Here are 100 books that Conceiving Identities fans have personally recommended if you like
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I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Giladi's Muslim Midwives takes the reader into the hidden layers of the domicile; an intimate space, where only few could participate in one of the most dramatic moments, if not the most of them, in a human's life – birth.
Midwives, although biologically apart, were assigned with a crucial place within the household, thus assuming capacities that by far exceeded their formal tasks within their respective communities.
This book reconstructs the role of midwives in medieval to early modern Islamic history through a careful reading of a wide range of classical and medieval Arabic sources. The author casts the midwife's social status in premodern Islam as a privileged position from which she could mediate between male authority in patriarchal society and female reproductive power within the family. This study also takes a broader historical view of midwifery in the Middle East by examining the tensions between learned medicine (male) and popular, medico-religious practices (female) from early Islam into the Ottoman period and addressing the confrontation between traditional…
I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Krakowski's Coming of Age in Medieval Egypt offers not only offers a sophisticated critique of scholarship on medieval kinship arrangements, but also casts light on the social agency of young women during the few years between the age of their formal maturity and their matrimonial engagement.
Krakowski's wonderful achievement is made possible thanks to her exceptional familiarity with the documents of the Cairo Geniza and her ability to take a step back and observe the broad social picture they reflect.
Much of what we know about life in the medieval Islamic Middle East comes from texts written to impart religious ideals or to chronicle the movements of great men. How did women participate in the societies these texts describe? What about non-Muslims, whose own religious traditions descended partly from pre-Islamic late antiquity?
Coming of Age in Medieval Egypt approaches these questions through Jewish women's adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969-1250). Using hundreds of everyday papers preserved in the Cairo Geniza, Eve Krakowski follows the lives of girls from different social classes-rich and poor, secluded and physically…
I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Warrior Womenof Islam opens a window into the world of medieval Muslim authors as they drew upon a mixture of fiction and reality in order to captivate the imagination of their readers/auditors.
Yet although fictitious, not to mention fantastic, Kruk demonstrates how the female protagonists of medieval Islamic epics served to promote ideals of female piety, devotion, and courage in moments of religious conflict.
Colloquial Arabic storytelling is most commonly associated with The Thousandvand One Nights. But few people are aware of a much larger corpus of narrative texts known as popular epic. These heroic romantic tales, originating in the Middle Ages, form vast cycles of adventure stories whose most remarkable feature is their portrayal of powerful and memorable women. Wildly appreciated by medieval audiences, and spread by professional storytellers throughout the cities of the Muslim world, these fictions were printed and reprinted over the centuries and comprise a vital part of Arab culture. Yet virtually none are available in translation, and so remain…
I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Urban’s Conquered Populations in Early Islam is concerned with the absorption of non-Muslims within the Muslim community during the first few centuries of its formation through an Arabian tribal mechanism of patron-client relations.
As such, it offers a first of its kinds treatment of non-Muslim slave girls and concubines, whose entry into the Muslim fold was made possible thanks to the ties of dependence they forged with their male masters and partners.
Although seemingly powerless, owing to their gender and social rank, these women were in fact in a unique position to negotiate the terms of their enslavement, livelihood, and communal affiliation thanks to their unique services vis-à-vis their patrons.
This book traces the journey of new Muslims as they joined the early Islamic community and articulated their identities within it. It focuses on Muslims of slave origins, who belonged to the society in which they lived but whose slave background rendered them somehow alien. How did these Muslims at the crossroads of insider and outsider find their place in early Islamic society? How did Islamic society itself change to accommodate these new members?
By analysing how these liminal Muslims resolved the tension between belonging and otherness, Conquered Populations in Early Islam reveals the shifting boundaries of the early Islamic…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
The title of the book alone is enough to pick it up.
Abu-Lughod’s book is the crux for so many other works focused on the misplaced victimization of Arab and Muslim women. Not only does she challenge the West’s flawed understandings of these women, but she also implicates the dangers of the West’s foreign intervention. But it’s not all academic jargon.
She includes real and moving stories from women’s experiences that helped me reflect on my own ideological stance as a feminist.
Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, a message propagated by human rights groups and the media: Muslim women need to be rescued. Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.
In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized…
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This anthology brings together diverse Black women’s voices to discuss motherhood, they range from mothers who celebrate their role to women who ask why motherhood is cast upon all of us as a necessary step, they explore the joys as well as some of the painful realities of loss and postpartum depression. Reading these stories from varied perspectives in short essay formats makes it approachable and allows you to move through it at a pace that is comfortable for any reader.
From a dazzling array of well-known African American women, short fiction, poems, and personal essays that describe with warmth and humor their experiences as mothers and as daughters.
