of Raymond Chandler. It was first published in 1934, but has been through many reissues, including with the alternative subtitle, Genius or Charlatan? 

That question captures perfectly the state of mind in which I was left after finishing Symons’s account of the life of Frederick Rolfe, who called himself Baron Corvo, as he swanned around southern Europe in the 1900s. While Corvo was a writer—he wrote a series of over-ripe novels, most famously Hadrian the Seventh—his life is more the stuff of the unbelievable potboiler than the usual tedious life of authors tied to their typewriters.

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I found this book so shocking that I couldn’t put it down. I was so mad at Amir for betraying his friend Hasim that I didn’t believe he could possibly be redeemed. I didn’t think he deserved it. Yet, with skill and grace, the author takes us so deep inside Amir’s feelings and lingering shame that it reminded me of the times that I let someone down or said something I wish I hadn’t.

As much as I’d like to ignore my mistakes or pretend them away, this book shows me that there is always a way back to try to do the right thing. It might be hard. It will be humbling. But I am grateful to this book for reminding me to try. 

I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians. 

Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.

I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.

I am fascinated by extraordinary lives, especially lives that cross borders and cultures. I also enjoy biographies set against major historical events, all the more so when an individual life is used to show an apparently familiar era of history in a new light. Tom Reiss’s book manages all this superbly. 

This book reconstructs the life of Lev Nussimbaum, who was born in Kiev in what is now Ukraine but was then imperial Russia. But he spent a good part of his life in Baku when that cosmopolitan Russian imperial port was the center of the world’s first great oil boom. Having traveled myself in the Caucasus region, as well as other former parts of the Russian Empire (and Soviet Union), I found Reiss’s account of that collapsing imperial culture quite fascinating. But it is the story of Lev—or, as he twice reinvented himself, Essad Bey and Kurban… show more.

Saba Mahmood’s book is an intellectually stimulating and insightfully written study of a grassroots women’s mosque movement in Cairo, Egypt.

Speaking to a North American audience, Mahmood challenged secular-liberal theorizations of human agency and views that depicted Muslim women in patriarchal societies as without agency. Her nuanced and multi-dimensional study evidenced a considerably more complex picture of moral choice, agency, and Islamist politics that centered on the women’s own understandings and interpretation of a complex religious and political landscape.

It is Mahmood’s balanced and reflexive approach that makes this book a deeply educational study for students and scholars alike.

In the post-9/11 period, we were inundated with images of veiled Muslim women in Afghanistan and elsewhere. However, there is a long and rich history of Muslim women’s feminism that many people don’t know about. This book is an accessible entry point to this history. It also illustrates the interaction between Western feminists and Muslim feminists and shows the limits and possibilities of transnational feminism.

Motherhood features in diverse literary traditions, from antiquity to the present, as perhaps the most prominent aspect of female power.

Already in the womb and shortly after, during the formative stage of the child's upbringing, the mother occupied a unique, almost exclusive, position vis-à-vis its offspring, imbuing it with character and ideals. It is for this reason that maternal power and roles have been treated so extensively in diverse literary traditions and genres, constituting an object of religiously-charged imageries.

In Conceiving Identity, Keuny masters a rich Islamic literary corpus in order to show how literary images constituted a means for women to negotiate their patriarchal-designated office and imbue their office with their own set of ideals.

This is a great story about a Muslim Pakistani high school student in Jersey City who suddenly body-morphs as she develops superhero powers. As Kamala discovers, being Ms Marvel is about following her faith’s call to help others regardless of who they are. Ms. Marvel’s engaging story educates readers on immigrant culture, debates, and shared values within Muslim families and communities and how closely aligned Islam is with the central tenets of superhero life to address wrongs while at the same time challenging Islamophobic ideas. 

Why is this comic important? It is a great way for teens, both inside and outside Islam, immigrants or not, to learn about this faith as one set of characters live it and to follow a character whose life is, in a variety of ways, not so different from their own. It’s also a series that invites readers to think about shared values and norms,… show more.

The title of the book alone is enough to pick it up.

Abu-Lughod’s book is the crux for so many other works focused on the misplaced victimization of Arab and Muslim women. Not only does she challenge the West’s flawed understandings of these women, but she also implicates the dangers of the West’s foreign intervention. But it’s not all academic jargon.

She includes real and moving stories from women’s experiences that helped me reflect on my own ideological stance as a feminist. 

This novel shows us how the sisters in our lives aren’t always connected by blood. That sometimes, our chosen sisters are the ones who carry us through life’s difficult moments.

Malek, Kees, and Jenna have been lifelong friends, but when a single argument threatens to pull them apart, can they find their way back to one another? Alternating between each woman’s story, the novel explores deeper themes of love, family, and faith while also shedding light on both the strengths and fragility of female relationships.