Fans pick 61 books like Theft of Swords

This book was one of the first assassin books ever written, and it’s a masterpiece of classic fantasy. The character is exactly as brooding and dour as I’d expected, but the moment he saves a young woman and her two orphaned companions, I understood there was so much more to him. And over the course of the book—and all his books—I saw those layers stripped away piece by piece and the grief-stricken man beneath.

The story was action-packed in exactly the way I wanted it to be, but it also profoundly explored nobility, morality, belief, and faith. The final scenes of the trilogy had me in tears, something not easily accomplished.  

I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.

In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series. 

Who hasn’t dreamt of being able to converse with a wolf? We get our chance in this intriguing story of Fitz Farseer, my all-time favorite character.

There’s much to enjoy in this series—royal assassins, secret mentors, and family betrayal—but what I love most is the outlawed magic that creates a deep bond between Fitz and a fearless wolf named Nighteyes, allowing them to communicate.

Nighteyes, another favorite character, reminds me of my childhood golden retriever, only with sharper fangs and claws. He reveals exactly how much we’re missing out on when we can’t converse with animals like him—sharing their sharper perceptions, grasping the wolfishly obvious, or having our human foolishness pointed out in their bluntly canine way.

Where so many other fantasy novels focus primarily on young characters discovering their abilities, this book introduced me to Durzo Blint, an assassin at the peak of his powers with a legendary reputation and a leave-no-one-alive attitude.

I loved seeing his humanity through his interactions with his apprentice (Azoth/Kylar), but what made this series one of my all-time favorites is knowing that anytime Durzo goes against an enemy, he goes hard and doesn’t stop until he’s the last man left standing. It has insane action, a beautifully dark flavor, and a truly epic story. 

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.

I first read the Belgariad as a series of books as a child. I love the banter between characters, the growth, and development of the characters throughout the story, the way that individuals impact the world, sometimes in great ways and sometimes in small ones, and how there is a contrast between good and evil, hope and despair.

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

I had never planned to read this book, but by a strange twist of fate, it became highly influential for me. I saw the cover art first, featuring the protagonist with his ‘coldfire’ blade and with the dark creeping lines of magic at his feet—this became the basis for an early rendering of the central character in Kiranis.

Rising focuses on a dark power that attacks the minds of humans, thriving on their fear. There was a wonderful tone to this dark fantasy story that permeated the creepy forests in which I recall most of the action taking place; and the anti-hero at the centre of the story occupies this gothic, almost Victorian Stoker-esque world. Tarrant was an ‘evil’ character with the hope of redemption through a woman he falls in love with, and this story, alongside my reading of Gemmell and Feist, taught me how to create more depth… show more.

I like the protagonist—burglar Junior Bender. He’s a good-hearted crook who finds himself entangled in strange situations that are often laugh-out-loud funny. I appreciate that he isn’t just another amoral crook but has his own moral code that fits his lifestyle and profession.

In addition, although he’s a fairly successful thief, he manages to do some pretty inept things, which only add to his likeability. I’ve read books in several other series by this author and find them consistently amusing. 

Stolen jewels. A girl Robin Hood figure. Friendship. And an escape into the jungle with an elephant. Full of adventure and heart, The Girl Who Stole an Elephant provides a window into the lush setting of ancient Sri Lanka, and carried me along with its fast pace. Nizrana Farook’s descriptions are teeming with sensory details, and I thoroughly enjoyed them.