A sparkling anthology devoted to exploring the lives of African American mothers, Rise Up Singing presents the stories and reflections of such beloved and respected artists, journalists, and authors as Alice Walker, Faith Ringgold, Marita Golden, Martha Southgate, Tananarive Due, Maya Angelou, Gwendolyn Brooks, Deborah Roberts, Rita Dove, and others. It features original and previously published writings, organized by editor Cecelie Berry by themes—mothering, work, family, children, community, and love—that illuminate the…
Like many women my age, I’ve spent a lot of time thinking about the possibly discordant relationship between the things I love doing—writing, reading, spending time in solitude with stories and ideas—and the expectation of motherhood. For many of us, the prospect of parenthood can feel less like a choice than a cultural imperative, and it can be difficult to reconcile brain and body, self and society. The novels on this list feature razor-sharp, highly educated female protagonists who experience, recall, or imagine pregnancy and motherhood in complicated ways. Their minds and bodies are sometimes in sync, sometimes painfully at odds, but always fascinating to behold.
Heti’s heady, meditative, heavily autobiographical novel documents its narrator’s personal ambivalence about the idea of motherhood.
While this is not a conventional novel with a linear plot, it is a gorgeously written reflection on what motherhood means, or could mean, in general and to our narrator in particular. With unflinching honesty, she explores not only the question of whether or not she wants a child of her own, but also her identity as her mother’s child and her position as a descendant of Holocaust survivors.
I found so much to relate to in these pages; I often set out to underline a sentence and ended up underlining an entire page, feeling like Heti had put her finger on something I’d experienced but had never articulated so well.
'A response - finally - to the new norms of femininity' Rachel Cusk
Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice.
In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
The Part That Burns is not a linear narrative but a memoir in fragments. Each essay or chapter is different, interesting, engaging like scattered pieces of a puzzle that the writer—and reader—are trying to put together.
It's about a childhood wrought with abuse and rejection, about trauma and epigenetics, home and roots. It's about a girl who grows up to become a teenager who becomes a young woman who becomes a wife and a mother and every step of the way, she yearns for what we all yearn for: acceptance and love.
My memoir is as slim and sparse as Ouellette’s and some might consider my chronological story as fragmented because of its tiny chapters and missing connective tissue from one chapter to the next.
"I love this book and am grateful it is in the world." —Dorothy Allison, New York Times best-selling author of Bastard Out of Carolina and Cavedweller "Simply beautiful. Precisely imagined, poetically structured, compelling, and vivid." —Joyce Carol Oates "A textured remembrance of a traumatic childhood that also offers affecting moments of beauty." —Kirkus Reviews (starred review)
In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather’s groping…
I have always been a devoted reader of fiction, and I especially enjoy novels and short stories that delve into characters’ interior lives and motivations. I find people fascinating, both in books and in real life, and I am always trying to figure out why people do or say certain things. I should probably have become a psychologist or a detective instead of a musicologist. I am passionate about doing as much of that kind of sleuthing as a scholar as possible.
I listened to this audiobook about motherhood while pushing my newborn second child in a stroller. Sarah Knott takes the reader through the stages of becoming a mother–conception, miscarriage, pregnancy, birth, newborn care, childcare, and resuming work–and then doing it again with a second child.
Throughout, Knott contrasts her own experiences with those of women in the past, especially in North America and Britain. The differences are striking, not just in healthcare but also in social support. I thought about the women I'd written about who had many children and how important familial support was.
As a fellow professor, I was heartened to read about Knott's experience returning to work and re-finding her academic mind. She writes poignantly about how motherhood is a constant interruption. It is so true!
Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity―the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?
In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate…
As a gay man born into an evangelical Christian family, my coming out story was wrought with pain, trauma, and separation from family and loved ones. In the same year I lost my best friend in an accident. My world tumbled and I had to crawl back to a place of reckoning. Walking became my path to healing. So when my brother Reuben, who has Down's syndrome sent me a message from the isolation of a care home in the pandemic, I knew he was in trouble. Those five words - ´brother. do. you. love. me.´changed our lives. I thought I might know a way to save him.
As a guy with no children, motherhood has always intrigued me.
What does motherhood actually feel like? How does it change you? How to describe the bond between mother and child? I had questions that would be difficult to ask any mother. In this soaring memoir, Clover has answered them all for me. She has a skill to convert the most mundane into life-changing and the routine into extraordinary.
Clover’s style is engaging and intimate. She leaves no stone unturned in this ‘heart on her sleeve’ book about what it really means to be a mother.
'Raw, elemental and beautiful.' Telegraph 'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times
Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.
My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy…
